Xから・モーション転送
Toy Motion to Real World Scenes
プロンプト
動画からOraclipが再構成0-8s: A highway traffic jam. A massive yellow excavator bucket enters from the right, scoops up a green sedan, and flips it over. Cinematic lighting, overcast day. 8-14s: A construction site under a clear sky. A crane lowers a metal room module onto a foundation. The building grows into a modern black metal structure.
- モデル
- Seedance
- ワークフロー
- motion transfer
- 長さ
- 14s
- アスペクト比
- 4:3
- カメラ
- static wide, high angle
- スタイル
- cinematic realism, documentary
モーション転送版
参考動画と自分のキャラクター画像と一緒に使ってください。
Use the reference video for motion. Keep the exact object movement, timing, and camera angles; replace toy cars with real vehicles on a highway and the toy excavator with a real yellow excavator bucket. Replace magnetic tiles with prefabricated building modules on a construction site.
ネガティブプロンプト
toys, plastic, hand, fingers, indoor lighting, wooden floor, blurry, low resolution
元の投稿
Playing with my son’s toy cars and magnetic tiles for some Seedance 2.5 testing. The idea was simple: use real toy movement as a motion reference, then see how Seedance translates it into a cinematic real-world scene. A traffic jam made from toy cars became a full-scale road scene. A toy excavator clearing the jam became a massive construction vehicle pushing through real cars. A magnetic-tile house became an actual building attempt. What’s interesting is that Seedance doesn’t just copy the action. It picks up on camera angle, object dominance, timing, contact points, weight, direction, and even accidental scale cues. In one clip, the toy excavator looked huge because it was close to the camera and cropped at the edge of frame. Seedance translated that almost literally, making the real excavator tower over the cars. That’s the fascinating bit. The reference video becomes more than choreography. It becomes a kind of physical prompt: perspective, momentum, gravity, friction, hierarchy, and staging all baked into a few seconds of footage. Basically: tabletop previs -> real-world cinematic scene. Still messy. Still unpredictable. But honestly, that’s what makes it fun. Feels less like prompting now, and more like directing motion with whatever is lying around the house. Share this with someone who still thinks AI video is just about writing better prompts.
プロンプトは参考用にXの公開投稿から集めたものです。権利は元の作者に帰属します。アレンジして使う場合は、必ずクリエイターをクレジットし、出典へのリンクを付けてください。