Dari X · Motion Transfer
AI product video prompts
Prompts for showing a product on camera: 360° turntables, slow macro passes over materials, hero reveals and lifestyle placements. Useful for ecommerce listings and short ads where the product has to stay accurate from the first frame to the last.
Let's Try Roadster now Seedance 2.5 on DomoAI_ Prompt TITLE: "TRY THIS
TITLE: "TRY THIS ROADSTER". A 28-second high-budget live-action car commercial, filmed for real on location by a professional crew with camera cars, a drone, a runway crane and an air-to-air camera jet. Shot on 35mm film: warm natural light, soft halation, fine grain, real motion blur, smooth stabilised moves with subtle handheld life. Every shot is at real-time speed with no slow motion, cut fast and punchy. The effects are flawless and invisible. Nothing looks digital or animated. ASSETS: - Roadster: the car, with the same shape, silver-white colour, scale and RDSTR plate in every shot. - Character: the woman, with the same face, hair and outfit throughout. - Racer: the man, an original racing driver in a plain white-and-silver race suit with no logos. - Interior: the cabin, left-hand drive, with her always seated on the left behind the yoke. - FlightFX: whenever the car hovers or flies, exactly four thin, semi-transparent white cold-gas vapour jets blow straight down from beneath it. They are soft and misty, with no glow and no flame. - Courtyard, Desert and Runway: the locations. Each scene stays strictly in its own location. Use every image for appearance only, never its background. PHYSICAL REALISM: the car is always lit by the scene's own sun, casts a real moving shadow, reflects its surroundings, and is a normal 4.5 m sports car in scale. The camera always physically moves with the action. SCENE 1, COURTYARD [0s-7s], location Courtyard (old stone college building, soft overcast daylight): [0-1.5s] LOW DETAIL: the camera glides past the car's front wheel and sculpted silver flank, with the two people walking toward it in the background. [1.5-3.5s] MEDIUM, OVER THE SHOULDER: Racer rests a hand on the car's roof, smiles and says, "Try this Roadster." Character, facing him, lights up and replies, "It looks amazing!" [3.5-5.5s] MEDIUM: she opens the driver's door, slides into the left seat and runs her hand over the yoke, admiring the cabin. [5.5-7s] LOW WIDE: the door closes with a solid thunk and the car starts with a soft electric hum. SCENE 2, DRIVE-AWAY [7s-8s]: LOW TRACKING on a leafy street. The car accelerates past the lens with a rush of air, a light smoky haze curling off the tyres toward camera. SCENE 3, DESERT CAMELS [8s-12s], location Desert (golden-hour highway, dunes, acacias): [8-9s] CHASE behind the car: about 12 real camels scattered naturally on and beside the road turn their heads toward it, and one groans. [9-10s] LOW REAR: the four vapour jets fire downward, smoke and sand billow out from beneath the car, and it lifts off the asphalt. [10-11s] LOW ANGLE among the herd: a camel's head fills the foreground. Behind it, the car flies overhead and completes one smooth barrel roll around its nose-to-tail axis, with thin vapour trails behind it. [11-12s] LOW REAR CHASE: the car lands softly on the road in a burst of smoke and dust and drives on. SCENE 4, STREET SWEEPER [12s-15s], suburban autumn street: [12-13s] MEDIUM WIDE: a tired street sweeper in an orange high-visibility vest stands beside a huge pile of leaves. The car hovers low beside the kerb, and she smiles at him from her open window. [13-15s] LOW GROUND: the jets blast the pile into a swirling cloud of orange leaves and vapour. It clears to reveal a spotless sidewalk and the sweeper laughing in amazement. SCENE 5, APPLE TREE [15s-17s], sunny green orchard: [15-16s] WIDE TRACKING: the car flies in low and hovers beside a big apple tree heavy with red apples, its jets rustling the grass. [16-17s] MEDIUM CLOSE-UP at her window: she reaches out, twists and plucks a shiny red apple, the branch springs back, and she smiles at it. SCENE 6, CABIN [17s-18s]: MEDIUM INTERIOR side profile. She drives with one hand on the yoke and a relaxed, happy smile, warm light streaming through the glass. SCENE 7, RUNWAY TO THE SKY [18s-28s], location Runway (golden sunset, unbranded white private jet): [18-19.5s] LOW WIDE: the car rolls on its wheels down the runway beside the jet, both accelerating, the jet's engines shimmering with heat. [19.5-21s] DETAIL with RACK FOCUS: the car's vapour jets blast down onto the runway, smoke billows out, its tyres lift, and focus racks to the jet's nose rotating up. [21-22.5s] WIDE: both lift off together and climb toward golden clouds. The car pulls ahead, vapour streaming continuously. [22.5-24s] CHASE: the car punches through a cloud and bursts out above a glowing sea of clouds. [24-25.5s] WIDE AIR-TO-AIR: six to eight real white geese glide in on both sides of the car, flying alongside it. [25.5-26.5s] TIGHT, SHALLOW FOCUS at her window: a goose in the soft foreground. She smiles and waves goodbye. [26.5-28s] HIGH WIDE: the car tilts its nose down and descends through the clouds toward the golden land below, vapour trailing. SOUND: real location audio only. Footsteps and dialogue in the courtyard, a door thunk and electric hum, a whoosh as the car passes, camel groans, the deep hiss and whoosh of the thrusters, leaves roaring, the sweeper's laugh, birdsong and an apple snap, a jet-engine roar, rushing wind, goose wing flaps and calls. No music, so it can be added in the edit. Avoid: slow motion, CGI, an animated look, a plastic look, the car changing shape or size, glowing jets, rocket flames, fire, an evenly front-lit or pasted-in car, missing shadows, a front flip, a backflip, the woman on the right, a round steering wheel, team or sponsor logos, real celebrities, cartoon animals, birds frozen in the air, a white or studio background, text, watermark.
