Dari X · Motion Transfer
Kling AI video prompts
Prompts creators used with Kling, collected with the clips they produced. Browse them to see how Kling handles motion control, character consistency and camera direction, then adapt the wording for your own shot.
Made this fully with Kling AI 4.0’s Native 30-second Generation.
MASTER PROMPT (paste first) Format: 16:9, 30 seconds, 24fps, 1080p. Cinematic 90s anime film look, hand-painted backgrounds, warm golden sunlight, saturated blue sky with cumulus clouds, soft film grain, gentle lens flare. Setting: A seaside sidewalk in the afternoon. A tall chain-link fence runs along the right side, with the ocean behind it, palm trees, and an orange-lined road on the left. Characters (use the attached sheets as strict references): Mei Aihara (@Image1): wavy purple-black hair, round glasses, pink hoop earrings, pink and blue oversized sweater, green high-waist pants, white-pink-blue sneakers, black spiral notebook with stickers. Shy and bubbly. Yuki Kageyama (@Image2): long white double braids, black blazer, turtleneck, slim pants, boots. Calm, observant, protective. Luca Moretti (@Image3): messy blonde hair with a faded undercut, star face tattoos, neck and sleeve tattoos, ear piercings, white tank top, black trousers, leather shoes, cigarette in hand. Sound style: Anime audio. Exaggerated sparkle chimes, soft “doki-doki” heartbeats, cute kyahaha laughs, wind and wave ambience, light lo-fi guitar under the first half, and a low tense string drone from 19s. TIMELINE 0:00–3:00 | Luca, profile close-up Camera: tight side-profile close-up on Luca, fence in sharp focus beside him, deep-focus background. Action: He leans on the fence with the cigarette in his lips. Smoke drifts up toward the sky. In the soft-focus background, Mei and Yuki walk small and distant down the sidewalk. At 2:00 his eyes slide toward them and the frame blurs as the focus pulls away. Sound: waves, seagulls, soft inhale and exhale, faint lo-fi guitar. 3:00–7:00 | The girls chatting (medium two-shot, eye level) Camera: Front-facing two-shot at the same angle as the reference, with the fence and ocean at right, as they walk toward the camera. Action: Mei gestures excitedly with one hand, clutching her notebook to her chest. Yuki listens with a small smile. Mei (excited): “Gojo Satoru is so handsome, I could kiss and marry him!” At 5:00 both burst out laughing. Mei closes her eyes and laughs wide-mouthed (her “cheerful laugh” expression). Yuki covers her mouth and laughs with a quiet “pfft”, shoulders shaking. Sound: kyahaha! giggles, a cute sparkle “ting” on the punchline, and bouncy footsteps. 7:00–10:00 | The collision Camera: Low ground-level shot of Luca’s black leather shoe stepping into frame while Mei’s sneakers drift past, slightly out of focus. Cut to a wide shot at the fence with the ocean behind them: Luca walks left to right, Mei walks right to left, looking at her phone-free hands, and they bump. Mei (voice-over, still rambling, cut off): “I have his wallpapers plastered all over my room—” Her notebook and books fly out of her arms. Sound: shoe clack, quick “whoosh”, soft thump, “Eh?!” gasp, books slapping the pavement. 10:00–12:00 | Kneeling to pick up Camera: Wide high-angle shot looking down at both of them crouching, books scattered on the sidewalk. Luca bends low and Mei crouches beside him, flustered. Mei (flustered, soft): “A-ah, sorry!” Sound: fabric rustle, shy breathing. 12:00–16:00 | Hands and eyes (the key shot) 12:00: Extreme close-up on the blue book. Her hand and his tattooed hand land on it at the same time. Sound: all ambient sound drops out, one soft heartbeat “doki.” 13:00: Low-angle close two-shot over the book. Mei on the left with sunlit hair and glasses, Luca on the right looking down at her. Their eyes meet slowly. Her cheeks flush. 14:00: Extreme close-up on Mei’s eye. The pupil dilates and the glasses reflect sky and sparkle highlights. 14:45: Extreme close-up on Luca’s eye with the pierced eyebrow, face tattoos and a slight softening in his stare. 15:30: Return to the two-shot, slow push-in. Her lips part slightly. Luca (low, calm): “...Here.” Sound: double heartbeat “doki-doki”, a sparkle chime, soft strings. (Luca’s line is my addition, since the reference has no dialogue here. Remove it if you want it silent.) 16:00–19:00 | Yuki calls, Mei snubs him Camera: Wide shot from behind Yuki’s position. Yuki stands on the sidewalk on the left, waving. Mei and Luca are kneeling at center-right with the fence behind them. Yuki (calling out): “Meimei!” Mei jolts, grabs her notebook and stands up fast. She does not look at Luca. She turns her head away, bows slightly without a word, and hurries toward Yuki with her head down. Luca stays crouched and watches her go. Sound: gasp, quick footsteps, a “pip-pip” panicked blip. 19:00–22:30 | Yuki’s warning Camera: Medium shot, low angle, over Yuki’s shoulder. Yuki grabs Mei by the arm, and both glance back toward the fence. Sun flare glints off Mei’s glasses. Yuki (hushed, serious): “Meimei, that guy is with the Mafia. Be careful!” Sound: the tense string drone rises, and the ambience gets muffled. 22:30–26:00 | Luca stares Camera: Over-the-shoulder shot from behind Mei and Yuki (their heads blurred in the foreground). Rack focus onto Luca, who is now standing, hands at his sides, staring after them. A new cigarette smoulders and smoke drifts across the sky. Sound: wind, a single low taiko or bass hit. 26:00–30:00 | Final beat 26:00: Close-up on Mei’s profile as she looks back over her shoulder. Their eyes meet one more time across the distance. She blushes and snaps her head away (the snub). 28:00: Cut to Luca. A slow, small smirk. He looks down at his tattooed hand that touched hers, then back at her fading figure. 29:00: Final wide shot. The fence, the ocean, smoke curling up, the two girls walking away small in the distance. Fade out. Sound: a last “doki” heartbeat, a sparkle chime, then the music fades into waves. Negative prompt Realistic or 3D look, character design drift (wrong hair colour, missing glasses, missing face tattoos), extra fingers, text watermarks, camera shake, fast cuts during the eye-contact shots, western cartoon style.
