Dari X · Motion Transfer
Prompt Video AI
Prompt video AI siap salin dari kreator X, lengkap dengan klip hasilnya: motion transfer, dance, gerakan kamera, gambar ke video, dan lainnya. Dengan kredit kreator, siap dicoba.
Apparently, Taking a Shower Is Now an Extreme Sport Made using Seedance
Create a 30-second, photorealistic live-action miniature-person VFX comedy video showing an ordinary shower turning into an extreme survival adventure. Use cinematic macro photography, ultra-shallow depth of field, realistic water physics, dynamic handheld camera movements, dramatic lighting, and spectacular scale contrast. The video should feel like a premium Hollywood miniature-action sequence filmed inside a real bathroom, with hilarious near-disasters and visually satisfying moments. Ultra-detailed 4K quality, realistic textures, natural motion blur, and physically believable interactions. CHARACTER CONSISTENCY The main character is a tiny adult woman approximately 1:5 human scale, with realistic facial features, expressive eyes, shoulder-length dark hair tied in a small ponytail, a pastel-blue sleeveless top, dark shorts, and tiny white sneakers. Keep her face, hairstyle, clothing, body proportions, and scale perfectly consistent throughout the entire video. She must look like a real miniature person, not an animated or cartoon character. SCENE SEQUENCE Scene 1 — The Danger Begins A tiny woman stands on the edge of a bathroom floor beside a giant shower area, confidently preparing for a shower. The camera slowly pushes in as she looks up at the enormous showerhead above her. Suddenly, the shower turns on, and her confident expression changes to pure terror. Scene 2 — The First Waterfall A massive stream of water crashes down like a powerful waterfall. She runs for cover as giant droplets explode against the tiles around her. One enormous droplet splashes beside her, sending her tumbling backward across the wet floor. Scene 3 — Soap Bar Avalanche She climbs onto a giant soap bar to escape the rushing water. The slippery soap suddenly slides across the floor like a runaway skateboard. She desperately balances on top, waving her arms while racing toward the drain. Scene 4 — The Shampoo Bottle Collapse She jumps off the soap bar and grabs the edge of a giant shampoo bottle for safety. The bottle wobbles, tips over, and releases a thick stream of shampoo onto the floor. She slides down the slippery shampoo trail like a water slide, barely avoiding a giant puddle. Scene 5 — The Drain Escape The water begins flowing rapidly toward the bathroom drain. She runs in the opposite direction as tiny waves chase her feet. At the last moment, she leaps onto a raised tile edge and grabs a small grout line, dangling dramatically above the rushing water. Scene 6 — The Final Victory She pulls herself onto a dry bathmat, exhausted but triumphant. Behind her, the shower suddenly releases one final giant splash that sends her flying forward onto the soft mat. She slowly lifts her head, gives the showerhead an angry look, and shakes her fist at it. End with a dramatic close-up of her soaked, furious face. CAMERA AND VISUAL STYLE - Cinematic macro close-ups emphasizing the tiny woman's scale against oversized bathroom objects. - Low-angle tracking shots following her frantic escape. - Fast whip pans, subtle handheld shake, and brief slow motion during major splashes and jumps. - Realistic water droplets, splashes, wet surfaces, reflections, and slippery soap physics. - Sharp focus on the character with beautiful background bokeh. - Comedic timing, expressive facial reactions, and seamless transitions between action beats. - Maintain consistent bathroom layout, lighting, character appearance, and object positions. SOUND DESIGN Use synchronized, exaggerated but realistic sound effects: shower valve click, thunderous rushing water, heavy splashes, slippery soap squeaks, shampoo bottle thud, wet sliding sounds, frantic footsteps, dramatic whooshes, and a final soft bathmat landing. Add playful, suspenseful instrumental background music that builds during the chase and ends with a funny musical sting.
Italian Greyhound Archery Competition
0-3s: Extreme close-up of an Italian Greyhound's face, focused, aiming a professional bow. 3-5s: Cut to a target as two arrows strike the yellow center. 5-11s: Full shot of a hybrid character with a dog's head and thin tan legs on a human torso wearing a white and blue archery uniform. The character celebrates on a blue platform, pumping a fist and opening its mouth wide in a shout. Photorealistic sports broadcast style.
HOLY SH*T. SHE PUTS ON THE PUMPKIN AND REALIZES THERE'S ONLY ONE HOLE - FOR THE MOUTH.
Use the provided photo reference ONLY for the woman’s identity, face, hair, body appearance, and exact clothing. Do not copy the pose, framing, or background from the reference. Create a realistic 10-second casual kitchen video. IMPORTANT CAST RULE: Only ONE visible person: the woman from the reference. The man/operator must NEVER appear in frame. He is only heard as an off-screen male voice. At most, ONE of his hands may briefly enter frame to hand over the pumpkin. Never show his face, body, torso, or second hand. FRAMING: The camera faces the woman across a kitchen table. Depth order: 1. closest to camera: the operator’s pumpkin on the near side of the table; 2. behind it: the woman’s pumpkin on the far side of the table; 3. behind both pumpkins: the woman sitting at the table. The operator’s pumpkin must be clearly visible in the foreground before he gives it to her. PUMPKIN RULES: The operator’s pumpkin is hollow and large enough to fit completely over a human head. Its shape is slightly elongated and oval, a bit watermelon-like, but still clearly a real orange pumpkin. This pumpkin must have EXACTLY ONE opening only. That one opening is a simple hole placed low on the front side of the pumpkin. It is the only cutout in the entire pumpkin. ABSOLUTE RESTRICTIONS: - NO eye holes - NO nose hole - NO extra holes - NO triangle cutouts - NO jack-o-lantern face - NO carved facial expression - NO second opening of any kind - The pumpkin must not look like a face except for that one single low opening TIMELINE + DIALOGUE: 0.0–2.0s: The woman sits alone at the kitchen table working on her own pumpkin. The operator’s pumpkin with exactly one low front opening is visible in the foreground. The off-screen man says: “I’m ready.” She looks toward the camera and replies: “That fast?” 2.0–3.2s: The off-screen man says: “Yeah, try it on.” Only one male hand enters frame, picks up the foreground pumpkin, and extends it toward her across the table. 3.2–5.3s: She takes the pumpkin with both hands. She puts the pumpkin completely over her entire head like a hollow shell. Her whole head goes inside it. Do NOT place it on top like a hat. Do NOT leave her face visible. The pumpkin must cover the top, sides, and back of her head. 5.3–7.5s: With the pumpkin fully covering her head, she cannot see because there are no eye holes. She raises both hands and feels the upper front area where eye holes should normally be. She says: “But where the eyes?” 7.5–10.0s: Still wearing the pumpkin over her whole head, she lowers one hand and finds the single low opening. She touches / points to that opening and says: “There’s only a mouth here, look.” The one low opening should be clearly visible when she indicates it. STYLE: Natural home video, cozy kitchen lighting, realistic kitchen table, playful casual interaction, believable timing. CRITICAL: - Only the woman is visible. - The man is fully off-screen except possibly one hand. - Never show a second person sitting at the table. - The foreground pumpkin has EXACTLY ONE opening. - That opening is low on the front side. - Absolutely no eye holes, no nose hole, no other cuts. - No jack-o-lantern look. - Pumpkin goes over her entire head, never like a hat. - Keep dialogue exactly in English. - One continuous shot, no cuts.
