来自 X · Motion Transfer
图生视频 AI 提示词
从一张静态图出发，描述哪些部分要动起来。这里收录创作者把照片和插画变成短视频的提示词：主体该怎么写、加什么运镜，以及如何避免人脸和产品在画面中走样。
Korean woman Friday morning home video
Create a 30-second ultra-realistic personal home-video of a young Korean woman enjoying a relaxed Friday morning in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face, long black messy side ponytail, pastel-blue fitted top, loose cream pants, black sneakers, silver necklace, and overall appearance perfectly consistent. She leaves her home with a cheerful expression and walks casually through the quiet neighborhood. She reaches a nearby outdoor water tap, stops, splashes cool water onto her face, wipes her face with her hands, smiles and continues walking. She arrives at a small neighborhood shop and buys a colorful lollipop for herself. She unwraps it immediately, puts it in her mouth and happily enjoys the candy while walking through the street. A few school children pass by carrying their backpacks. She smiles, waves at them and casually says, “Hello!” as they walk past. She then approaches a newspaper seller outside a small local shop, picks up a newspaper, gives him a few coins, thanks him with a smile and starts walking back toward home while holding the newspaper. Near the end, she looks toward the camera with a happy smile, still enjoying her lollipop, and says, “Happy Friday!” before continuing home. Use raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft digital detail, mild digital noise, natural motion blur, occasional awkward zooms and authentic home-video imperfections. Natural Seoul neighborhood ambience only — footsteps, running water, children talking, shop sounds, newspaper rustling, distant traffic, birds and summer insects. No music, no narration, no subtitles, no polished commercial cinematography, no beauty-filter skin, no CGI look, no duplicate characters, no changing face, hairstyle or outfit.
Teacher fights zombies in classroom
Create a short, ultra-realistic Japanese high-school horror-action sequence featuring the female teacher from the reference image. She is teaching normally when a single drop of blood falls onto a student’s notebook. Everyone looks up as the ceiling suddenly cracks and a zombie crashes into the classroom, sending students into panic. As they rush for the exit, another student suddenly reveals he is already infected, turning the classroom into chaos. The teacher grabs a heavy wooden bench and fights back while several students use chairs and desks to defend themselves. They eventually knock down the attackers and barricade the door. Just as the room becomes silent, a deep zombie groan echoes from the hallway. The teacher slowly turns toward the blocked door as the handle begins to move. Photorealistic live-action, practical-effects horror, realistic Japanese classroom, natural handheld camera, authentic reactions, realistic physics, muted cinematic grading, diegetic sound only. No music, narration, excessive gore, graphic injuries, animation, anime, cartoon, CGI look, distorted anatomy, subtitles, text, or watermark.
Inception-style folding Venice chase
is the face and identity reference. A young Korean woman in her early twenties with EXACTLY the face of @[Image 1](image_1) — same facial structure, same features, natural Korean skin, no glasses. Long pastel pink hair, wearing a 1940s teal-orange wool coat-dress with white collar, a brown leather satchel worn cross-body, grey knee socks, black leather shoes, holding a folded yellow envelope. Every shot of her matches @[Image 1](image_1). 1940s Venice at golden hour. Amber and teal cinematic grade, anamorphic 35mm film look, shallow depth of field, volumetric god rays, fine film grain. Inception-style folding architecture — the Venetian city curls upward and hangs inverted overhead like a mirrored ceiling. The woman always stays under normal gravity while the world folds around her. Continuous camera motion, no hard cuts. [TIMELINE PROMPT] 0–3s: Lateral tracking shot along a stone quay by the Grand Canal at sunset. The young woman @[Image 1](image_1) in a teal coat sprints past camera, clutching a yellow envelope. Above her the entire city hangs upside down, mirrored — a man in a bowler hat walks a dachshund across the inverted street. A red umbrella drifts weightlessly between the two worlds. Pigeons scatter through the amber light. 3–6s: Camera follows behind her into a narrow Venetian alley, dry leaves swirling in her wake. At the far end the street peels upward into the sky, buildings stacking vertically like a wall of windows. Her footsteps echo between the stone walls. 