What if bubblegum ads looked THIS insane?
0:00–0:03 — Bubblegum Princess Entrance Open immediately inside an extravagant bubblegum fantasy universe filled with enormous translucent pink bubbles, floating pastel gum cubes, glossy bubblegum sculptures, giant spherical candy structures, sparkling sugar particles, and metallic pink confetti suspended in the air. The female model from the supplied face reference stands confidently inside a massive transparent pink bubble, surrounded by smaller floating bubbles. Preserve her exact facial identity, facial proportions, and skin tone throughout. She @new version is a glamorous pop-fashion baddie with two sleek pastel-pink high side ponytails, glossy pink makeup, dramatic lashes, long colorful candy-inspired acrylic nails, and a fitted hot-pink high-fashion outfit with shiny vinyl details. Start with a dramatic ultra-wide low-angle shot, then rapidly PUSH IN toward her. She looks directly into the camera with a mischievous smile and raises a beautifully designed pink bubblegum packet beside her face. The packet features a consistent pink-and-white design with playful bubble graphics. 0:03–0:06 — Gum Unwrap → Bubble Explosion Fast whip-pan transition into an extreme macro product close-up. She pulls a rectangular piece of pink bubblegum from the packet, unwraps it with her colorful manicured fingers, and playfully places it into her mouth. The camera rapidly PUSHES IN toward her lips. She begins blowing a perfectly round, glossy pink bubble. It expands dramatically toward the lens, becoming larger and larger until it completely fills the frame. BOOM! The bubble bursts into hundreds of tiny translucent pink spheres, sparkling sugar crystals, and colorful gum cubes flying past the camera in beautiful controlled slow motion. The camera performs a fast macro orbit through the floating bubblegum particles before revealing the model again. 0:06–0:10 — Playful Bubblegum Beauty Shots Rapid rhythmic high-fashion beauty montage synchronized with energetic bubblegum-pop music. SHOT 1: Extreme macro close-up of her colorful manicured fingers holding a perfectly pink rectangular gum piece. CUT. SHOT 2: She playfully holds the gum directly in front of one eye while staring mischievously into the camera. CUT. SHOT 3: Extreme beauty close-up of her glossy pink lips as she chews bubblegum, giving a cheeky smile. CUT. SHOT 4: She blows another translucent pink bubble directly toward the camera. The bubble reflects the entire candy universe across its glossy surface. The bubble expands until it covers the lens, then POPS into the next scene through a seamless liquid-pink transition. 0:10–0:13 — Giant Bubblegum Fantasy Reveal the model sitting playfully on the edge of an enormous floating pink bubblegum sphere, surrounded by hundreds of transparent bubbles drifting through the air. Behind her, a gigantic transparent bubblegum machine rotates, filled with oversized pastel-pink, lavender, turquoise, and peach gum balls. She throws several colorful gum balls upward. The camera follows them with a rapid upward tilt. One giant pink gum ball falls directly toward the lens, filling the entire frame and creating a seamless circular match cut. Reveal the model laughing confidently as pink bubbles and metallic confetti float around her. Fast dolly-in toward her face. She gives the camera a playful wink, blows a tiny bubble, and pops it with one manicured fingernail. 0:13–0:15 — PRODUCT HERO ENDING The popped bubble becomes a glossy pink wipe transition into a polished luxury studio product shot. The pink bubblegum packet lands upright in the center foreground on a reflective candy-pink surface. Several neatly wrapped pieces of pink bubblegum and colorful gum balls bounce naturally around the package. Behind it stands an enormous translucent pink bubble glowing with soft magenta, lavender, cyan, and golden reflections. The female model appears slightly behind the product, framed symmetrically inside the giant bubble silhouette, holding a small piece of bubblegum beside her glossy lips. Finish with a rapid cinematic push toward the bubblegum packet while sparkling confetti, tiny floating bubbles, and pastel gum balls drift across the frame. The product remains sharp, readable, and visually dominant in the final frame. VISUAL DIRECTION Ultra-photorealistic luxury bubblegum commercial, surreal high-fashion pop editorial, extravagant pink fantasy environment, glossy translucent bubble materials, reflective vinyl textures, macro beauty photography, sparkling highlights, dreamy bloom, saturated bubblegum-pink/lavender/turquoise/peach palette, playful feminine energy, energetic camera movements, exaggerated product scale, premium CGI environmental effects, physically realistic bubble deformation, realistic skin texture, seamless match cuts, whip transitions, bubble-pop transitions, and rhythmic commercial editing. CAMERA: Dynamic ultra-wide 18mm hero shots, 50mm fashion portraits, 100mm macro product close-ups, rapid dolly pushes, fast orbital camera movement, extreme close-up beauty shots, dramatic low angles, and physically motivated transitions. PACING: Extremely fast, playful, punchy, and visually addictive. Introduce a new visual beat every 1–2 seconds. All transitions must feel fluid, physically motivated, and synchronized with energetic pop music, bubble pops, gum snaps, and playful sound effects. CHARACTER IDENTITY LOCK: Preserve the supplied female model's exact face, facial proportions, skin tone, hairstyle, and body proportions. Maintain her two pastel-pink high side ponytails, pink outfit, makeup, and accessories consistently throughout every shot. PRODUCT CONSISTENCY: Use one consistent bubblegum packet design throughout the commercial. The packet must never morph, duplicate, change colors, or develop random lettering. Keep all bubblegum pieces and gum balls visually recognizable. NEGATIVE CONSTRAINTS: No distorted hands, extra fingers, warped faces, identity drift, inconsistent ponytails, wardrobe changes, random text, floating unsupported product packets, unnatural chewing, broken bubble physics, unrelated backgrounds, excessive motion blur, or inconsistent product packaging. FINAL RESULT: A spectacular, ultra-glossy, fast-paced 15-second bubblegum commercial that feels like a high-budget luxury beauty campaign combined with a playful surreal candy fantasy.