When the Thunder Emperor Awakens
DURATION: 30 seconds | FORMAT: horizontal 16:9 STYLE: Ultra-photorealistic dark fantasy combat, 8K HDR, 24fps. CHARACTER LOCK — ABSOLUTE PRIORITY image1 = Only reference for the adult MALE Jiangshi protagonist. Preserve his exact male face, hairstyle, outfit, physique, and accessories. Never change his gender, face, or identity. image2 = Only reference for consistent enemy monsters. ENVIRONMENT Vast stormy green battlefield, thousands of monsters, gigantic demons, ruined Taoist temples, shattered altars, navy storm clouds, cyan-white lightning, golden talismans, and black demonic energy. Never show an empty battlefield. 0–5s — LIGHTNING DASH The male Jiangshi dodges monster claws, slides across grass, and throws explosive golden talismans. Lightning-powered punches and kicks destroy enemies. He says: "비켜라." 5–10s — THUNDERBLADE TORNADO TECHNIQUE 1: 뇌부천쇄 · 천뢰풍폭 Thousands of lightning blades form a gigantic golden-cyan tornado, tearing through monster armies and destroying stone altars. He charges forward, shouting: "천뢰를 받아라!" 10–15s — THUNDERSTORM TECHNIQUE 2: 구천뇌우 · 만뢰천폭 He slams a golden talisman into the ground. A colossal Bagua formation appears overhead, unleashing thousands of lightning bolts and three interconnected thunder tornadoes. He shouts: "하늘이여, 쓸어버려라!" 15–20s — LIGHTNING PRISON TECHNIQUE 3: 팔괘천뢰진 · 팔방봉멸 Eight enormous golden sealing pillars rise, connecting sky and ground with cyan lightning. A gigantic octagonal prison traps thousands of monsters in crushing electrical chains. He shouts: "뇌문, 개방!" 20–25s — DEMON KING The formations explode in a massive blue-white shockwave. A mountain-sized demon king emerges from black storm energy. The protagonist dodges, attacks with lightning-powered palms, and launches aerial counterattacks before being blasted backward. 25–30s — FINAL ULTIMATE FINAL TECHNIQUE: 구천뇌제 · 만뢰천벌 He raises a golden talisman as thousands of lightning bolts converge around him. He says: "구천의 벼락이…" then shouts: "네놈을 멸하리라!" A colossal golden-cyan Bagua formation fills the sky. Thousands of gigantic lightning bolts merge into a devastating thunder pillar, engulfing the demon king in an enormous explosion. FINAL FRAME: The recognizable male protagonist stands in the foreground as lightning illuminates the monster army and ruined temples. CAMERA: Dynamic tracking, aggressive whip-pans, fast combat cuts, dramatic low angles, realistic impact shake, continuous battlefield action. NEGATIVE: No female characters, gender swapping, face morphing, identity changes, outfit changes, inconsistent monsters, cartoon CGI, teleportation, empty backgrounds, logos, subtitles, or watermarks.
Gold Lipstick Tubes on Silver Tray
A luxurious lipstick product showcase featuring four elegant gold lipstick tubes in different pink and nude shades. Close-up beauty shots of hands holding and arranging the lipsticks on a decorative silver tray, with soft pink roses and a stylish beauty setup in the background. Smooth cinematic camera movements, shallow depth of field, realistic product textures, glossy highlights, soft luxury lighting, premium cosmetics advertising aesthetic, elegant feminine atmosphere, high-end commercial look, vertical 9:16 composition.
Woman performing motion transfer lip-sync
0-13s: A woman with dark hair and bangs, wearing a light blue zip-up top, speaks to the camera. She gestures by pointing and placing her hand on her chest. Setting is a bedroom with textured curtains and a dark wall. Realistic lighting, static selfie framing.