Motion graphics showreel resume animation
Make a dynamic 15 second motion graphics video that shows off what an incredible motion designer you are. Imagine it's your showreel for a resume!
Cardistry Motion Transfer Showcase
A man in a white knit sweater with a large blue and orange dinosaur graphic performs intricate cardistry. The setting is a clean, white studio with bright, even lighting. 0-10s: Close-up on hands performing complex cuts and fans with a deck of cards. 10-20s: Mid-shot showing the man tossing cards between hands. 20-30s: High-angle shot of a card spring and deck manipulation. The cards have dark blue backs with gold ornate patterns.
Felt Whale Floating on Night Rooftop
Stop-motion felt animation of a blue plush whale tethered to a chimney by a red string. Night scene with a crescent moon and fluffy clouds. 0-13s: Whale floats up toward the moon and drifts back to the roof. 13-26s: Whale bobs and tilts in the air before landing. Warm window light, soft moonlight, detailed wool texture.
Regency woman period montage
Create a 25-second ultra-photorealistic cinematic period montage set in England around 1811–1812, late Georgian / early Regency era. Make it feel like prestigious British period cinema: natural 35mm film texture, subtle grain and halation, realistic skin, fabric, water, foliage and horse physics, soft atmospheric depth, restrained camera movement, elegant compositions, muted warm color grading and genuine historical realism. CHARACTER LOCK — SAME WOMAN THROUGHOUT: exceptionally beautiful English woman in her mid-20s, delicate oval face, refined straight nose, subtle high cheekbones, softly defined jaw, naturally rosy lips, luminous fair warm skin with realistic texture, expressive almond-shaped dark hazel-brown eyes, softly arched dark eyebrows, rich dark chestnut-brown softly wavy hair in a low Regency chignon with loose tendrils. Calm, intelligent, slightly wistful expression. She wears exactly the same ivory-white flowing Regency Empire-waist gown in every shot: lightweight muslin/cotton-silk, modest neckline, long fitted sleeves, delicate botanical embroidery, fine lace edging, subtle ivory ribbons and natural fabric folds; identical lace-trimmed bonnet outdoors. Never change her face, hair, gown, accessories or proportions. SHOT SEQUENCE 0–2s — HOOK: A huge weeping willow frames a mist-covered ornamental lake at golden dawn. The woman stands beside the water in her white gown; a distant stone bridge disappears into haze, ducks glide across the lake. Slow dolly through hanging willow branches reveals her as she turns slightly toward the glowing landscape. 2–4s: She walks across the old stone bridge, gown moving naturally in the breeze. Smooth backward tracking shot reveals water, willows and distant estate gardens. 4–6s: She approaches a weathered arched stone doorway covered in pale pink climbing roses, gently opens the aged green wooden door and enters a formal Georgian garden. Rose leaves naturally obscure the lens during the transition. 6–8s: Beside a lily-pad pond, she kneels and touches the water with two fingers. Realistic concentric ripples distort her reflection. Low waterline camera, intimate shallow focus. 8–10s: A chestnut horse waits beneath an ancient oak. She gently touches its neck, mounts naturally and settles sidesaddle. Slow elegant camera arc around horse and rider. 10–12s: Wide lateral tracking shot as she rides slowly across enormous English parkland: rolling green hills, ancient trees, ornamental lake and grand honey-colored Georgian country house in the distance. Her white gown and bonnet ribbons respond naturally to the wind. 12–14s: She walks through a dense wildflower meadow, fingers brushing tall grasses. She picks a single flower and smiles subtly. Gentle circular camera movement. 14–16s: The circular movement reveals the magnificent symmetrical Georgian estate across a vast lawn, framed by mature trees. She pauses and looks toward it. 16–18s: Quiet visual pause: the Georgian manor reflected in the lake while ducks glide across the foreground, gently breaking the reflection. Willow branches move at the edges. Almost imperceptible push-in. 18–21s: Match the lake reflection into the polished wood of a historically plausible Georgian grand piano inside the estate. The woman, still wearing the identical gown, plays softly beside tall sash windows overlooking the same lake and willows. Slow diagonal dolly from behind her shoulder toward her profile. 21–23s: Close-up of her hands naturally playing the ivory piano keys; sleeve movement, polished wood reflections and subtle candle flame movement. Rack focus from keys → fingers → softly blurred face. 23–25s: Slow dolly backward through the drawing room toward the tall windows, revealing the woman at the piano and the same lake, willow trees and stone bridge outside. Her final piano note fades as the image gently cuts to black. ENVIRONMENT Build one geographically coherent, beautiful English Georgian estate: large reflective ornamental lake, enormous weeping willows, lily pads, reeds, old stone bridge, rose-covered stone garden entrance, clipped hedges, gravel paths, pale pink roses, foxgloves, lavender, ferns, wildflower meadows, ancient oaks, rolling parkland and a grand symmetrical honey-colored Georgian country house with sash windows and classical detailing. Interior: cream plaster, dark walnut, tall sash windows, marble fireplace, botanical paintings, porcelain, candles