6–9s: The camera slowly rolls 90 degrees. The alley wall becomes the ground beneath her feet; she keeps running, unfazed. The roll continues into a wide orbit as she races up a floating spiral stone staircase suspended in mid-air, fragments of terracotta Venetian rooftops rotating around her like a kaleidoscope. 9–12s: Extreme wide silhouette. She runs across the top of an arched stone bridge over a wide canal against the blazing setting sun. The mirrored city hangs both above and below the arch. On the inverted plane, a lone pedestrian walks the opposite direction. Birds burst across the frame in slow motion. 12–15s: Low angle looking straight up between two towering building walls, the sky a thin bright strip. She leaps across the vertical chasm, arms spread wide, coat and hair flying, satchel swinging. Camera holds on her against the sky. Wind roars. 15–18s: Handheld push-in through a crowded 1940s Rialto market street — vendors stacking crates of apples, laundry strung overhead between the buildings. She weaves between blurred foreground shoppers, running away from camera. An apple rolls loose across the cobblestones. 18–21s: Camera tilts up a grand brick bell tower — a Venetian campanile — as the surrounding city folds and curls around it. The woman appears tiny on the tower ledge, pauses against the sun, then steps off toward the rooftops. Bells begin to ring. 21–24s: Rooftop terrace garden framed by a rose-covered arbor. An elderly woman in a grey cardigan waters a bed of vivid flowers with a tin can. Behind her, Venice and the domes of St Mark's Basilica glow at sunset over the lagoon while the inverted city hangs overhead. The young woman balances along the stone balustrade, arms out, then jumps down onto the terrace. 24–27s: She holds out the yellow envelope. The old woman turns, sets down the watering can, and takes it. Both smile warmly at each other. Rose petals drift upward past them, falling toward the inverted sky. 27–30s: Camera pulls back and rises fast. The whole city folds and rotates until it becomes a top-down aerial of Venice's canals and streets curling into a sphere. The two tiny figures remain on the terrace. Slow fade to warm light.
Neon rooftop heist team cracks vault
35-shot, 30-second cinematic noir rooftop heist. Keep Character A’s face, outfit, and appearance identical to the reference image. Sleek tactical gear, neon-lit city, tense professional choreography, realistic cinematic lighting, sharp cuts, no dialogue. 1. 0.0–1.0s: A crouches on a rooftop ledge at night, checks wrist device, neon skyline behind. 2. 1.0–1.6s: Extreme close-up of her eyes scanning the opposite building, neon reflections. 3. 1.6–2.2s: Teammate mechanically checks a grappling-hook launcher. 4. 2.2–2.8s: Wide neon city skyline establishing shot. 5. 2.8–3.4s: Two teammates exchange a precise silent hand signal. 6. 3.4–4.0s: A fires grappling hook across the gap; cable snaps taut. 7. 4.0–4.6s: Teammate checks a countdown timer. 8. 4.6–5.4s: A launches across the gap, city lights streaking below. 9. 5.4–6.0s: She lands silently, rolls, and immediately readies herself. 10. 6.0–6.6s: Security camera pans while team freezes in shadows. 11. 6.6–7.2s: Camera passes; teammate exhales in brief relief. 12. 7.2–7.8s: Three teammates synchronize watches and countdown gestures. 13. 7.8–8.6s: Team crosses rooftop in perfect formation, silhouetted against neon. 14. 8.6–9.2s: Gloved hands bypass a keypad with a decoding device. 15. 9.2–9.8s: Access panel opens; teammate silently signals success. 16. 9.8–10.6s: Team descends through rooftop hatch into a dark maintenance corridor. 17. 10.6–11.4s: Security guard patrols below, unaware; team hides above stairwell. 18. 11.4–12.2s: A signals “wait,” tracking the guard through railing. 19. 12.2–13.0s: Guard turns away; team swiftly moves past. 20. 13.0–13.8s: Team reaches a reinforced metallic vault door. 21. 13.8–14.6s: Decoding device attaches to vault lock; numbers cycle rapidly. 22. 14.6–15.6s: Close-ups of tense faces and countdown timer. 23. 15.6–16.6s: A guards the corridor, alert and weapon-free. 24. 16.6–17.6s: Decoder numbers slow toward final combination. 25. 17.6–18.8s: Slow motion: final digit locks; vault mechanisms release. 26. 18.8–20.0s: Slow motion: massive vault door opens, dramatic light spills out. 27. 20.0–21.0s: Team exchanges a restrained, silent look of triumph. 28. 21.0–22.0s: Wide reveal of sleek high-value contents inside vault. 29. 22.0–23.0s: A checks corridor again, maintaining vigilance. 30. 23.0–24.0s: Team efficiently secures the objective. 31. 24.0–25.2s: Distant alarm begins; team instantly shifts into calm exit mode. 32. 25.2–26.4s: Team retreats through rooftop access hatch. 33. 26.4–27.6s: A briefly looks back at the building, neon reflected in her eyes. 34. 27.6–28.8s: Team rappels down the exterior toward a waiting vehicle. 35. 28.8–30.0s: Wide final shot: vehicle speeds through neon city streets as rooftop lights fade behind, cinematic noir heist ending