Fanta commercial in European town with swirling papers
## Scene 1 (0:00 - 0:03) — "The Walk" **Shot:** Wide establishing drone shot of the picturesque European-style town. Sunlight reflects off pastel buildings, café terraces bustle with life, flower boxes sway gently in the breeze. **Cut to:** Medium tracking shot moving alongside the woman as she walks confidently down the cobblestone street holding the cold FANTA can. **Camera:** Smooth gimbal tracking, shallow depth of field. **Dialogue:** None. **Audio:** Birds, distant café chatter, footsteps on cobblestones, soft city ambience. --- ## Scene 2 (0:03 - 0:06) — "Refreshing Moment" **Shot:** Close-up of condensation droplets sliding down the FANTA can. **Cut to:** Medium close-up as she raises the can and takes a sip. **Shot:** Extreme close-up of her closing her eyes and smiling in satisfaction. **Dialogue (soft, natural):** **Woman:** *"That's exactly what I needed."* **Audio:** Can opening sound, carbonation fizz, subtle refreshing sound design. --- ## Scene 3 (0:06 - 0:08) — "The Wind Arrives" **Shot:** A few papers begin sliding across the street. **Cut:** Her hair moves slightly as she notices the wind. **Cut:** Hundreds of white papers suddenly burst into frame, swirling upward around her. **Camera:** Fast whip pan transitioning into slow motion. **Dialogue:** None. **Audio:** Rising wind gust, fluttering paper sounds. --- ## Scene 4 (0:08 - 0:12) — "Hero Moment" **Shot:** Dramatic low-angle shot. She raises the bright red FANTA can high above her head while looking toward the sky. Papers spin around her in beautiful chaotic motion. The camera slowly circles 360 degrees around her. Strong sunlight creates lens flares, god rays, and glowing highlights. Several sheets fly directly past the camera lens. **Dialogue (inspired, joyful):** **Woman:** *"This feels amazing."* --- ## Scene 5 (0:12 - 0:15) — "Commercial Finish" **Shot:** Extreme low-angle hero shot of the FANTA can against the blue sky. **Cut to:** Slow-motion smile as papers continue floating around her. **Final shot:** Freeze-frame style ending with the can remaining centered in frame while the town softly blurs behind. **Dialogue:** None. **Audio:** Wind slowly fades, uplifting musical swell, ambient city sounds return. --- ## Camera Cut Summary 1. Establishing aerial shot. 2. Side tracking medium shot. 3. Product close-up. 4. Drinking close-up. 5. Reaction close-up. 6. Paper gust whip-pan transition. 7. Low-angle hero shot. 8. 360° orbit shot. 9. Extreme product close-up finale. This structure gives the video a clear **commercial narrative arc**: **Discovery → Refreshment → Transformation → Celebration → Brand Hero Shot**
Luxury Skincare Commercial Sequence
Cinematic luxury skincare ad. 0-3s: Woman in white silk robe holds a gold serum bottle in soft light. 3-6s: Macro of a golden oil drop falling from a glass pipette. 6-10s: Close-up of woman applying serum to her cheek with a gold tool. 10-13s: Macro of liquid ripples. 13-15s: Hero shot of the bottle on a pedestal with dappled shadows. Warm, elegant, high-end aesthetic.
Pink lip gloss beauty product video
Create a realistic 10-second vertical beauty product video showing hands opening a small elegant cardboard package containing a premium pink lip gloss. The hands carefully remove the gloss from the box and reveal its sleek reflective silver cap and transparent pink body. The applicator is taken out smoothly and the glossy pink product is swatched on the back of the hand, showing its creamy, shiny texture. Then transition to a close-up of a woman naturally applying the gloss to her lips with precise, gentle movements and realistic skin texture. Finish with the lip gloss standing beautifully on a wooden café table beside two cups of latte with artistic foam, creating a warm lifestyle beauty-ad atmosphere. Use soft natural lighting, realistic shadows, shallow depth of field, smooth handheld camera movement, premium commercial quality, natural skin texture, accurate product details, and seamless transitions.
Gold Lipstick Tubes on Silver Tray
A luxurious lipstick product showcase featuring four elegant gold lipstick tubes in different pink and nude shades. Close-up beauty shots of hands holding and arranging the lipsticks on a decorative silver tray, with soft pink roses and a stylish beauty setup in the background. Smooth cinematic camera movements, shallow depth of field, realistic product textures, glossy highlights, soft luxury lighting, premium cosmetics advertising aesthetic, elegant feminine atmosphere, high-end commercial look, vertical 9:16 composition.
From display to runway in one step. The new chocolate-brown tailoring is at LIRESSE.