AI Influencer Dancing in Modern Apartment
A woman with voluminous, long wavy honey-blonde hair and tan skin, wearing a black blazer. Setting: modern, sunlit apartment. 0-3s: Rhythmic hand gestures near camera. 3-6s: Dancing with a bright smile, looking into lens. 6-9s: Winking and laughing while continuing dance. High-quality social media aesthetic, soft warm lighting.
Recreated this funny video on kling Prompt: Create a hilarious, ultra-re
Create a hilarious, ultra-realistic 12-second viral-style video using the uploaded image. Keep the stylish Black woman, her face, curly hairstyle, sunglasses, clothing, and sparkling green classic 1967 Corvette consistent.The woman cruises confidently down a sunny street while the camera tracks beside the car. Her curls bounce gently, the wheels spin realistically, and the pink paint sparkles dramatically. Suddenly, a tiny white and greenold car pulls alongside and revs its engine. She slowly lowers her sunglasses, gives the driver a hilarious side-eye, and speaks in a warm, confident, expressive Black American woman's voice with natural comedic timing:"Baby... don't pull up beside me making lawn-mower noises! This is a Corvette, not a carpool!"She laughs, flips her curls, and smoothly speeds away as the other car coughs, sputters, and releases one tiny puff of smoke. End with her shouting:"Pink power, baby! Catch me if your engine can!"Add energetic old-school funk music, realistic engine sounds, perfect lip-sync, exaggerated facial expressions, cinematic motion blur, quick reaction cuts, and bold closing textiạiWHEN GRANDMA'S CORVETTE HAS MORE ATTITUDE THAN YOU! "Vertical 9:16 format, hyper-detailed 4K, bright cinematic lighting, funny but classy, fast-paced, loopable ending, made for TikTok, Instagram Reels, and YouTube Shorts.
Good morning, everyone, and happy Tuesday Now that Monday is gone, we
Ultra-realistic cinematic close-up of an elegant female android awakening inside a sterile futuristic laboratory, intricate chrome machinery unfolding around her skull like mechanical petals, dozens of articulated robotic arms reconnecting
Kling 4.0 oil-painting romance: a kiss of stardust between two balconies
Prompt (Kling 4.0 on PixVerse) A 30-second romantic multi-shot film in the style of a classical 19th-century oil painting: visible brushstrokes, rich impasto texture, Romanticism era, soft chiaroscuro lighting, deep midnight blues and warm golds, painterly canvas texture throughout, dreamy ethereal glow. Vertical 9:16. 0–5s: Wide establishing shot of a moonlit old European street at night, two stone balconies facing each other across the street, a sky full of glittering stars, warm candlelight in the windows. Slow gentle push-in. 5–10s: Medium shot of a young woman in a flowing ivory gown with long dark wavy hair on the left balcony, gazing across the street with longing, a soft night breeze moving her hair and dress. 10–15s: Close-up as she softly blows a kiss from her palm. The kiss turns into sparkling golden stardust that drifts across the night sky, glowing particles swirling. The camera follows the stardust. 15–20s: The stardust reaches a young man in a dark Victorian coat on the opposite balcony. He catches it in his hands, it lights his face, he smiles and releases a small paper boat made of silver light into the sky. 20–26s: Both lovers float gently upward among the stars and meet in the middle of the night sky, holding hands, surrounded by swirling gold and silver stardust. Slow orbit shot around them, romantic and weightless. 26–30s: Pull back as the stardust swirls across a starry oil-painted sky and slowly fades. Keep the same two characters, faces and costumes consistent in every shot. Gentle, slow camera movement only.
Hello there, everyone! Happy Sunday Here is another Kling 4.0 video.
Dozens of armored soldiers fight across an enormous desert battlefield beneath a gigantic alien ring megastructure. Every visible character is moving: infantry sprint between craters, two soldiers drag a wounded teammate toward cover, another group fires toward airborne enemies while robed figures run through the chaos. Suddenly the massive blue vortex beneath the megastructure activates and begins pulling soldiers, vehicles, sand and debris upward. Several characters struggle against the force, grabbing each other and nearby rocks. One soldier loses his footing and another catches his arm before he is pulled away. The camera moves rapidly through the battlefield between running characters, then rotates upward following debris toward the gigantic structure. Huge scale, continuous background action, realistic physical reactions, moving clothing and armor, explosions, atmospheric distortion, epic cinematic sci-fi warfare.