Ink-Brush Anime Sword Action
Cinematic 3D anime style. A girl with a long black braid, heavy bangs, and red eyes wears a black crop top and an oversized white jacket. 0-3s: Close-up of her face, followed by hands unsheathing a katana. 3-12s: Fast-paced sword choreography with low stances and spinning slashes. Every movement generates thick, fluid black ink-brush trails that hang in the air. 12-15s: She sheathes the sword as the ink forms a circle on the ground; ends with a somber close-up. Setting: A grey cloudy void with dramatic god rays. High contrast, desaturated palette.
Woman walks to frozen crowd
Create an ultra-realistic cinematic fashion/music video using the uploaded reference image as the exact visual reference for the woman, crowd, wardrobe, composition, lighting, and atmosphere. A young woman with a short sleek dark bob, realistic facial features, natural skin texture, and subtle makeup wears a fitted black turtleneck, black trousers, black shoes, and minimal jewelry. Keep her face, hairstyle, outfit, and proportions perfectly consistent. She walks slowly and confidently toward a large, tightly packed crowd, maintaining a calm and emotionless expression while the camera smoothly tracks backward and keeps her centered. She reaches the exact center of the crowd and stops completely, standing perfectly still with her arms naturally at her sides and looking directly into the camera. The crowd remains completely frozen for a brief moment. Then, without the woman moving, the people behind her slowly begin turning toward her. The head turns start subtly and spread through the entire crowd until everyone is facing and looking directly at her. The woman remains completely motionless and expressionless, never reacting to the crowd. The camera slowly pushes closer while the crowd stays turned toward her, creating an unsettling synchronized effect. Their final movement is one sharp, simultaneous turn toward her while she continues staring into the lens. Dark, mysterious, photorealistic live-action aesthetic, soft cinematic lighting, deep shadows, realistic skin, hair and clothing physics, shallow depth of field, natural human movement. No animation, anime, cartoon, CGI look, duplicate woman, distorted faces, morphing, random crowd movement, text, subtitles, logos, watermark, excessive camera movement, artificial fog, glow, or exaggerated effects.
Subway glass-punch revenge comedy
Create a 30-second, 1080p ultra-realistic Korean subway action-comedy scene using the uploaded images as exact visual references; keep characters, faces, hair, outfits and environment consistent. Young Korean woman, early 20s, long straight black hair, fitted pastel-blue cropped top, loose pajama-style pants, simple silver jewelry; confident, expressive and slightly mischievous. Young Korean man, short black hair, gray button-up shirt, dark trousers and white sneakers; playful at first, then shocked and embarrassed. She rushes down the subway stairs toward a waiting train, but the doors close just as she reaches them. The man inside sees her through the glass and laughs at her; she stares at him angrily and says, “Are you seriously laughing?” He laughs again, so she suddenly punches the glass beside the door, cracking and breaking the safety glass realistically with no injury or gore. She reaches through the broken opening, grabs his shirt and pulls him safely out onto the platform; he lands awkwardly on the floor in shock. She calmly climbs through the same broken opening into the train, straightens her pastel top and pajama pants, and walks inside as stunned passengers watch. The man remains sitting outside, looking confused and humiliated while passengers stare at him through the windows. One passenger starts laughing, then everyone bursts into laughter while the man looks around helplessly. She looks at him through the window, gives a tiny satisfied smile, then casually turns away. Ultra-realistic Korean subway lighting, gritty DV-inspired look, natural motion blur, realistic physics, handheld imperfections, authentic reactions and ambient subway audio; no music. No gore, blood, serious injuries, identity drift, outfit changes, duplicated people, teleportation, regenerating glass, distorted hands, CGI look, subtitles, captions, text, logos or watermark.