Vertical 9:16, 12 seconds, photorealistic luxury fashion boutique ad. Static, locked-off camera shot from the sidewalk at night, looking straight through a floor-to-ceiling black-framed glass storefront. Inside is a warm, cream-and-gold boutique with travertine pedestals, brass fixtures, recessed track lighting, vertical wood-panel accents and a round black sign reading "LS LIRESSE". The window display shows a dark chocolate-brown military-style jacket with gold buttons on a hanger, matching tailored shorts, a black bandeau top, tall black leather knee-high boots, and a burgundy structured handbag. A circular stone platform sits at center. Action: a brunette woman with long wavy hair, wearing a grey tank top and light-wash jeans, walks into the display from the left. She takes the jacket, shorts and top off the rack and starts "dressing the window" in a smooth, almost time-lapse style. The display empties, and she steps behind a pedestal and disappears from view. She then reappears wearing the full outfit: the brown jacket over the black bandeau, the shorts, sheer black tights and the knee-high boots. She carries the burgundy bag and walks confidently onto the circular platform. She ends in a fashion-model pose, one hand in her pocket and the bag in the other, looking straight at the camera. Style: warm golden interior lighting against cool blue-grey pavement, soft reflections on the glass, shallow cinematic depth, smooth natural motion, high-end editorial look. A small stylized "NM" watermark sits at bottom center on the pavement. Ambient city sound and soft music, no dialogue. Tips: Keep the camera locked off. Most AI video models handle the transformation better with a static shot. Add "no text other than the LIRESSE logo" if the model scrambles lettering. For image-to-video models, use the first frame as the reference image and put the outfit change in the
Gold-dial diver watch studio showcase
A cinematic luxury product commercial featuring a premium gold-dial diver-style wristwatch with a black textured rubber strap. Ultra-realistic macro cinematography, extreme close-up shots of the shimmering textured gold dial, polished stainless-steel case, rotating bezel, luminous hands and markers, and engraved details. Smooth 360° rotating turntable, slow-motion movement, dramatic reflections across the sapphire crystal, soft golden bokeh background, warm studio lighting, shallow depth of field, precision focus pulls, premium luxury watch advertisement aesthetic, crisp metallic textures, elegant camera slides, flawless 8K HDR quality, photorealistic, high contrast, ultra-detailed, clean studio setup, luxury brand commercial style, cinematic color grading, premium product showcase.
AI Influencer Dancing in Modern Apartment
A woman with voluminous, long wavy honey-blonde hair and tan skin, wearing a black blazer. Setting: modern, sunlit apartment. 0-3s: Rhythmic hand gestures near camera. 3-6s: Dancing with a bright smile, looking into lens. 6-9s: Winking and laughing while continuing dance. High-quality social media aesthetic, soft warm lighting.
Wireless over-ear headphones product showcase
Create a 15-second luxury cinematic product showcase for premium wireless over-ear headphones. 0–4s: Begin with an extreme macro tracking shot moving across the soft memory-foam ear cushion, fine fabric texture, brushed-metal hinge and precision-machined controls. A narrow light band travels across the surface, revealing realistic materials against a deep black studio background. 4–8s: Pull back into a three-quarter hero view. The headphones rotate slowly above a glossy reflective pedestal. The ear cups pivot naturally while the adjustable headband extends slightly, demonstrating flexible construction and comfort. Maintain exact symmetry, stable geometry and consistent proportions. 8–12s: Transition into an elegant exploded-view reveal. The ear cushion, acoustic driver, internal sound chamber, control ring and outer shell separate smoothly in perfect alignment. Subtle luminous sound waves pulse outward from the driver while the camera performs a restrained side orbit. 12–15s: Every component reconnects seamlessly. The headphones settle into a centered front-facing hero composition as soft rim lighting defines the silhouette. Complete a gentle dolly-in toward the ear cups. Premium technology-commercial finish, controlled reflections, realistic shadows, shallow depth of field, crisp surface detail, stable product shape, no hands, no distortion, no onscreen text.
Seedance 2.5 glass-skin skincare 3D product commercial
A luxurious 3D product commercial in a vertical 9:16 aspect ratio. The video begins with a glowing golden droplet falling gracefully into shimmering, reflective pink water, creating a soft ripple. The camera smoothly pans and zooms out to reveal an arrangement of high-end skincare products by Medicube on tiered clear glass pedestals, surrounded by floating translucent glass bubbles, glowing golden particles, and soft abstract pink ribbons. The bottles and jars—including red, pink, and teal glass serums, metallic tubes, and a pink cream jar filled with glowing pink spheres—glisten under warm, ethereal studio lighting. A hand gently dips a small spatula into the capsule cream. The scene transitions into a polished final product lineup display with elegant typography reading "YOUR GLASS-SKIN ROUTINE". High-end, cinematic, glossy, and aesthetic commercial look with smooth motion.
AI Woman Performing Rhythmic Dance
Medium shot of a young woman with Asian features and a ponytail. She wears a light blue ruffled off-the-shoulder top and tight grey shorts. 0-15s: She performs a rhythmic dance, pointing fingers, crossing arms, and swaying hips with a cheerful smile. Setting is a minimalist room with a dark wood door and bright indoor lighting. High-quality social media aesthetic.
Purple-Haired Woman in Subway with Glowing Eyes
Cinematic montage of a Black woman with long purple hair in a high ponytail, wearing a black top and orange puffer jacket in a subway car at night. 0-8s: Low-angle and side tracking shots as she reads a book. 8-15s: Bird's-eye view and wide shots of the car. 15-24s: Close-ups reveal her eyes glowing bright orange with a Dutch angle finish. Realistic textures, warm interior lighting, motion blur.