Seedance 2.5 vs Kling 4.0
30-second photoreal cinematic live-action. High quality, 16:9. Indoor wrestling room, soft warm lighting. Extreme shredded muscle detail. No logos, no readable text, no music. Intense one-sided wrestling match. A dense, extremely muscular woman dominates an average man with fast, varied action. Punches, lifts, bearhug, headlock, and bodyscissor. She overpowers him in every exchange. Hard, fast cuts. Muscle packs and hardens only — no inflation. 0–3s — Wide three-quarter: They lock up. She immediately takes over, drives him back, and lands two hard body punches. Arms and shoulders pack dense. Skin pulls taut. He staggers. 3–6s — Medium side: She grabs him and lifts him clean off the ground. Full-body contraction. Core and arms lock hard. Peak packs and hardens. She holds him up briefly, then drops him. 6–9s — Low three-quarter: She pulls him into a tight bearhug and crushes. Arms, chest, and core pack toward the center and lock stone-hard. Skin taut. Vein rises. He is compressed and cannot breathe out of it. 9–12s — Tight muscle close-up: Close detail on her flexing arms during the bearhug. Peaks split and harden. Skin stretches tight. Vein stays raised. Extreme separation. She squeezes harder. 12–15s — Medium tracking: She releases the bearhug and transitions straight into a hard headlock. Working biceps packs, splits, and locks. Skin pulls taut. Vein rises. Faint tremor. He is fully controlled. 15–18s — Side profile: She adds a short series of controlled punches while holding the headlock. Variance in left and right strikes. Arms stay packed and dense. He absorbs every hit and stays trapped. 18–20s — Wide low angle: She drops him, steps over. Camera: Fast hard cuts between the nine angles. Minimal drift inside shots. Soft warm light catches density, separation, and skin tension. Clear readable wrestling. No ballooning, no extra people, no clothing changes.
E.C.H.O. Sci-Fi Trailer
Cinematic sci-fi montage. 0-5s: Close-up of a scientist in a lab coat using a microscope, sepia-toned film grain. 5-12s: Extreme macro of a finger pressing a vintage orange button and a needle probe touching a microchip with glowing orange light. 12-20s: Close-up of a female android face with exposed internal circuitry and blue eyes. 20-28s: Top-down view of a complex circular clockwork machine and abstract head diagrams. 28-33s: Dark kitchen scene with a woman near a coffee machine. Moody lighting, high contrast, 35mm film aesthetic.
AI Woman Performing Rhythmic Dance
Medium shot of a young woman with Asian features and a ponytail. She wears a light blue ruffled off-the-shoulder top and tight grey shorts. 0-15s: She performs a rhythmic dance, pointing fingers, crossing arms, and swaying hips with a cheerful smile. Setting is a minimalist room with a dark wood door and bright indoor lighting. High-quality social media aesthetic.
Kling 4.0 is here!!
HYPER-KINETIC DESERT COMBAT — 30-SECOND CINEMATIC SEQUENCE WARRIOR — FIRST REFERENCE IMAGE: Use the exact masked tribal warrior with red-and-black wrapped dreadlocks, metallic ornaments, skull-covered shoulders, muscular build, layered black armor, wrapped forearms, bone accessories, distressed red-and-black hanging garments, and rugged footwear. Preserve his exact appearance and costume throughout the sequence. DARK REAPER — SECOND REFERENCE IMAGE: Use the exact hooded supernatural reaper with flowing, tattered black robes, glowing molten-orange cracks, fiery skeletal details, and an enormous curved flaming scythe. Preserve the same silhouette, weapon design, and spectral appearance throughout the sequence. VISUAL STYLE: Hyper-kinetic desert combat spectacle, extreme high-intensity CGI action, thick volumetric cinematic haze, golden-hour dust storms, aggressive anamorphic 35mm lens, heavy motion blur, relentless handheld tracking, whip pans, deep shadows, heat distortion, ultra-realistic particle systems. 0–4s — EXTREME WIDE CRASH-IN Instant violent collision. The tribal warrior explodes forward through a dense dust cloud, his tattered red garments whipping violently. The dark reaper swings its massive flaming scythe in a wide horizontal arc. The impact detonates a shockwave of sand and embers. No pause. 4–8s — DYNAMIC LOW TRACKING Rapid exchange. The warrior ducks beneath the scythe, delivers a spinning elbow to the reaper’s ribs, then an upward knee. The reaper phases partially out of existence, reforms mid-strike, and counters with a spectral claw rake across the warrior’s chest. Fabric, sparks, ash, and dust explode outward. 8–13s — ORBITING MEDIUM + DUTCH ANGLE Acrobatic mid-air clash. The warrior vaults off the scythe shaft, his tattered red garments fully extended, and lands a dual-fist hammer blow against the reaper’s hood. The reaper retaliates with a vertical scythe slam that cracks the ground. The warrior rolls and rises into a spinning back-kick that shreds the reaper’s robe into black ribbons. 13–18s — HANDHELD CLOSE-COMBAT FRENZY Brutal ground scramble. The warrior grapples the scythe pole, headbutts the reaper’s shadowed hood, then unleashes three distinct strikes: an upward palm, a horizontal elbow, and a downward axe-kick. The reaper absorbs the attacks before unleashing a tendril-whip of living shadow that lashes the warrior’s back, drawing blood and dust. 18–23s — SLOW-MOTION IMPACT MONTAGE Escalating power. The warrior catches the scythe mid-swing, twists, drives a knee into the reaper’s midsection twice, then delivers a spinning heel kick that sends the figure airborne. The reaper crashes down in an explosion of ash and sand, its robes partially dissolved. The warrior advances without mercy. 23–28s — WIDE TO TIGHT PUSH-IN Finishing sequence. The warrior seizes the collapsing reaper by its remaining hood, delivers a savage rising uppercut followed by a final two-handed overhead smash. The reaper’s entire form shatters into swirling black ash and ember particles that scatter across the desert floor. The warrior stands over the dissipating cloud, breathing hard. 28–30s — HARD-CUT REVERSE EXTREME CLOSE-UP The blurred tribal warrior fills the foreground, chest heaving, sweat and dust streaking his mask, mouth open in ragged breath. In sharp focus in the deep background, the dark reaper slowly reconstitutes from residual ash. Its enormous flaming scythe reforms in its hand as it rises and begins stalking forward with predatory stillness. FINAL QUALITY REQUIREMENTS Photorealistic, ultra-detailed fabric physics and particle simulation, precise character consistency, physically convincing combat, coherent anatomy and proportions, realistic weapon interactions, intense fire and shadow effects, perfect motion blur, maximum-density volumetric haze, cinematic color grading, and movie-level VFX polish.