Tiny woman on giant 1960s table
16:9 widescreen, 30 seconds, Dola Continuous Engine. STYLE LOCK: Inspired by classic late-1960s Irwin Allen television production "Land of the Giants". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare. CHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change . SETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges. 0–4 seconds: Static wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge. 4–7 seconds: Slow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised. 7–11 seconds: Static wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge. 11–15 seconds: She walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame. 15–19 seconds: She climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin. 19–23 seconds: She stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her. 23–26 seconds: She stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face. 26–28 seconds: A massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame. 28–30 seconds: HOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds. Audio Cheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box
Never touch what's mine Seedance 2.5 on TapNow_AI prompt CINEMATIC VIDE
CINEMATIC VIDEO GENERATION PROMPT TITLE: THE ROOFTOP QUEEN'S DOWNFALL GENRE: Korean supernatural action drama | Psychological revenge | Telekinetic powers | High-intensity confrontation FORMAT: 30 seconds | 16:9 widescreen | 1080p | 24 FPS | Ultra-photorealistic live action VISUAL STYLE Premium Korean action cinema blended with the spectacular supernatural destruction of Hollywood blockbusters. Extremely realistic physical movements, intense confrontations, dramatic facial expressions, explosive invisible forces, believable gravity manipulation, violent environmental reactions, dynamic handheld camera movements, aggressive tracking shots, rapid whip pans, and breathtaking vertical cinematography. Realistic human skin texture, visible pores, natural facial imperfections, believable clothing physics, realistic hair movement, authentic shadows, and physically accurate object collisions. The heroine must appear completely human. No anime, cartoon physics, plastic skin, exaggerated CGI effects, magical circles, or superhero costumes. CHARACTER IDENTITY LOCK MAIN HEROINE — {{Image 1}} A striking 22-year-old Korean university student. Preserve her exact reference facial identity, hairstyle, skin tone, body proportions, and appearance throughout every shot. OUTFIT: Fitted black university blazer, crisp white collared shirt, black ribbon tie, short black pleated skirt, black knee-high socks, polished black loafers, and a delicate silver necklace with a small heart-shaped pendant. PERSONALITY: Quiet, mysterious, emotionally restrained, fearless, cold, sarcastic, and extraordinarily powerful. She secretly possesses devastating telekinetic abilities, capable of manipulating gravity, suspending human bodies in midair, controlling hundreds of objects simultaneously, and generating enormous invisible shockwaves. POWER ACTIVATION: Her irises develop a subtle electric-pink glow. The glow remains confined primarily to her eyes, producing delicate pink reflections along her eyelids. No laser beams, pink smoke, magical symbols, or exaggerated visual effects. She activates her powers through small, controlled finger movements, subtle head tilts, or simply by staring at her target. MAIN ANTAGONIST — THE ROOFTOP QUEEN A beautiful but arrogant 23-year-old wealthy Korean university student with long blonde hair, flawless fashionable makeup, an expensive cream-colored designer blazer, white blouse, short pleated skirt, luxury handbag, and high heels. She is cruel, entitled, theatrical, and convinced that everyone fears her. SECONDARY CHARACTERS Three fashionable university students who accompany the bully, laughing, recording the confrontation, and encouraging the humiliation. SETTING The rooftop of a prestigious modern Korean university during late afternoon. A large concrete rooftop surrounded by protective railings, ventilation systems, rooftop air-conditioning units, loose plastic chairs, scattered papers, metal buckets, empty flowerpots, maintenance equipment, and a small rooftop utility structure with a tall concrete wall. Beyond the rooftop, an expansive Seoul skyline stretches into the distance. Strong natural daylight, slightly overcast skies, realistic wind, and dramatic atmospheric depth. No neon lighting or nighttime environment. 00:00–00:04 — THE PUBLIC HUMILIATION OPEN IMMEDIATELY with an aggressive handheld tracking shot. The wealthy blonde bully forcefully shoves the heroine backward against a concrete rooftop wall. Three students stand nearby, laughing and filming. The heroine remains silent, staring directly into the bully's eyes. The bully suddenly grabs the delicate silver necklace around the heroine's neck and tears it away. BULLY (mocking): "You really thought you belonged here?" The heroine looks at the necklace in the bully's hand. For the first time, her expression changes. Her jaw tightens. 