Video created with Veo 3.1 Prompt: { “title”: “Embers to Perfection”, “d
{ “title”: “Embers to Perfection”, “duration”: “10 seconds”, “format”: “16:9, 4K”, “style”: “Cinematic photorealistic artisanal culinary commercial”, “prompt”: “Create a seamless 10-second cinematic journey transforming humble dough into a Neapolitan pizza masterpiece. Begin with pillowy, hydrated dough resting on rustic marble as flour-covered hands gently stretch it, releasing a dramatic cloud of semolina flour illuminated by soft golden morning light. Transition into a mesmerizing rotating dough stretch, with San Marzano tomato sauce spreading across the surface, creamy buffalo mozzarella falling into place, and golden olive-oil droplets suspended in the air. The camera follows the pizza into a blazing traditional wood-fired oven, where intense radiant heat rapidly inflates the cornicione, creating airy bubbles, authentic leopard-spotted char, bubbling mozzarella, rising steam, and swirling golden embers. Fresh green basil leaves land delicately on the molten cheese. Finish with an extreme slow-motion macro cheese pull, revealing long, elastic mozzarella strands, glistening olive oil, delicate steam, and crispy crust flakes falling in warm cinematic light. End on a breathtaking hero shot of the finished pizza, its golden crust glowing against the fiery oven background.”, “visual_style”: “Extreme macro cinematography, ultra-shallow depth of field, authentic Neapolitan textures, realistic dough elasticity and baking physics, volumetric oven atmosphere, deep terracotta, ruby red tomato, fresh basil green, and molten amber tones.”, “camera”: “Continuous kinetic macro push-in, elegant rotating dough movement, dynamic tracking into the wood-fired oven, smooth orbital camera motion, and ultra-high-speed slow-motion cheese pull, ending with a premium cinematic hero shot.”, “lighting”: “Soft golden dawn light transitioning into intense orange-red wood-fired oven glow, dramatic volumetric rays, glowing embers, and warm high-contrast culinary studio rim lighting.”, “negative_prompt”: “text, watermark, logo, subtitles, cartoon, artificial ingredients, plastic cheese, synthetic crust, rubbery mozzarella, unrealistic dough physics, blurry footage, low resolution, flat lighting, jump cuts, jerky camera movement, dry dough, cold cheese, burnt toppings, deformed hands, oversaturated colors.” }
Blonde woman in Brazil kit at stadium
A full-body portrait of a young woman with long straight blonde hair, fair skin, and a slight smile, standing confidently in a football stadium. She is wearing the official Brazil national football team home uniform: bright yellow jersey with green collar and sleeve cuffs, CBF logo on the chest, black shorts, black socks pulled up, and white football sneakers. Her pose is casual with one leg slightly forward, arms relaxed. Background shows a vibrant football stadium with green pitch, crowded stands, bright stadium lights, and athletic atmosphere. Realistic photography style, sharp details, natural daylight mixed with stadium lighting, high resolution, cinematic composition.
A perfect blend of bold design, polished details, and timeless elegance.
Luxury Watch Cinematic Ad Create a 10-second ultra-realistic luxury watch commercial. A premium black and silver wristwatch rests on a glossy black surface in a dark studio. Slow cinematic camera movement reveals the detailed dial, polished metal edges, elegant hands, and textured leather strap. Dramatic golden light sweeps across the watch, creating beautiful reflections. Tiny water droplets slide over the glass in slow motion. The camera moves into an extreme close-up as the second hand ticks smoothly, then pulls back to reveal the complete watch surrounded by subtle golden particles and soft atmospheric smoke. End with a powerful hero shot of the watch in the center. Photorealistic materials, premium Rolex-style luxury aesthetic without any visible brand logo, realistic reflections, sharp details, smooth transitions, 4K quality, vertical 9:16, no text, no watermark.
Kung Fu Practice in Sunlit Dojo
3D animation of two women practicing Kung Fu in a sunlit Japanese dojo. One in white athletic wear, one in a green dress. 0-15s: Dynamic orbit shot of high kicks and strikes on tatami mats. Realistic lighting and fabric physics.
Seedance 2.5 casual iPhone skincare UGC from a first frame and storyboard
Create a realistic 15-second casual UGC vlog-style skincare video based on the first frame and 16-panel storyboard reference image. The video should feel like a normal morning routine filmed on an iPhone, where the creator casually uses the serum and briefly mentions it, not like a scripted advertisement.Keep the same woman from the reference photo, same casual home setting, and same small frosted glass serum bottle consistent throughout the video. The product should appear naturally on the desk, in her hand, or near the mirror, but it should not be treated like a perfect commercial hero object in every shot. The 16-panel storyboard image is only a visual reference for camera angles, casual movement, product placement, facial expressions, and authentic UGC mood. Do not generate a split-screen video, do not show grid lines, and do not recreate the 16-panel layout in the final video.Use varied iPhone-style camera movement: handheld selfie opening, table-height wide shot, over-the-shoulder mirror angle, casual push-in, close-up of opening the bottle, quick texture shot, mirror application shot, tabletop sliding B-roll, low table-level foreground shot, and final casual pull-back. Keep the framing slightly imperfect and natural.Dialogue:0:00- 0:03: "I'm just getting ready, but I wanted to show you this."0:03-0:06: "I've been using it for a few mornings now."0:06-0:09: "It feels really light, not sticky."0:09-0:12: "I just use a tiny bit before makeup."0:12-0:15: "Honestly, it's been easy to keep in my routine."Avoid polished advertising style, scripted sales tone, perfect model posing, over- centered product shots, luxury commercial lighting, plastic skin, over-smoothed face, extra people, extra bottles, text, logo, watermark, and fake readable brand text.