Kling 4.0 explorers on an alien plain beside a herd of six-legged giants
Here is the prompt I used for the video: Three explorers walk through tall grass on an alien plain as a herd of enormous six-legged creatures passes nearby. The animals lower their long necks to feed while smaller creatures fly around them. One explorer raises a scanner and another follows the herd. Cinematic tracking shot, realistic creature animation, sense of wonder.
Hello there, everyone. Hope you have a nice day.
A cinematic futuristic talk show filmed inside a polished science-fiction broadcast studio. A serious male interviewer dressed entirely in black speaks calmly while sitting in a modern chair. Opposite him sits a beautiful red-haired female android with intricate silver-black mechanical plating and highly realistic synthetic skin. Begin with a stable waist-up shot of the man speaking naturally and gesturing with both hands. Seamless cut to a close-up of the android answering him, moving her hands naturally while her mechanical fingers articulate precisely. Background screens display abstract futuristic imagery. Transition to a wide establishing shot showing the circular stage, overhead lights, glass architecture and both guests. Cut back to their faces during the conversation. At the end, the center of the stage suddenly detonates in a powerful explosion, sparks and fragments burst outward, both characters react instantly, thick smoke rapidly consumes the entire frame. Hyperrealistic live-action aesthetic, realistic explosion physics, subtle handheld reaction during blast, professional studio cameras, dramatic but believable
Woman Spinning with Birds at Sunset
0-4s: Medium shot of a woman with long curly hair in a cream linen sundress spinning in a sun-drenched meadow. Small birds are perched on her shoulders. 4-8s: As she rotates, a flock of small colorful birds circles her. The lighting is warm golden hour, with a soft-focus background of rolling hills. Cinematic, ethereal atmosphere.
Blonde woman in Brazil kit at stadium
A full-body portrait of a young woman with long straight blonde hair, fair skin, and a slight smile, standing confidently in a football stadium. She is wearing the official Brazil national football team home uniform: bright yellow jersey with green collar and sleeve cuffs, CBF logo on the chest, black shorts, black socks pulled up, and white football sneakers. Her pose is casual with one leg slightly forward, arms relaxed. Background shows a vibrant football stadium with green pitch, crowded stands, bright stadium lights, and athletic atmosphere. Realistic photography style, sharp details, natural daylight mixed with stadium lighting, high resolution, cinematic composition.
Kling 4.0 ile sinematik bir süper kahraman savaşı.
Ultra-photorealistic live-action, a thunder-powered warrior god and an iron-clad sorcerer tyrant engage in an epic fight to the death on a ruined apocalyptic battlefield, with a lightning hammer, storm power, heavy impacts and collisions clashing violently against green magical energy, metal armor, mystical shields, and devastating spells, as the two fight at high speed through ruins, flames, smoke, dust, and energy explosions, featuring realistic actor presence, realistic weight and destruction physics, natural lighting, cinematic handheld long takes, low-angle tracking shots, authentic motion blur, and detailed lightning, shattered stone, sparks, and magical particles, creating a dark fantasy superhero showdown with Hollywood blockbuster quality, with no game feel and no plastic CGI feel.