00:04–00:08 — THE UNFORGIVABLE MISTAKE The blonde bully walks toward the rooftop railing, dangling the necklace between two fingers. HEROINE (quietly): "Give it back." The bully laughs. BULLY: "Then go get it." She throws the necklace over the railing. CAMERA WHIP-PANS toward the falling necklace. EXTREME CLOSE-UP: The silver necklace tumbles through the air beyond the rooftop. Suddenly— IT STOPS. The necklace freezes completely in midair, suspended several feet outside the railing. The wind continues moving naturally around it. All laughter stops. 00:08–00:12 — ELECTRIC-PINK AWAKENING SMASH CUT to an extreme close-up of the heroine's face. Her eyes slowly develop a subtle ELECTRIC-PINK GLOW. A deep, barely audible supernatural pressure begins building. Her hair moves backward in a sudden unnatural gust. Loose papers tremble. Metal buckets rattle. The rooftop chairs begin vibrating against the concrete. The heroine slowly lifts her chin. HEROINE (coldly): "You shouldn't have done that." The necklace begins floating back toward her. The bully takes a nervous step backward. 00:12–00:17 — THE GRAVITY REVERSAL The blonde bully suddenly charges toward the heroine, attempting to strike her. WITHOUT MOVING— The heroine raises one finger. The bully instantly freezes in mid-stride. Her shoes slowly lift from the rooftop. She rises three feet above the ground, arms flailing as she struggles against an invisible force. Her long blonde hair and cream blazer move naturally in the wind. BULLY (terrified): "PUT ME DOWN!" The heroine tilts her head. HEROINE: "You wanted to be above everyone." The bully rises another few feet, remaining safely suspended above the rooftop. 00:17–00:22 — THE ROOFTOP GRAVITY STORM The heroine spreads her fingers. A powerful invisible gravitational field expands across the rooftop. HUNDREDS OF LOOSE OBJECTS BEGIN LEVITATING. Metal buckets spin violently. Plastic chairs rise and rotate. Loose papers swirl through the air. Flowerpots hover above the concrete. Maintenance tools vibrate and float. Dust and small debris form a massive rotating vortex around the heroine. The three other students stumble backward in terror, grabbing the railing. The heroine stands completely motionless at the center. Her electric-pink eyes glow with terrifying calmness. CAMERA ORBITS RAPIDLY around her, revealing the floating objects and the suspended bully. 00:22–00:27 — THE IMPOSSIBLE WALL WALK The heroine slowly turns toward the tall concrete utility wall. She takes one step forward. Then another. Without changing her body posture, she begins WALKING VERTICALLY UP THE WALL. Her shoes make realistic contact with the concrete as her personal gravity rotates ninety degrees. Her hair and clothing respond naturally to the altered gravitational field. The camera rotates with her movement, creating a breathtaking perspective shift. She walks several feet upward, now standing sideways relative to the rooftop. The blonde bully remains suspended safely in midair, staring at her in absolute terror. The heroine looks directly at her. HEROINE (calmly): "Now look down." The bully looks at the rooftop below and gasps. 00:27–00:30 — THE QUEEN FALLS The heroine slowly closes her fist. Every floating object freezes in place. The bully descends rapidly but decelerates smoothly, landing safely on her knees on the rooftop. The necklace floats gently into the heroine's open palm. She steps down the vertical wall, returning to normal gravity. Her electric-pink eyes fade back to their natural color. She puts the necklace back around her neck. The bully remains kneeling, trembling. HEROINE (whispering): "Never touch what's mine." FINAL SHOT: Low-angle close-up of the heroine walking confidently past the camera. Behind her, every floating object drops simultaneously onto the rooftop with an enormous metallic crash. She doesn't look back. CUT TO BLACK. CINEMATOGRAPHY Aggressive handheld tracking during the confrontation. Extreme macro close-up of the necklace falling. Slow dramatic push-in during electric-pink eye activation. Sudden whip pans following telekinetic movements. Wide-angle shots revealing the rooftop gravity storm. Smooth rotating camera movement during the vertical wall walk. Low-angle hero framing during the final confrontation. Realistic motion blur, natural lighting, authentic skin textures, and physically convincing movement. SOUND DESIGN Natural rooftop wind, distant Seoul traffic, footsteps against concrete, realistic fabric movement, metallic rattling, frightened breathing, subtle supernatural pressure pulses, powerful bass impacts, and crashing rooftop equipment. Build tension through silence immediately before the heroine activates her powers. Korean dialogue with natural delivery and accurate lip synchronization. STRICT REQUIREMENTS Preserve the heroine's exact facial identity and outfit throughout. Her eyes must glow subtle electric pink only when activating telekinesis. The necklace must visibly stop falling in midair before returning to her. Telekinetic objects must respond with believable mass, momentum, and collisions. The bully must remain physically consistent and visibly frightened. The heroine must walk vertically along the concrete wall, not simply float beside it. The vertical wall walk must be shown clearly in a wide shot. No excessive glowing energy, lightning beams, magical symbols, or cartoon effects. The bully must remain safely above the rooftop and never fall over the edge. Maintain escalating tension, emotional intensity, supernatural dominance, and a spectacular final payoff.