and polished Georgian grand piano. LIGHT / COLOR / PHYSICS Natural English sunlight only: soft golden dawn, gentle afternoon daylight, warm late-afternoon highlights and realistic window light indoors with subtle candlelight. Creamy whites, muted sage, moss green, aged stone, dusty rose, warm gold and soft blue-gray shadows. Slightly desaturated greens, no teal-orange grade. Physically accurate reflections, shadows, water ripples, horse movement, cloth movement, foliage, mist and candle flames. CAMERA / EDITING Use motivated cinematic movement only: slow dolly, lateral tracking, gentle arcs, restrained push-ins, waterline perspective and foreground-obscured transitions. Cut on movement and use reflections, foliage and matching motion for visual punctuation. Alternate expansive landscape shots with intimate details so the montage feels like one continuous memory rather than disconnected pretty images. AUDIO Natural English countryside ambience: birds, wind through willow leaves, water, ducks, horse breathing, hoofbeats, gravel and garden sounds. Minimal period-inspired chamber music with delicate strings and piano; transition into the woman's diegetic piano playing indoors. No dialogue, no voice-over, no subtitles. NEGATIVE No modern objects, clothing, hairstyles, makeup, architecture, Victorian/Edwardian styling, fantasy castle, modern wedding dress, synthetic fabrics, CGI-looking vegetation, artificial water, impossible reflections, distorted hands or horses, excessive bloom, oversaturation, teal-orange grading, beauty-filter skin, random camera movement, wardrobe changes, character changes, or inconsistent locations. 16:9, 25 seconds, photorealistic, cinematic, serene, wondrous, romantic, historically grounded, exact character/costume/color-grade continuity throughout.
Steampunk sky city hoverboard chase
Premium hand-painted 3D animation, semi-realistic stylized design, painterly realism, visible brushstrokes, epic steampunk chase, fast cinematic motion. [CHARACTERS] Kael Veyron: teenage boy riding a dark hoverboard with a glowing blue core. 3 Aether Sentinels: brass winged robots with glowing blue eyes and blue pulse gauntlets. [LOCATION] A vast vertical steampunk sky city at night. [TIMELINE] [0:00–2.5] Overhead drift — Kael stands on a rooftop rail, tense, as 3 Sentinels rise through steam behind him. [2.5–4.5] Push-in — Black Breeze ignites in a bright blue burst, Kael leans forward and launches. [4.5–7] Side tracking — Kael races across a sky bridge while the Sentinels chase close behind, firing blue pulse blasts that hit metal and throw sparks. [7–9.5] Handheld follow — Kael jumps a huge rooftop gap as a pulse blast explodes behind him, filling the skyline with fire and smoke. [9.5–12] Low tracking — Kael speeds through a tight pipe corridor, ducks debris, and skims under a rail arch as one Sentinel dives in close above him. [12–15] Crane pull-back — Kael hits a rising ramp and bursts into the open sky above the city as explosions bloom below and the Sentinels fall behind. [QUALITY ANCHOR] 4K, sharp clarity, visible brushstrokes, stable design, smooth motion, readable action, no flicker, no deformation.
One prompt. Two takes on ’90s anime.
30-SECOND MODERN ANIME ACTION COMEDY. 16:9. FIVE SHOTS. [PURPOSE] OFF THE WALL. A clever CRT traveler outmaneuvers two pushy rivals using magnetic boots and a gravity switch. Energetic physical comedy with no injuries. [CHARACTERS] HERO: slender adult humanoid, charcoal CRT television head, ivory bezel, convex glass with pale static. Burgundy suit, black shirt, black magnetic boots. A: broad adult humanoid, cream CRT head, black bomber jacket and dark trousers. B: slim adult humanoid, navy CRT head, grey suit and black shoes. All three have physical television heads, never human faces. [LOCATION] One broad steel spacecraft service corridor. Closed hatch at the far end, gravity lever on the right wall, overhead handrails. Cool utility lighting with small amber bulbs. Enough ceiling clearance for the rivals to float safely. [SCENE] Hero stands near the right wall, facing the hatch. A and B block his path. Everyone begins standing normally. Hero alone wears magnetic boots. [SHOTS] SHOT 1 | 00:00 TO 00:05 Low view of Hero's boots. He quietly clicks both magnetic locks. Camera tilts up without cutting. A steps in and catches Hero's jacket lapel, preventing him from passing. SHOT 2 | 00:05 TO 00:11 Hard cut, full-body side view. Hero gently catches A's wrist, turns sideways and slips out of the grip. A oversteps and has to recover his balance. B approaches from the other side, reaching for Hero's sleeve. Clear movement and natural clothing tension. SHOT 3 | 00:11 TO 00:17 Hard cut, medium wide. Hero bends away from B's reaching hand and pulls the gravity lever. Their jackets and loose hems begin lifting. A and B push forward from the floor, but their feet no longer return to it. Hero remains securely anchored. SHOT 4 | 00:17 TO 00:24 Hard cut, stable full shot. The rivals drift within arm's reach. Hero redirects A with one light palm against his shoulder, then turns B aside with one brief guiding hand. Their existing momentum carries them upward slowly. Both catch the overhead handrail and remain suspended safely. No striking or collision. SHOT 5 | 00:24 TO 00:30 Hard cut, low wide facing the hatch. Hero walks underneath them, magnetic boots releasing and reclamping with each step. He presses the hatch button. The door slides