Kling 4.0 photo booth strip loop where a roommate climbs between the frames
Made in @higgsfield_ai Use [Image1] as the first frame and [Image2] as the last frame. They are the same image, so the clip loops seamlessly. [Overall Settings] Cinematic, a vertical photo booth strip of four frames on white photo paper, flash lighting, film grain, natural skin texture. Real, lively acting: the Turkish roommate is cheeky, the Brazilian roommate amused; everyone in every frame stays alive, blinking, laughing and reacting the whole time. The impossible thing: the four frames are four connected little rooms. The Turkish roommate is alive inside them and climbs over the white borders from one frame into the next, while each frame keeps its own moment and pose. Only he crosses the borders, one border at a time, always upright and feet first, like a person climbing over a low fence; nobody is ever upside down or dragged, everyone else stays in their own frame, and everyone keeps the size of the frame they are in, with arms and legs of normal length. The strip and the camera stay still. Bodies, faces and hands keep their shape, and the place keeps its exact shape; only the one impossible thing changes. Everything moves at natural, real-time speed, brisk and lively, with real weight. [Sequence of Events] 0-2s: In frame 1 the Turkish roommate looks down at the slice of pizza in frame 3, grins, and swings his legs over the white border. 2-5s: He climbs down feet first into frame 2 and squeezes past his own silly-faced self, who stops and stares. 5-8s: He steps down into frame 3 and takes a huge bite of the pizza his roommate is holding up, and the roommate gasps. 8-11s: In frame 1 the Brazilian roommate, now alone, waves at him to come back, laughing. 11-15s: The Turkish roommate climbs back up through frame 2 into frame 1, chewing happily, while the pair in frame 4 lower their sunglasses to watch. 15-18s: Back in frame 1 the Brazilian roommate wipes the tomato sauce off his friend's mustache and they both burst out laughing. 18-20s: Everyone settles back into their original poses in all four frames, matching the first frame exactly. [Audio] A bouncy retro funk tune; the clunk and flash pop of a photo booth; muffled chewing and laughter; street noise outside the booth; the rustle of photo paper. No dialogue, no subtitles, no on-screen text.
Character 360-degree studio turn
The same man from the reference stands on a plain light-grey studio background and slowly turns 360 degrees in place, clockwise, at a steady speed: front, side, back, side, front. The person rotates, the camera does not move. Full body in frame, arms relaxed, neutral expression, feet stay on the same spot. Soft even studio light. Same face, hair, outfit and proportions in every frame.
Kling 4.0 vs seedance 2.5
A chandlery closes for the night and the woman who runs it walks out along a wet quay alone. Shot 1 - 0.0s to 5.0s - MS, eye level across a shop counter, locked-off. The interior of a ship's chandlery at dusk: bare bulbs, coils of tarred rope hung in loops, brass shackles in a wooden tray. A woman in her late thirties works along the shelf at frame right, counting shackles into her palm. She has deep brown skin, cropped silver-grey hair, and a small scar through her left eyebrow. She wears a faded red canvas work jacket with a torn right cuff and a brass boat-hook clasp at the throat. At 2.4s she taps the clasp twice against her palm, thinking, then returns to counting. Her face is turned three-quarters to camera and in focus. Hard cut. Shot 2 - 5.0s to 10.0s - CU, eye level, locked-off, her face filling the right two thirds. The same woman: same deep brown skin, same cropped silver-grey hair, same small scar through the left eyebrow, same faded red canvas jacket at the frame's lower edge. She reads a paper ledger by lamplight, and the bulb's warm light sits on the left side of her face while the shop's shadow takes the right. At 6.8s she frowns at a figure in the column, and at 8.1s she licks her thumb and turns the page. Her hands stay visible at the frame's bottom edge. Hard cut. Shot 3 - 10.0s to 15.0s - MWS, low angle in the shop doorway looking out, locked-off. The same woman - same silver-grey hair, same scar through the left eyebrow, same red canvas jacket with the torn right cuff - pulls a steel roller shutter down in front of her. The shutter travels down in one continuous run and its slats catch the shop's bulb light in a single moving band. At 13.0s she is visible only as a reflection in the shutter's grey paint, inverted and cut off at the chest, and the reflection is still wearing the same red jacket. The shutter lands at 14.2s and the reflection is gone. Hard cut. Shot 4 - 15.0s to 20.0s - MS, low angle from behind and slightly left, gimbal, over-shoulder. She walks away from camera along a wet stone quay - the same cropped silver-grey hair, short at the nape, the same red canvas jacket across her shoulders, its torn right cuff catching the wind. Rain falls in fine lines and the quay carries one long reflection of a harbour lamp. Her pace is even, one boot landing per second, and she does not turn. Hard cut. Shot 5 - 20.0s to 25.0s - MCU, eye level, handheld, moving ahead of her and walking backwards. She stops at 21.0s and looks back over her left shoulder toward the town - the same face, the same silver-grey hair flattened by rain, the same small scar through the left eyebrow, the same red canvas jacket now soaked darker at the shoulders. At 22.6s a passing boat's lamp sweeps across her from frame left to right, lighting her face in full and then leaving it in shadow. She exhales once and turns forward again. Hard cut. Shot 6 - 25.0s to 30.0s - EWS, high angle looking down from a warehouse roof, locked-off. The quay runs diagonally across the frame as a wet dark line between the black channel and the shuttered shops. One small figure walks its length away from camera - silver-grey hair the only pale thing in the frame, the red jacket the only warm colour - reaching the far edge at 29.0s and going out of it. Nothing else moves except the rain and the water. Camera law: 40mm spherical throughout, with shallow focus on her face in shots one, two and five; the mount family is locked-off for shots one, two, three and six, gimbal over-shoulder for shot four and handheld for shot five; height sits at her eye level in every shot except the last, which looks down from above; 180 degree motion blur. Anti-default: The shutter's reflection of her in shot three is inverted and cut off at the chest, and no shot is centred on her face. Grade and audio: Ember-night palette - wet stone grey, red jacket, one warm bulb - contrast soft lifted blacks. Key light is the bare shop bulb in shots one to three and a harbour lamp in shots four to six, halation blooming in the rain. Audio: rain on stone and tin as the bed under five diegetic events - shackles knocking in a tray, a ledger page turning, a steel shutter running down and landing, boots on wet stone, and one distant boat horn. Constraints: Count of people in frame: one. Count of shots in which her face is clearly visible: three. Count of wardrobe changes across the clip: zero. Count of logos, insignia or legible lettering: zero. No music, no score, no bgm. No subtitles.