Korean woman summer evening home video
Create a 30-second ultra-realistic personal home-video of a young Korean woman during a warm summer evening in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face, long black messy side ponytail, pastel-blue fitted top, loose cream pants, black sneakers, and silver necklace consistent. She walks out of her home carrying a simple canvas tote bag, locks the door, adjusts her ponytail, and starts walking casually down the quiet street. She notices a small group of schoolchildren walking home from school and warmly smiles at them. She opens her tote bag, takes out a few individually wrapped candies, and happily offers them to the children. They thank her with cheerful smiles before continuing home. A few steps later, she notices a friendly neighborhood cat sitting beside a wall. She crouches down, gently pets the cat and scratches it behind the ears, smiling warmly before standing up. She continues walking, casually adjusts her messy ponytail, and fixes a few loose strands around her face. She then spots a small roadside drink cart and stops to buy a fresh coconut drink. She takes the drink with a straw and walks home slowly while sipping it through the straw, looking relaxed and happy. Use raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts, soft detail, mild noise, natural motion blur and occasional awkward zooms. Natural Seoul neighborhood ambience only — footsteps, children chatting, bicycle bells, summer insects, distant traffic, cart sounds and leaves moving in the breeze. No music, no narration, no dramatic events, no polished commercial cinematography.
Boy hero stops purse snatchers
Style: High-end 3D animated cartoon, cinematic Pixar-style lighting, expressive characters, shallow depth of field, dynamic motion blur, viral short-form pacing, 4K Scene 1 (0–3s) “Establish + Hook” Wide tracking shot from behind: a cartoon school boy walks alone on a quiet street, backpack bouncing slightly. Camera slowly pushes in (dolly-in). Subtle wind + soft suspense beat starts. Transition: quick whip pan left into next scene. Scene 2 (3–6s) “Threat Reveal” Snap zoom cut-in to a girl near a parked bike being threatened by two sneaky snatchers. One grabs her purse aggressively. Camera angle: low-angle wide shot to make snatchers look bigger and intense. Music intensifies sharply. Transition: fast heartbeat zoom blur into hero reaction. Scene 3 (6–9s) “Hero Moment Build” Close-up on the boy’s face determined expression, eyes reflecting light. He bends down (camera follows in slow-motion orbit shot) and picks up a small stone. Cinematic slow-motion throw with motion blur and dramatic lighting flare. Transition: impact cut (flash frame white) Scene 4 (9–11s) “Impact Chaos” Stone hits the bike with stylized spark FX + metallic clang sound vibe. Camera shakes slightly (handheld effect). Purse falls in slow motion. Snatchers react in exaggerated cartoon shock. Transition: speed ramp + forward push-in tracking shot Scene 5 (11–13s) “Action Resolution” The boy runs in smooth tracking side-shot (parallax motion), grabs the purse mid-motion. He steps in front of the girl protectively. Snatchers retreat in exaggerated cartoon panic (blurred background motion). Transition: soft stabilized slow fade motion Scene 6 (13–15s) “Hero Ending / Viral Hook Finish” Golden warm lighting. Medium close-up: boy returns purse gently. Girl smiles relieved. Camera slowly rotates around them (hero orbit shot). He puts on black sunglasses inslow-motion swag reveal. Soft romantic outro music fades. Final frame freezes for 0.5s (TikTok-style end lock).