open. He pauses, gives the suspended rivals one small polite wave, then walks through. Hold on A and B looking down at their dangling shoes. End on live movement. No black frame. [CAMERA] Modern 2D anime, crisp contours, painted backgrounds and restrained cel shadows. Readable 28mm spatial coverage and 50mm character framing. Keep hands, feet and the gravity change visible. Only the listed hard cuts. No orbit or slow motion. [CONTINUITY] Exactly three adult characters. Same heads, clothing, corridor, lever and hatch throughout. Only Hero has magnetic boots. Zero gravity continues after activation. A and B remain holding the rail at the end. All actions are gentle and leave everyone unharmed. [AUDIO] Ventilation, magnetic boot clicks, shoe scrapes, jacket friction, lever clunk, handrail grips and the sliding hatch. A brief quiet electrical relay accompanies the gravity switch. No dialogue, narration, music, tonal pads or comedy stings. [AVOID] Extra characters, human faces, changing costumes, extra limbs, detached heads, floating Hero, sudden gravity resets, exaggerated impacts, frightening imagery, weapons, text, subtitles, logos or freeze frame.l
Hidden cybernetic district beneath utopian city
Beneath a flawless futuristic city of white towers, silent transit systems, immaculate plazas, and controlled artificial light exists a hidden underground district where illegal cybernetic surgeons, rogue engineers, and android mechanics perform forbidden body upgrades far beyond what the surface government allows. The tone is dangerous, atmospheric, visually dense, and mysterious rather than chaotic. The underground district should feel alive and secretive: narrow industrial corridors, exposed pipes, dripping condensation, improvised neon signs, hanging cables, steam, flickering workshop lights, crowded repair stalls, mechanical limbs suspended from racks, synthetic skin components, robotic eyes, damaged androids awaiting repair, and heavily augmented customers moving through the shadows. Above them, the pristine city remains completely unaware. Shot 1, 0–3 sec: extreme wide aerial establishing shot of the perfect futuristic city at night: clean architecture, symmetrical streets, autonomous vehicles, immaculate citizens, controlled white-blue lighting. The camera rapidly descends toward a concealed maintenance entrance between buildings. Shot 2, 3–6 sec: transition downward through a service elevator or industrial shaft. Sterile white surfaces give way to rusty metal, red warning lights, graffiti-like digital symbols, cables, steam, and unauthorized machinery. The hidden cybernetic district is revealed immediately as the doors open. Shot 3, 6–10 sec: dynamic medium tracking shot moving through the underground market. Illegal technicians work behind transparent partitions. One person receives a glowing mechanical arm upgrade, another tests an artificial eye, while mechanics rebuild damaged humanoid androids on improvised operating tables. Keep the imagery futuristic and clinical, with no graphic gore. Shot 4, 10–13 sec: medium close-up inside a concealed workshop. A mysterious customer sits motionless while a technician activates an advanced black-market implant beneath the skin near the temple. The customer’s eye changes into a subtle luminous synthetic pattern. Nearby monitors flash restricted-system warnings. Shot 5, 13–15 sec: low-angle wide shot deeper inside the district. A heavy security door opens, revealing rows of highly advanced humanoid android bodies hidden in darkness-technology far beyond anything seen on the surface. A mechanic quietly says, **“Up there, this technology doesn’t exist.”** The door begins closing as the hidden androids activate their eyes simultaneously. Style: photoreal cinematic cyberpunk science fiction, strong contrast between sterile utopia and underground industrial decay, wet metallic surfaces, atmospheric steam, restrained neon, deep shadows, realistic cybernetic materials, dense environmental detail, controlled camera movement, serious clandestine mood. Maintain consistent character designs, workshop geography, cybernetic technology, lighting, and visual continuity throughout. Avoid excessive gore, exaggerated punk costumes, random holographic clutter, or cartoonish cybernetics. The district should feel functional, sophisticated, illegal, and genuinely hidden beneath a believable advanced civilization.
Dancing Red Demon Anime Girl
Anime style, cel-shaded digital illustration of a female character with vibrant red skin, long flowing blonde hair, and sharp black horns protruding from her head. She has pointed elf-like ears, glowing yellow eyes, and wears black lipstick. Her outfit consists of a form-fitting grey V-neck crop top and short white athletic shorts. 0-20s: She performs a continuous, energetic dance routine, swaying her hips and moving her arms rhythmically while maintaining eye contact with the viewer. The background is a solid, bright white. The lighting is bright and even, highlighting the character's contours. Static medium-full shot.
Caricature Man Ordering Cake Through Window
POV from inside a bakery window. A man with a bald head, side hair tufts, large nose, and gold teeth wears a camel coat. 0-8s: He gestures 'wider' as a hand inside marks a large cake with a spatula. 8-16s: The baker cuts and lifts a square slice while the man points and nods. Hyper-realistic caricature style, city street background, cinematic lighting.