Made with Seedance 2.5 on makeugc
Create a 30-second horizontal 16:9 photorealistic Red Bull rallycross commercial: MILA pours Red Bull into her white car, its paint transforms, she wins a three-car race. Paint is the sole fantasy; physical action stays convincing. MILA wears the COMPLETE @image4 racing suit FROM FRAME ONE to the ending. Both rivals have different body models and liveries. Visible spectators and a visible start signal establish a live event. Exactly 12 timed shots, natural speed, no slow motion. Can beside filler from frame one; paint finished by 8.70; launch signal 11.20. Preparation/grid/ending cuts omit elapsed time. No extra scenes. REFERENCE ROLES @image1: real slim 250 ml Red Bull can, exact packaging. Transparent margins are empty canvas. @image2: MILA's car BEFORE, plain white. @image3: SAME car AFTER, exact navy/silver/red livery. @image4: CLOTHING ONLY. Dress the living MILA in this complete long-sleeve suit FROM FRAME ONE; match cut, fabric, colors, zipper and neckline. No mannequin. @image5: RIVALS ONLY. LEFT red/white Peugeot WRX, RIGHT yellow/black Audi RX. Match full RACE BODYWORK/liveries, one each; ignore sheet layout. Images 2/3 define ONLY MILA's car, never rivals. Preserve all bodywork/hardware. Integrate references into scenes, not isolated layouts or fixed camera angles. MILA MILA — a beautiful American Instagram-style brunette model and performer, 20. Long dark-brown hair in a high ponytail, glossy lips, expressive eyes, soft glam makeup and delicate sparkly stud earrings. Slim athletic figure with an extremely large, very full bust with pronounced forward projection, exceptionally large, full rounded buttocks, a narrow waist, flat stomach and lean arms and legs. Her bust has much greater volume than a typical large bust, visibly oversized relative to her narrow ribcage. Keep the increased volume concentrated in her bust and buttocks; preserve her slim shoulders, waist, arms and legs. Preserve her face, adult age, hair color and body proportions across every shot. Fit the suit to her body rather than changing her proportions to match the empty garment reference. Realistic skin texture and natural anatomy, support and gravity. No plastic skin, doll face, body reshaping or facial identity drift. She is confident, composed and slightly playful in the opening; focused while driving; visibly pleased at the end. Small natural expressions, realistic blinks and breathing. No exaggerated screaming or continual posing. COSTUME AND RACING EQUIPMENT Complete fitted ONE-PIECE @image4 suit in Shot 1: sleeves DOWN TO WRISTS, navy matte fabric, red side/thigh panels, silver-white shoulders/trim, fitted waist/hips/legs, real seams. Show sleeves/red panels through opening, pour and flap closure. No sleeveless top, dress or later costume change. Silver zipper partly open in reference deep V, prominent cleavage. Opaque fabric supports bust without reducing volume; secure fit, no clipping, transparency or exposed underwear. SAME neckline/zipper before and after racing. ONE small Red Bull emblem on upper LEFT sleeve. No words, extra logos, sponsor patches or numbers. Plain black racing ankle boots. Bare hands outside racing. Driving adds plain black gloves, navy full-face helmet with clear visor, fastened black multi-point harness OVER THE SAME SUIT. Hair tucked under helmet. Only this equipment changes across time cuts; suit remains identical. CAR, CAN AND PROPS Full-size reference car: four wheels, fixed geometry/wheelbase, left-hand drive, one driver. Only paint/graphics change; hardware/glass/carbon/wheels stay fixed. Headlights off. Engine OFF during pour/paint; starts with MILA seated at grid. Fuel filler remains on LEFT REAR QUARTER at the reference's circular flap. Flap already open, inner cap removed in Shot 1. Fixed metal neck inside the original recess, mouth tilted slightly upward; never enlarge the opening. Pour DIRECTLY from can into neck. No funnel, hose or adapter. One chilled CLOSED slim Red Bull can: hand-scale, intact cylinder/label, hinged tab, real condensation/reflections. Liquid exits opened top beside tab, never an invented spout. Closed unbranded metal case beside filler, dry top at hand height. Cut omits setting can upright on case and securing inner cap; Shot 3 closes flap. Partly-full can stays there during race, retrieved for ending. No cooler/duplicate can. Exactly TWO @image5 World RX SUPERCARS: RED: Peugeot 208 WRX, red/white angular livery. YELLOW: Audi S1 EKS RX quattro, yellow/black livery. BOTH: ultra-wide race fenders/track, vented bumpers, carbon splitters, hood extractors, roof intakes, large full-width wings, visible cages, small competition wheels/thick tires. Preserve race hardware/gravel clearance. No stock road cars or street tuners. Fixed distinct models/liveries; factory grille badges only. No sponsors, numbers, Red Bull graphics, extra cars or rival close-ups. LOCATION AND VISUAL STYLE Closed stadium rallycross venue, pines beyond: slightly damp asphalt, fine compacted gravel, barriers/catch fencing, broad shallow RIGHT bend with room for two lines, modest gravel crest. No puddles/heavy mud; tire-raised dust never masks action. OCCUPIED grandstands at start/finish and gravel section: several hundred spectators at natural scale, varied seated/standing groups, a few cheering and waving plain flags. No cloned looping crowd. Stands visibly populated in launch, crest and finish backgrounds; spectators stay behind fences. Consistent curbs, grid boxes, one start-light gantry and a few marshals, no dense signage. SAME paved apron for opening/ending, case off racing line; grid elsewhere on same course. Consistent architecture/crowd locations. Bright overcast daylight, soft shadows, neutral skin, consistent sky; tactile skin, fabric, metal, glass, rubber, carbon and gravel. DV 16mm tape camcorder handheld feel. Subtle texture, natural motion blur, purposeful motorsport angles, strong parallax, weighty acceleration. Readable faces/logos/action, plausible cameras. No film borders, beauty filter, plastic CGI, videogame overlays, orange grading, pyrotechnics, neon scenery, fake flares or excessive smoke. STORYBOARD — EXACTLY 30 SECONDS SHOT 1 | 0.00–1.20 | THE WRONG FUEL: IMMEDIATE HOOK MILA already wears the COMPLETE long-sleeve @image4 suit beside the white car's LEFT REAR filler, CLOSED cold can upright in right hand. FRAME ONE shows navy/red suit, wrist-length sleeves, drink beside open flap and exposed neck: unexpected use immediately clear. Close waist-up three-quarter view includes complete head, face, neckline, label and white bodywork. Moderate depth of field, face unobstructed. At 0.15 left index finger lifts tab ONCE: CLICK/hiss, tab stays attached. Small confident smile toward filler. Can OPEN by cut. No introductory posing or second opening. SHOT 2 | 1.20–4.20 | POV FROM INSIDE THE FILLER Fixed POV from a tiny camera just inside the UPPER inner edge of the metal filler neck, looking outward and slightly upward. The curved rim frames the edges; daylight reveals MILA's recognizable face as she leans toward the opening. Her face remains outside, beyond the rim. Her right hand brings the OPEN can into the upper-right of frame. Natural perspective, no fisheye or camera movement through metal. Keep the can outside the neck, pouring edge about 1 cm above its upper lip. Tilt slowly: a SHORT, thin pale-gold stream falls from the can's drinking opening through the LOWER foreground into the neck, below