Stylized Martial Arts Dance Crew at Night
A group of stylized, caricatured men perform. Lead: Wing Chun master in a black traditional tunic with white cuffs, bowl cut with flared ends, and thick mustache. Crew includes: man with large afro in brown suit, bald man with long side hair in maroon suit, albino man with long white hair, and a stout man with a ginger bowl cut and large mustache. Setting: Cobblestone plaza at night under harsh artificial light. 0-10s: Characters take turns walking toward the camera with expressive gestures. 10-20s: Group performs a synchronized martial arts dance with sharp arm movements. Handheld camera style, deep shadows, cinematic night lighting.
Kling 4.0 camcorder gym vlog in a Halloween devil costume (6 shots)
PROMPT ⬇️ (Kling 4.0, 16:9, 6 shots) MAIN PROMPT: CAMERA: DV 16mm tape camcorder handheld feel. POV of MILA holding the camera herself, occasionally propping it on the floor or a mat for hands-free core shots. Hand shake, misaligned framing, delayed focus pulls, clumsy zooms, occasional face cut-off framing, imperfect shots. Camcorder never appears on screen. LOOK: Soft, slightly blurry tape quality, faint tape noise, bloomed highlights under gym lighting, flickering auto-exposure, muted contrast, realistic skin tones. Warm orange accents from Halloween string lights. STYLE: Playful, self-deprecating gym-vlog tone — genuine strain mixed with humor, complaining about core work while still pushing through it, with her devil costume constantly getting in the way. Quick handheld cuts, energy staying light and funny throughout rather than fully exhausted. CHARACTER: MILA — a beautiful American Instagram-style brunette model and performer, 20. Long dark-brown hair in a high ponytail, glowing skin with a light sweat sheen, glossy red lips, expressive eyes, soft glam makeup with a touch of red glitter at the outer corners, delicate sparkly stud earrings. Slim athletic figure with a very large, full bust, very full rounded buttocks, a narrow waist, flat stomach and lean arms and legs. She wears a Halloween devil costume made for the gym: a bright red supportive sports bra with thin straps and a deep scoop neckline showing cleavage, matching red ultra-short fitted athletic shorts, a headband with small glossy red devil horns, and a long thin red devil tail with an arrow-shaped tip attached to the back of her shorts. Bare shoulders, arms and midriff. White ankle socks, sneakers off. She speaks with an American accent. Her face, body and costume stay identical in every shot. SETTING: A gym mat area in the evening, lightly decorated for Halloween. LAYOUT (fixed for all shots): a black mat lies on the floor; the propped camera always sits on the floor at the foot end of the mat, looking along it toward the head end. Seen from the camera, the mirror wall runs along the LEFT side of the frame, with orange string lights along its top edge. A carved jack-o'-lantern and her water bottle sit on the floor at the head end of the mat, in the background behind her. Other gym equipment is visible in the far background. Soft overhead lighting. SHOT 1 (4s): Propped camera on the floor at the foot end of the mat, medium shot. Mila in the red devil costume is already lying on her back on the mat, head toward the jack-o'-lantern, propped up on her elbows. She pushes her crooked devil horns back into place, sighs dramatically and says to the camera: "Core day. Even the devil needs prayers." SHOT 2 (4s): Propped camera low on the floor at the foot end, rear view from behind her. Mila holds a plank face-down, facing away toward the jack-o'-lantern. Her red shorts and the red devil tail hanging from them are clearly visible, the tail swinging as her body trembles. She looks back over her shoulder at the camera, face strained, and says through gritted teeth: "Why is my tail heavier than me?" SHOT 3 (4s): Propped camera at the foot end of the mat, medium shot. Mila lies on her back, head toward the jack-o'-lantern, and does one slow crunch; the horns headband slips down onto her forehead. She lies back, shoves the horns back up, breathing hard, and says: "These horns were not made for crunches." SHOT 4 (2s): Macro close-up, shallow depth of field. Mila's hands grip the edges of the black mat beside her hips during a leg raise, her abs visibly working, the arrow tip of the red devil tail poking out from under her and twitching on the mat beside her hand. No dialogue, ambient gym sound only. SHOT 5 (4s): Propped camera at the foot end of the mat, medium shot. Mila, lying on her back in the red devil costume, lets her raised legs drop onto the mat, winces and pulls the squashed red tail out from under her back, laughing at herself. She says breathlessly: "Yep, my abs just went to hell." SHOT 6 (3s): Arm's-length selfie from above: Mila has picked up the camera and holds it over her face, camera not visible. She lies on her back on the black mat, devil horns crooked, sweaty and grinning tiredly, orange Halloween lights glowing behind her. She gives a little wink and says: "Same time tomorrow? Devil's promise."