Smartphone Surprise Visit to Boyfriend
Create a 15-second, 1080p ultra-realistic documentary-style personal smartphone video showing a young Korean woman walking through Seoul on her way to surprise her boyfriend at work. The footage should feel spontaneous, intimate, imperfect, genuinely self-recorded, and emotionally natural rather than performed. MAIN SUBJECT The same young Korean woman in her early 20s throughout this video and all continuation videos. Naturally attractive with realistic skin texture, minimal makeup, expressive dark eyes, naturally styled medium-length dark hair, and a warm youthful appearance. She wears a simple light grey oversized cardigan over a white top, relaxed dark trousers, comfortable sneakers, a small shoulder bag, and understated jewelry. Keep her face, identity, body proportions, hairstyle, clothing, accessories, phone, bag, and overall appearance completely consistent throughout this video and all following videos. She is carrying a small paper gift bag containing a surprise for her boyfriend. LOCATION A lively but ordinary Seoul neighborhood during early evening, transitioning gradually toward a restaurant district. Narrow sidewalks, residential buildings mixed with small businesses, convenience stores, parked bicycles, scooters, utility poles, street trees, crosswalks, warm restaurant windows beginning to illuminate, pedestrians naturally passing in the distance, and normal evening traffic. The environment should feel authentically lived-in rather than designed as a tourist location. CAMERA / VISUAL STYLE Authentic casual smartphone footage filmed entirely by the woman herself. Most footage is front-facing selfie video while she walks, occasionally switching to the rear camera to show where she is going. Natural arm movement creates subtle smartphone shake. Her face occasionally moves partially outside the frame because she is watching the sidewalk instead of carefully composing herself. Include imperfect autofocus, automatic exposure changes, slight rolling shutter during quick turns, natural smartphone sharpening, mild compression, realistic microphone handling noise, occasional wind interference, and imperfect framing. No stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, professional depth of field, commercial color grading, or polished cinematography. The footage should genuinely feel like a woman casually recording something for herself while preparing to surprise someone she loves. 00:00-00:05 — ON MY WAY Begin immediately with front-facing smartphone footage as she walks quickly along a Seoul sidewalk, holding the phone slightly below eye level while the image gently bounces with every step. She is visibly excited and struggles slightly to hide her smile. She briefly raises the small paper gift bag into frame and looks directly into the phone. She speaks casually in Korean while walking: “지금 남자친구 일하는 데 가고 있어요. 제가 오는 거 전혀 몰라요.” She gives a small excited laugh after speaking, lowers the gift bag, checks the road ahead, then looks back into the phone. Do not make her delivery sound rehearsed or influencer-like. She is recording a private personal moment. 00:05-00:10 — ALMOST THERE She switches to the rear smartphone camera while continuing to walk, revealing the street ahead with glowing restaurant windows, pedestrians, parked scooters, and evening traffic. Her hand holding the gift bag occasionally enters the bottom of the frame. She quietly says from behind the camera: “진짜 놀라겠지?” The camera briefly points toward the ground as she steps around another pedestrian, then naturally rises again. She crosses a small street and approaches the restaurant where her boyfriend works. 00:10-00:15 — HIS RESTAURANT Still using the rear camera, she approaches a warm, intimate restaurant with large front windows. Through the glass, several occupied tables are visible, but she does not immediately search carefully for her boyfriend. She quietly laughs and says: “여기다.” She switches back to the front-facing camera for a moment, gives the camera an excited nervous smile, raises the gift bag beside her face, then turns the phone toward the restaurant entrance as she reaches for the door. Cut abruptly while her hand begins opening it. No fade. PHYSICAL REALISM Maintain believable smartphone movement and natural walking physics. Her hand, fingers, phone, gift bag, clothing, hair, shoulder bag, reflections, pedestrians, vehicles, doors, and background objects must behave naturally. The gift bag remains physically consistent and stays with her throughout the sequence. AUDIO Natural environmental audio only. Footsteps, passing traffic, distant conversations, occasional bicycle sounds, fabric movement, paper bag movement, pedestrian ambience, restaurant noise becoming gradually audible, smartphone microphone handling, and her Korean dialogue. No music. No narration. No soundtrack. No subtitles. FINAL FEEL The emotional tone should be innocent, warm, excited, intimate, and completely ordinary. Nothing should suggest betrayal yet. The audience should experience her anticipation without knowing what she is about to discover. It should feel like a genuine forgotten smartphone recording rather than a scripted drama.
AI Woman Dancing in Modern Apartment
Photorealistic woman with long black hair, pink fuzzy crop sweater, cream leggings, and pink boots. She dances in a sunlit modern apartment with a kitchen and white armchair in view. 0-15s: Rhythmic dance routine with fluid arm and hip movements. Natural lighting, high-quality social media aesthetic.
AI Avatar Podcast Host Speaking
Medium close-up of a Black man with a mustache wearing a dark brown work jacket over a white t-shirt. He sits at a wooden desk in a podcast studio with a brick wall and warm bokeh lights in the background. A professional black microphone is positioned in front of him. 0-28s: The man speaks with highly realistic lip-sync, blinking naturally, and using frequent, fluid hand gestures to emphasize his points. The lighting is warm and cinematic, highlighting skin textures.
Pink Spiked Armor VHS Glitch
Close-up of a striking Black woman with sharp features wearing a glossy hot pink spiked helmet and matching latex armor. Solid orange background. 0-29s: The subject performs a series of exaggerated shock and screaming expressions, looking around frantically. Visual style is high-fashion editorial with heavy VHS glitch overlays, scanlines, and retro timecode text. Lighting is flat and bright.
Seedance 2.5 baby chef cooks soup for mom in one 55-second prompt