the lens. Keep her eyes and mouth visible above and beside the stream. Fixed metal geometry, steady wrist, gravity-driven flow; no floating liquid, flow through metal or splashes on the lens. Pour a SMALL portion. Rotate upright to stop the stream, allow the last drop to enter, THEN withdraw the can. Some drink remains. One uninterrupted pour. Left hand stays clear. SHOT 3 | 4.20–5.20 | CLOSE THE FILLER Cut omits setting can upright on case and securing inner cap; her hand is now free. Close exterior view: press hinged outer flap flush once, withdraw hand. Car white; suit sleeve visible. Nothing trapped between flap/body, no clipping. SHOT 4 | 5.20–8.70 | SURFACE ENERGY TRANSFORMATION Front-left three-quarter view, smooth 0.8 m dolly, whole car visible, real parallax. Car stationary, filler shut, engine off. Same apron/light; MILA/case offscreen. Start WHITE. An amber pulse at the closed filler releases fine bright filaments clinging to body contours. They branch over arches, doors, hood and roof, reflecting briefly in nearby paint. Navy pigment blooms in irregular connected patches ON THE PANELS. Exact @image3 silver/red graphics develop in place as the effect reaches them. Smooth glossy lacquer, fixed panel geometry and logos; each area changes once. Glass, wheels, carbon unchanged. No straight edge, vertical bar, split-screen, comparison slider or screen wipe. Effect confined to body panels; scenery unchanged. No drips, smoke or fire. Full @image3 by 8.30, filaments extinguish; camera keeps gliding to 8.70. No cut or frozen hold. SHOT 5 | 8.70–10.60 | LATER AT THE GRID Time jump: finished car stationary at grid. Boarding and adding helmet/gloves/harness happened offscreen; SAME opening suit, no wardrobe transformation. Cockpit close-up: already helmeted, gloved, harnessed, recognizable eyes behind raised clear visor. Lower visor once, right hand back to wheel; both hands ready before launch. Starter catches, held launch revs and small chassis vibration. Eyes on road; no clipping or hair through helmet. SHOT 6 | 10.60–14.00 | LIGHTS OUT, THREE-CAR LAUNCH Low wide three-quarter view behind trackside barrier, obliquely ahead of grid. All THREE distinct cars at same line/heading: Red Bull center, RED Peugeot WRX and YELLOW Audi RX either side, complete @image5 race builds. Start-light bar and populated stand clearly visible above them. Red bulbs already lit at 10.60; ALL go DARK together at 11.20. All cars launch on this single visible cue and main musical beat. No early movement, repeated signal or extra countdown shot. Engine surge, brief tire chirp, rear suspension loading, subtle nose lift, forceful acceleration in separate lanes. No wheelie, burnout or smoke cloud. Pan as they surge past; strong parallax, natural blur, crowd reacting behind fencing. By cut: RED leads by one car length, Red Bull second, YELLOW third. Real wheel rotation and forward momentum; no teleporting or sideways launch. SHOT 7 | 14.00–15.20 | GRAVEL IMPACT Low trackside insert: MILA's near-side tires cross asphalt onto gravel, small stones thrown backward from contact, suspension responding. Wheels stay circular/attached, car moves forward, camera outside path. Race order unchanged. SHOT 8 | 15.20–20.00 | ONE VISIBLE OVERTAKE ONE locked elevated wide view shows the approach, entire shallow RIGHT bend and exit. Road wide enough for two separate lines. All cars travel toward the same exit. RED leads by one car length on the OUTSIDE arc. Red Bull is already on the open INSIDE/right side relative to travel, still behind; YELLOW trails both. MILA never crosses through RED to reach this line. Brief straight-line braking, smooth smaller-radius turn, progressive acceleration out. Only slight rear slip, no prolonged sideways drift. RED stays on its wider arc; visible lateral clearance throughout. Show continuously: Red Bull's nose catches RED's rear quarter, draws level, moves ahead, then its REAR bumper clears RED's FRONT bumper. Pass complete by the end. Stay on the inside exit line; do not cut across the rival. YELLOW remains third. No camera cut, hidden position swap, collision, corner teleport, rival stopping or dust masking the pass. Both cars maintain believable forward momentum. SHOT 9 | 20.00–21.00 | COMMITMENT Cockpit insert: focused eyes through clear visor, small vibration/breathing, both gloved hands controlling mounted wheel. Eyes on course; same helmet, harness and seat. Race order unchanged. SHOT 10 | 21.00–24.00 | WINGS, FOR AN INSTANT Low lateral tracking includes approach, ONE modest crest and landing slope continuously, occupied stands beyond fencing. Front wheels rise, rears follow; all four briefly airborne UNDER ONE SECOND, low arc and sustained forward speed. Tires meet descending road; suspension compresses, rebounds once, settles. Weighty car, no hovering, flip, wing deployment, broken wheels or altered road. Rivals remain behind, never suddenly alongside; orientation coherent. SHOT 11 | 24.00–27.00 | FINISH ORDER LOCKED wide three-quarter view of the finish stripe and road on both sides, populated grandstand clearly visible. An official behind the barrier waves a checkered flag; spectators react naturally. Do not pan away with the winner. Red Bull crosses first, RED after a clear short gap, then YELLOW. All cross the SAME stripe in the SAME direction and keep going. Preserve race dust and each distinct model/livery. No scoreboard, confetti or posing on track. SHOT 12 | 27.00–30.00 | MILA AND THE BRAND: LATER Time cut to original apron, car parked and race-dusty. MILA beside left side; helmet/gloves removed offscreen, ponytail restored, SAME long-sleeve suit/neckline as opening. Already holding SAME OPENED can at waist, raise ONCE to shoulder, label toward camera, fingers below wordmark. Small satisfied smile, relaxed breath. No reopening or drinking. Medium framing: complete head with headroom, face, neckline, can and door graphic. Hold final half-second only; no end card or added text. AUDIO AND EDITING No dialogue, voiceover or subtitles. One continuous bass-and-percussion instrumental: restrained preparation, builds through launch revs, brief musical pullback before lights out, main beat at 11.20. Never restart at cuts; no giant cinematic booms. Immediate tab CLICK/hiss, liquid trickle, flap click, short paint sweep, starter, layered turbo rally engines. Launch tire chirp and crowd swell; load-dependent pitch, short gearshift cuts, turbo whistle, gravel, firm landing. Natural pass-by Doppler/distance, no F1 shriek or constant explosions. Crowd matches occupied stands, louder at launch/finish, quieter from apron. Keep mechanical detail under music; racing sound recedes at final time cut. FINAL CONTINUITY PRIORITIES One MILA in the SAME long-sleeve suit from FIRST to LAST frame; one can; one reference car changing paint once. Two @image5 rivals: RED Peugeot WRX and YELLOW Audi RX, full race bodies/liveries. Stable identity, proportions and geometry; coherent direction across cuts. One can opening, one direct pour, flow stopped before withdrawing; no extra fingers or intersecting objects. Equipment/location change only at specified time cuts. Reference branding on MILA's car/can/sleeve and rivals' small factory badges only; no extra sponsors, captions, UI, speedometer or watermark. Deliver exactly 30 seconds: surface-energy transformation, visible lights-out launch, lively race atmosphere, one earned overtake, one grounded jump and MILA's confident ending.