Kling 4.0 is here up to 30 second videos, 10 keyframes and 15 reference assets.
TITLE: MONSOON VELOCITY FORMAT: 20 seconds, 16:9, 24fps, photoreal live-action superhero action, anamorphic lens feel, handheld chase camera with whip pans, heavy motion blur on the speedster only. Pure text to video, no on-screen text, no logos, no subtitles at any point. WORLD: A monsoon evening in a dense South Asian city. Narrow wet street between old pastel colonial buildings with iron balconies, hanging shop signs blurred and unreadable, rickshaws parked, tangled overhead wires, steam rising from a tea stall. Light rain falls steadily. Sodium orange streetlamps and cyan neon spill reflections across ankle-deep puddles. Color grade: teal shadows, warm amber highlights, wet glossy surfaces. CHARACTERS: NIRA, the speedster. Mid 20s South Asian woman, athletic, long black hair tied in a high braid, sleek charcoal grey running suit with thin copper seams, bare forearms, calm fierce eyes. When she moves at speed she leaves a crackling copper-crimson energy trail with small electric sparks, never gold. THE ASHEN MONK, the rival. Tall lean man in layered ash-grey wrap robes, deep hood, cloth mask covering nose and mouth, leather wrist bindings, barefoot. Moves with martial calm. He can phase into a burst of grey smoke and reappear a few meters away. SHOT LIST: 0 to 2s. Wide low angle down the rainy street. Pedestrians with umbrellas in the background. The Ashen Monk stands still in the middle of the road, rain bouncing off his hood. Far behind him a copper streak ignites at the end of the street. 2 to 4s. Time slows. Every raindrop freezes in midair like suspended glass beads. Nira runs through them in real speed, her body shattering the frozen drops into glittering spray, copper trail crackling behind her. Camera tracks beside her at shoulder height. 4 to 6s. Impact. Nira tackles the Monk at full speed. Both bodies fly sideways and slam into the hood of a parked white car, the metal crumples, windshield cracks into a spiderweb, water sheets off the roof in a wave. 6 to 8s. Tight close up, handheld shake. The Monk grabs her braid and twists. Nira's face strains, sparks jump from her skin. He bursts into grey smoke in her hands and she falls through empty air onto wet asphalt. 8 to 10s. Over the shoulder of the Monk as he reforms beside a crumbling plaster wall, smoke curling off his robes, eyes narrowing above the mask. Behind him puddles ripple outward as something approaches too fast to see. 10 to 13s. Nira circles him at super speed, a ring of copper light spinning around the Monk, the rain inside the ring spiraling upward into a vortex. Rickshaw canopies flap, shop shutters rattle, a tea glass tips off the stall and hangs frozen midair. 13 to 15s. The Monk throws a sharp palm strike into the ring. It connects. Nira is knocked out of speed, skidding on one knee across the flooded road, a wake of water spraying behind her, copper sparks hissing in the puddle. 15 to 17s. Low angle on Nira rising, rain streaming down her face, she exhales, lowers into a sprinter crouch. The asphalt under her fingertips glows hot and steams. 17 to 19s. She launches. One continuous blur of copper light straight at the Monk. He tries to phase but too late. She drives him backward into the plaster wall. Massive impact, the wall cracks outward in a radial web, brick dust and rainwater explode together in a dense cloud, a balcony above shakes and drips. 19 to 20s. LAST FRAME. Locked wide shot. Dust settling in the rain. A Monk shaped crater in the wall, empty, wisps of grey smoke drifting out of it. Nira stands in front of the crater breathing hard, copper sparks fading off her hands, back to camera, staring left down the street where a faint smoke trail disappears. Hold still. No text, no title card, no letters, no signage legible anywhere in frame. AUDIO, diegetic only, no music, no narration: Steady rain hiss on tin awnings and puddles, distant rickshaw bells, a tea kettle whistle. Sharp electric crackle and whoosh whenever Nira moves at speed. Near silence with single tinkling drops during the frozen rain moment. Metal crunch and glass crack on the car impact. Soft smoke whump when the Monk phases. Low rising whirlwind roar inside the speed ring. Heavy concrete crack and rumble of the wall impact, then debris trickle, rain returning, Nira's heavy breathing. STYLE NOTES: Realistic physics for water, debris and cloth. Speed effect only on Nira, everything else stays sharp. Consistent faces and costumes in every shot. No extra superheroes, no flying, no weapons, no blood.