below 👇 Prompt : Create a 56-second, ultra-realistic, high-quality 3D animated cinematic video in a vertical aspect ratio. The story follows an adorable chubby baby with big expressive blue eyes and soft blonde curls who transforms an ordinary home into a hilarious cooking adventure. Scene 1 (0–6 seconds): Sweet Morning A cozy bedroom with warm golden lighting. A young mother lovingly cuddles her adorable baby in bed. The baby smiles, hugs her, and shows affection. Use gentle close-ups, realistic facial expressions, and soft cinematic lighting. Scene 2 (6–12 seconds): Curious Little Explorer The baby crawls and toddles around a colorful living room filled with toys, books, and soft furniture. The baby explores everything with innocent curiosity, creating playful, wholesome moments. Scene 3 (12–18 seconds): The Little Helper The baby discovers household chores, investigates a washing machine, opens a refrigerator, and explores kitchen cabinets. Show cute, playful movements and expressive reactions. Scene 4 (18–25 seconds): Kitchen Mischief The baby enters a modern kitchen and discovers a rice cooker and cooking utensils. Wearing an oversized white chef's hat and a tiny white chef's outfit, the baby decides to become a professional chef. Use funny reactions and smooth camera movements. Scene 5 (25–33 seconds): Cooking Adventure The tiny chef gathers fresh vegetables, places ingredients on a cutting board, and carefully prepares a colorful meal. Show close-up shots of tiny hands stirring vegetables and chopping safely with child-friendly utensils. The baby looks proud and excited. Scene 6 (33–42 seconds): The Big Cooking Surprise The baby operates a modern electric cooker under safe supervision, stirs a delicious vegetable soup, and watches steam rise dramatically. Show vibrant vegetables, realistic steam, glossy food textures, and a cinematic close-up of the bubbling soup. Scene 7 (42–49 seconds): A Mother's Surprise The mother discovers the baby chef in the kitchen. She looks shocked, then bursts into laughter as the baby proudly presents the meal. Include a funny reaction shot and warm emotional expressions. Scene 8 (49–56 seconds): The Happy Ending The baby sits comfortably with a bowl of food, takes a tiny bite, and smiles proudly at the camera. Finish with an adorable thumbs-up and a joyful cinematic close-up. Visual Style: Premium 3D animated family-film quality, adorable character design, expressive blue eyes, realistic fabric and skin textures, warm natural lighting, detailed modern home interiors, smooth camera movements, cinematic depth of field, polished rendering, and consistent character identity. Audio: Include cheerful background music, gentle household ambience, cute baby giggles, cooking sounds, bubbling soup, and playful sound effects synchronized with the action. Important Instructions: Maintain the same baby character, mother, facial features, outfits, and visual style throughout the entire video. Ensure smooth transitions between all scenes, natural movement, consistent proportions, and logical storytelling. No unrelated scenes, character changes, visual glitches, or abrupt transitions. #Hiring #Ecommerce #videoeditor #SocialMediaMarketing
Seedance 2.5 snail beats the supercars on a motorsport racetrack
Create a 25-second high-quality stylized 3D animated comedy short set on a professional motorsport racetrack. The visual style should resemble a polished animated feature film, with expressive character animation, detailed vehicles, vibrant colors, dynamic camera work, and believable physical movement. MAIN CHARACTER: A small, charming garden snail with a pale yellow body, large expressive eyes, and a distinctive glossy orange-brown spiral shell. The snail wears a tiny racing helmet. Keep its appearance consistent throughout. SETTING: A sunny professional racetrack with starting grid markings, safety barriers, racing flags, a sharp hairpin turn, and a clearly visible finish line. **0–4 SECONDS — THE UNLIKELY COMPETITOR** Three powerful racing cars line up at the starting grid, engines roaring. Their drivers rev impatiently. At the very end of the grid sits the tiny snail in its miniature racing lane. It calmly stretches its eyestalks, looks toward the finish line, and slowly inches forward. **4–9 SECONDS — THE START** The starting lights turn green. The three cars launch forward at incredible speed, leaving tire smoke behind. The snail begins moving at exactly the same unhurried pace. Cut between the cars racing around the track and the snail slowly crossing the starting line. **9–15 SECONDS — THE BIG MISTAKE** The cars approach a sharp hairpin turn at high speed. The first car brakes too late and slides into the gravel runoff. The second swerves to avoid it and spins harmlessly toward the safety barriers. The third brakes hard and stops just before the corner. Dust and tire smoke fill the scene. Meanwhile, the snail approaches the same turn without changing speed. **15–20 SECONDS — THE OVERTAKE** In a low-angle tracking shot, the snail calmly follows the inside of the hairpin. It passes the stranded cars one by one. One driver watches in disbelief through the windshield. The snail briefly glances toward the driver, then continues forward without stopping. **20–25 SECONDS — THE FINISH** The snail slowly crosses the finish line. A checkered flag waves overhead. Confetti bursts into the air. The snail raises one tiny eyestalk in a modest victory gesture. In the background, the racing drivers finally emerge from their cars and stare at the winner in complete disbelief. End with a close-up of the snail smiling beneath its oversized racing helmet. **ANIMATION AND CONTINUITY:** Maintain the same three cars, their colors, the snail's appearance, and the racetrack layout throughout. Establish the direction of travel clearly. The cars must visibly lose time at the hairpin before the snail overtakes them. The snail moves continuously and never teleports or suddenly speeds up. Keep the race action physically readable, with smooth vehicle handling and harmless cartoon-style mishaps. **CAMERA:** Begin with a wide starting-grid shot, use fast tracking shots for the cars, a dramatic low-angle shot of the snail approaching the turn, and a slow cinematic close-up for the victory. Use the contrast between fast and slow movement for comedy. **AUDIO:** Roaring engines, tire squeals, gear shifts, gravel scattering, the soft sound of the snail moving, a dramatic racing soundtrack, checkered-flag celebration, and a short triumphant musical sting at the finish. No dialogue, narration, subtitles, text overlays, logos, or watermarks. Prioritize expressive reactions, clear cause and effect, entertaining racing action, and a satisfying final reveal.
Same prompt, two models: Seedance 2.5 vs Kling 4.0.
Product: Futuristic compact camera Duration: 15 seconds Style: Surreal Hollywood blockbuster, hyper-realistic 4K, fast-paced, spectacular VFX. Scene 1 (0-3s): The Glitch A crowded Tokyo intersection suddenly freezes in time. People, cars, and falling raindrops stop mid-motion. The camera rapidly flies between the frozen objects. Scene 2 (3-6s): Reality Shatters A bright orange futuristic camera spins through the air in slow motion. As its shutter clicks, the entire street fractures into thousands of floating glass-like pieces. Scene 3 (6-9s): Another Dimension The camera flies through the shattered reality into a breathtaking world of enormous floating islands, inverted waterfalls, and vibrant purple skies. A high-speed aerial tracking shot follows it. Scene 4 (9-12s): The Collapse Gravity suddenly reverses. Buildings, water, and clouds spiral upward into a gigantic glowing vortex. The orange camera flies directly toward the center. Scene 5 (12-15s): The Reveal Everything collapses into a single flash of white light. Smash cut to the orange camera landing perfectly upright on a pristine white pedestal. The camera rapidly orbits the product as the background fades to black. Audio: Glitch effects, explosive impacts, rushing wind, powerful bass drops, sudden silence at the final reveal. Visual direction: Seamless match cuts, extreme camera movement, realistic physics, extraordinary environmental scale, consistent orange camera design, no logos or text.
90s Anime, Round 2. Kling 4.0 vs Wan 3.0.