Character 360-degree studio turn
The same man from the reference stands on a plain light-grey studio background and slowly turns 360 degrees in place, clockwise, at a steady speed: front, side, back, side, front. The person rotates, the camera does not move. Full body in frame, arms relaxed, neutral expression, feet stay on the same spot. Soft even studio light. Same face, hair, outfit and proportions in every frame.
Woman Sucked Into Surreal TV World
A young Black woman with dreadlocks in a pink t-shirt. 0-10s: Sits on a red sofa in a dim room watching herself on TV, then walks toward the glowing screen. 10-20s: Pulled into the TV, flying through a red-tinted cloud dimension. 20-35s: Encounters a white unicorn with a pink mane, touching its side. 35-40s: Falls through a dark tunnel into white light. Cinematic fantasy style, vibrant red lighting, surreal atmosphere.
High-Intensity Motorcycle Commercial
15-second high-intensity motorcycle commercial, ultra cinematic, aggressive editing style, perfectly synced to music beats, fast cut rhythm with explosive transitions, luxury performance motorcycle advertisement. Heavy use of speed ramping, whip pans, crash zooms, motion blur, and dynamic camera shakes for impact. Beat 1 (Intro Hit) Extreme close-up of motorcycle LED headlight turning on in total darkness, sudden light ignition, quick push-in with subtle lens flare burst. Beat 2 Rider puts on helmet, visor slams down, sharp sound-synced cut, tight close-up with slight camera shake for impact. Beat 3 (Build-up) Engine ignition close-up, mechanical vibration intensifies, fast orbit camera movement, metallic tension buildup. DROP 🔥 Beat 4 Motorcycle launches forward violently from standstill, tire grip explosion, dust burst, aggressive rear tracking shot with speed ramp. Beat 5 High-speed mountain drift through sharp corner, motorcycle leaning hard, drone whip-pan following movement, heavy motion blur, cinematic tension. Beat 6 Fast urban night sprint through real city streets, warm street lights, rapid FPV forward rush, crash zoom transitions between street sections, gritty realistic tone (no neon, natural lighting only). Beat 7 (Mid-air energy peak) Drone orbit shot around motorcycle crossing bridge at extreme speed, wind pressure visible, environment wide scale reveal, fast rotational camera movement. Beat 8 (Impact shot) Ultra-low roadside pass-by, motorcycle rushes past camera at extremely close distance, strong whoosh effect, heavy motion blur, slight camera shake impact. Beat 9 (Hero landing) Cinematic crane-up reveal at mountain overlook, golden hour sunset, motorcycle slowly settles, calm contrast after chaos, epic final hero frame. 🎬 Style Direction (Important) Ducati / BMW Motorrad / Top Gear cinematic aggression, Netflix automotive intensity, IMAX-scale realism, grounded physics, no cyberpunk, no neon, pure mechanical power + real-world adrenaline.
Stylized Martial Arts Dance Crew at Night
A group of stylized, caricatured men perform. Lead: Wing Chun master in a black traditional tunic with white cuffs, bowl cut with flared ends, and thick mustache. Crew includes: man with large afro in brown suit, bald man with long side hair in maroon suit, albino man with long white hair, and a stout man with a ginger bowl cut and large mustache. Setting: Cobblestone plaza at night under harsh artificial light. 0-10s: Characters take turns walking toward the camera with expressive gestures. 10-20s: Group performs a synchronized martial arts dance with sharp arm movements. Handheld camera style, deep shadows, cinematic night lighting.
Building a 1:18 Emerald Green G-Class Model
A satisfying high-detail time-lapse of building a 1:18 scale Mercedes-Benz G-Class (W463) Emerald Green Edition model car. Start with hands unboxing the premium green box on a wooden table, revealing the pre-painted green body, black chassis, seats, wheels, and detailed parts in a molded tray. Cut green plastic sprue pieces with flush cutters, gently brush them clean. Assemble the intricate black chassis with a precision screwdriver, install suspension and drivetrain. Place the detailed V8 engine under the opening hood. Show the luxurious black quilted leather interior with digital dashboard. Finish by opening the doors on the completed emerald-green G-Wagon, lightly dusting the glossy body with a soft brush, then display the finished model rotating slowly on a black turntable under soft studio lighting. Cinematic close-ups, smooth camera movements, ASMR