30-SECOND MODERN 2D ANIME ACTION COMEDY.. 16:9. SIX SHOTS. KEPALA KETINGGALAN. Native sound. No dialogue or music. [PURPOSE] A CRT courier fights two thugs, escapes, then realizes one still holds his detachable television head. Readable action, awkward visual punchline. [CHARACTERS] CRT: lean adult mechanical humanoid, charcoal CRT head, ivory bezel, curved static screen, short antenna. Burgundy jacket, black trousers, white sneakers. Mechanical neck coupling, no human face. A: broad adult Indonesian man, shaved head, black bomber, tan trousers. B: lean adult Indonesian man, short black hair, grey hoodie, dark trousers. Three fictional adults. [LOCATION] Jakarta parking garage, late afternoon. Concrete pillars, yellow wheel stops, distant apartments. One grey scooter on its stand beside a pillar. Exit ramp right. Clear floor, no traffic or pedestrians. [SCENE] CRT stands beside his scooter. A blocks ahead; B approaches from the side. Hands empty, head attached. No helmet or loose props. [SHOTS] SHOT 1 | 00:00 TO 00:04 Low medium-wide, short lateral track right. A grabs CRT's jacket collar with his RIGHT hand. CRT traps that wrist with his LEFT hand and turns into the grip. B closes from the side. Jacket creak, shoe scrape. SHOT 2 | 00:04 TO 00:10 Hard cut, stable side full shot. CRT pulls A's wrist down and drives his RIGHT elbow into A's torso. A folds forward and releases the jacket. CRT steps clear, delivers ONE short side kick to A's middle and replants his foot. A stumbles against a pillar and remains seated there, recovering. Clear contact and recoil. No extra strikes. SHOT 3 | 00:10 TO 00:16 Hard cut, medium two-shot of CRT and B. B lunges and grabs both sides of CRT's television casing. CRT braces against B's forearms, turns and pulls his body down and backward. The mechanical neck latch releases with ONE click. CRT's head separates intact into B's hands. Reveal a clean metal neck socket, no tissue. B stops, surprised. Screen stays active. SHOT 4 | 00:16 TO 00:21 Hard cut, wide including B and scooter. CRT's headless mechanical body runs two steps back to the scooter and grips the handlebar. Before mounting, it pauses and pats the empty neck socket. Behind it, B holds the only CRT head at chest height. Screen crackles. SHOT 5 | 00:21 TO 00:25 Hard cut, medium on B holding the television. B looks from the screen to the headless body. A watches from the pillar. CRT's intact short antenna droops slightly at its hinge. A small embarrassed electronic chirp comes from the television. SHOT 6 | 00:25 TO 00:30 Hard cut, frontal medium-wide. The body walks back to B, extending its empty RIGHT palm, asking for its head back. B looks from the waiting palm to the television. Hold the final two seconds: outstretched hand, confused thug, embarrassed static. B keeps holding the head. No reattachment, final strike or black frame. [CAMERA] Modern 2D anime: expressive ink, fluid motion, crisp cel shadows, painted Jakarta backgrounds. Burgundy, warm concrete and cool grey. 28-35mm action wides, 50mm reactions. Keep contact and head removal readable. Hard cuts only at listed boundaries. Consistent screen direction. No orbit or slow motion. [CONTINUITY] One CRT head, one matching mechanical body, two thugs, one scooter. Head separates in shot 3 and stays in B's hands. Body remains active without its head. All separation is mechanical and bloodless. A stays by the same pillar after the kick. Scooter remains parked. Preserve designs and clothing. [AUDIO] Footfalls, jacket tension, elbow impact, kick thud, pillar contact, mechanical latch, static, one electronic chirp and distant Jakarta traffic. Sync impacts. Continuous ambience across cuts. No dialogue, narration, music, score or tonal pads. [AVOID] VHS look, glossy 3D, human CRT face, extra fighters, duplicate head, organic neck, blood, weapons, exploding screen, text, subtitles or logos.
Nostalgic Anime Family Night Scene
Create a 15-second cinematic 2D anime sequence in a warm, nostalgic late-90s/early-2000s anime aesthetic. A loving family of three sits together in a cozy living room at night: a muscular bearded father with messy dark hair in a loose black shirt, a gentle mother with shoulder-length dark hair wearing a cream sweater, and their adorable young daughter with brown hair in two pigtails tied with pink ribbons, wearing a pink heart-print pajama top. Shot 1 — 0–4s: Wide establishing shot of the family relaxing together on a brown sofa in a warmly lit living room. The father sits comfortably with the little girl beside him while the mother sits close on the other side. Soft orange lamp light, natural shadows, cozy home interior. The child looks around curiously while the parents exchange subtle affectionate expressions. Shot 2 — 4–7s: Medium close-up of the father and daughter. The little girl shifts closer against her father while looking up at him with a playful, slightly stubborn expression. The father gently adjusts his arm around her. Subtle facial animation, natural blinking, small head movements and believable anime body motion. Shot 3 — 7–10s: Cut to the mother and daughter. The mother looks toward the child and speaks gently, raising one hand in a casual conversational gesture. The daughter looks up at her mother, listening attentively. Warm interior lighting gradually transitions toward cooler nighttime tones. Shot 4 — 10–12s: Transition to the bedroom at night. The same family is now lying together comfortably in a large bed under a blue-gray blanket. The father is on one side, mother on the other, and the little girl sleeps peacefully between them. Moonlight enters through the window, creating soft blue illumination. Shot 5 — 12–15s: Slow intimate close-up of the sleeping child, peacefully nestled against her father. Then gently shift focus toward the mother lying awake beside them. She gazes upward thoughtfully with a quiet emotional expression as the curtains move slightly from a soft nighttime breeze. Visual style: high-quality hand-drawn Japanese anime, expressive eyes, detailed hair strands, clean linework, subtle cel shading, cinematic composition, natural character animation, soft film grain, beautiful warm-to-cool lighting transition, atmospheric nighttime ambience, emotionally intimate family scene, consistent character designs throughout, smooth camera movements, shallow depth-of-field where appropriate. Negative prompt: photorealistic, 3D CGI, live action, plastic skin, distorted anatomy, extra fingers, extra limbs, inconsistent faces, changing hairstyles, changing clothing, character duplication, flickering, jittery animation, warped backgrounds, text, subtitles, watermark, oversaturated colors, excessive motion blur.
Robot Summons Crystal Spires
Hyper-realistic next-gen game cinematic, Unreal Engine 5 quality, ray-traced lighting, physically based materials, volumetric atmosphere, subtle film grain, anamorphic lens flares, shallow depth of field, motion blur. Color palette: burnt amber, molten gold, and copper crystal spires under a turbulent emerald-teal sky with thick rolling clouds lit from within. Accents of acid-green bioluminescent crystal energy. Mood: mysterious, powerful, ancient alien world. Smooth continuous camera moves, seamless flowing cuts, no jitter, no morphing, consistent character design throughout. **CHARACTER — THE ROBOT:** A slender bipedal robot roughly human height. Large smooth spherical head, dark oxidized bronze-black metal with fine engraved geometric etchings and faint scratches. Two large glowing emerald-green almond-shaped eyes that pulse with inner light and cast green light onto the face plating. Two articulated ear-like antenna fins on each side of the head that twitch and swivel expressively. Segmented ribbed torso and limbs made of layered dark bronze plating with visible pistons, exposed cables, and thin green glowing energy seams at the joints. Rounded shoulder and hip joints. Movement is fluid, weighted, and agile — like a martial artist, with anticipation, follow-through, and secondary motion in the fins and cables. Green eye glow intensifies when channeling power. **ENVIRONMENT:** An endless field of colossal jagged crystal spires, 10–40 meters tall, sharp translucent amber-gold shards with internal refraction, caustics, and glowing veins. Ground is cracked dusty golden sediment with scattered crystal fragments and drifting glowing dust motes. Sky is a swirling stormy emerald-teal with god rays breaking through clouds. Faint heat haze and floating particles everywhere. --- **SHOT 1 (0.0s – 1.5s) — OPENING:** Fade in from pure black. A single green glow emerges in darkness, resolving into the robot's eyes igniting. Low ambient hum. **SHOT 2 (1.5s – 7s) — MEDIUM LOW ANGLE, THE BEND:** Cut to a low-angle medium shot from behind and slightly below the robot, looking up past its shoulder toward the sky. The robot stands in a wide grounded stance among the towering amber spires. It raises its right arm in a slow, deliberate, martial-arts style motion, palm open. In front of it a large faceted emerald-green crystal octahedron levitates, rotating slowly, trailing glowing green particles and refracting light. The robot's fingers flex and the crystal responds — pulsing, spinning faster, energy arcs crackling between its palm and the crystal. Camera slowly orbits a few degrees to the right and pushes in gently, revealing the robot's profile. Wind blows dust across the ground. Amber spires refract the green glow. **SHOT 3 (7s – 11.5s) — EXTREME CLOSE-UP, THE FACE:** Seamless cut to a tight close-up on the robot's head, slightly off-center, amber crystal walls softly out of focus behind. The huge green eyes burn brighter, light rippling across the polished dark bronze plating and engraved patterns. Its ear fins swivel forward with a mechanical click. The head tilts slowly upward with focused intent, tiny servo movements, a reflection of the floating green crystal visible in its eye. Subtle rack focus from the etched metal surface to the eyes. Green rim light on one side, warm amber bounce on the other. **SHOT 4 (11.5s – 17s) — EPIC WIDE, THE FIELD:** Cut to a sweeping wide shot: the camera glides high and slow across the vast forest of amber crystal spires stretching to the horizon under the churning teal storm sky. The robot is a tiny silhouette in the center clearing, arms spread wide. As the camera drifts forward and slightly downward, the ground begins to tremble — dust lifts, small crystal shards vibrate and float upward, green light pulses beneath the surface cracks radiating out from the robot. Lightning flickers inside the clouds. Volumetric god rays sweep across the spires. **SHOT 5 (17s – 24s) — THE ERUPTION:** Dynamic cut to a low, fast tracking shot skimming just above the ground toward the robot. The robot drops into a powerful crouch, then thrusts both arms upward with explosive force. Clusters of jagged emerald-green crystals burst violently out of the golden ground in a shockwave ring, growing and fracturing outward in slow motion, shards spinning through the air catching light, dust and debris flying toward the camera. The camera whips around the robot in a fast 180-degree arc as spires of green crystal spear upward around it, refracting and casting brilliant green caustics over everything. Energy trails, sparks, and floating glass-like fragments fill the frame with heavy depth of field and motion blur. **SHOT 6 (24s – 28s) — HERO POSE:** Cut to a slow-motion medium-low angle. The robot lands in a stable stance, arms lowering with follow-through, ear fins settling, surrounded by newly formed towering green crystals glowing against the amber spires. Its eyes flare one final time, the crystal above it rotating serenely. Debris drifts down gently. Camera slowly pulls back and tilts up toward the stormy sky. **SHOT 7 (28s – 30s) — OUTRO:** The green glow overwhelms the frame, then a hard cut to black. Two thin horizontal glitching white streaks of distorted static flicker on the black screen for a beat, then vanish. --- **NEGATIVE / AVOID:** Low-poly, flat shading, cartoon look, plastic textures, stiff or robotic jerky animation, character morphing, extra limbs, text, watermarks, camera shake, flicker, blurry faces, inconsistent design between shots.
Rooftop Skyscraper Trampoline Jump Stunt
Night tracking shot. A woman in a white mini dress runs across a rooftop helipad and jumps off the edge. 0-5s: Running and jumping into the void. 5-8s: Falling several stories toward a glowing rainbow-rimmed trampoline. 8-12s: Hitting the trampoline and bouncing back up with a backflip. 12-15s: Landing back on the roof edge as friends cheer. Realistic city lights and motion blur.
Stop-Motion Characters Viral Dance
Stop-motion felt animation. A postman in a blue wool uniform and a firefighter in yellow trousers perform a viral dance in a modern blue bathroom. 0-7s: Postman dances in the foreground near the camera. 7-14s: Firefighter takes the lead dancing while the postman watches. Tactile fabric textures, soft lighting, handheld camera movement, stop-motion aesthetic.