Korean folk-horror ritual possession scene
Create a cinematic Korean folk-horror ritual inside a dark traditional Korean wooden house. Keep the Word character’s face, hairstyle, outfit, and appearance perfectly consistent. She kneels weakly inside a salt circle surrounded by candles, incense, rice, and Korean talismans while worried family members watch and a shaman prepares the ritual. The shaman begins chanting as her fingers twitch, her body trembles, her head suddenly moves unnaturally, dark veins spread across her skin, and her eyes gradually turn completely black. Her body convulses violently as the shaman throws rice and salt around the circle. The woman suddenly rises unnaturally while the shaman presses a burning talisman against her forehead. A powerful wind tears through the closed room, shaking candles, scattering papers, and whipping her hair and clothing. The talisman catches fire, flames surge, and she collapses onto the wooden floor, completely still. After a tense silence, her eyes reopen normally and the family rushes toward her in relief while the exhausted shaman watches carefully. End with a wide aftermath shot showing scattered salt, burnt talismans, melted candles, incense smoke, and ritual objects across the floor. Everything appears finished until one untouched talisman begins releasing a faint trail of dark smoke. The camera slowly moves toward it, leaving the supernatural threat unresolved. Realistic Korean folk horror, cinematic lighting, deep shadows, practical fire and smoke, dramatic camera movement, natural acting and sound design, no gore, no subtitles, no watermark, no anime or cartoon style.
Wrong girl to mess with. Seedance 2.5 on FishCreativeHQ Prompt THE WARE
THE WAREHOUSE ASSASSIN HUNT — TELEKINETIC FURY FORMAT: 30 seconds | 16:9 widescreen | 4K | 24 FPS | Ultra-photorealistic live-action | Hollywood blockbuster | Korean martial arts action | Supernatural telekinetic combat VISUAL STYLE Create an extraordinarily intense, ultra-photorealistic live-action action sequence combining brutal, fast-paced Korean martial arts choreography with spectacular Hollywood supernatural combat. The fight must feel dangerous, aggressive, physically grounded, and relentlessly energetic. Every attack has convincing momentum. Every punch and kick has believable physical impact. Telekinetic powers produce enormous environmental destruction without looking cartoonish. CINEMATOGRAPHY: ARRI Alexa 35 realism, 24mm and 35mm anamorphic lenses, aggressive low-angle tracking shots, rapid whip-pans, dynamic handheld movements, wide-angle combat choreography, sudden camera push-ins, realistic motion blur, cinematic depth, natural human skin textures, visible pores, realistic sweat, and physically accurate lighting. Maintain clear spatial continuity and coherent choreography. Use fast camera movements without making the action unreadable. No artificial CGI-looking humans, no plastic skin, no anime, no exaggerated slow motion, no excessive neon effects. CHARACTER IDENTITY LOCK MAIN HEROINE — @image (12) A striking woman @image (12) . Preserve the exact facial identity, hairstyle, skin tone, facial proportions, body proportions, and recognizable appearance of Image 1 throughout the entire sequence. Her hair remains consistent throughout, becoming slightly disheveled during the fight. Personality: Fearless, cold, calculating, exceptionally intelligent, and dangerously calm. She is an extraordinarily skilled martial artist who secretly possesses overwhelmingly powerful telekinetic abilities. She never screams or panics. She fights with precision, efficiency, and complete confidence. TELEKINETIC POWER SIGNATURE: Whenever she activates her powers, her irises develop a subtle electric-pink glow. The glow is concentrated within her natural irises, not across her entire eyes. Her telekinesis is invisible. Objects move through an unseen force rather than colorful magical beams. Environmental indicators include trembling metal objects, vibrating shelving units, swirling dust, loose screws rising into the air, and subtle pressure distortions. Her powers are activated through minimal finger movements, controlled wrist gestures, and intense eye contact. ENEMY CHARACTERS @Image Eight professional adult assassins wearing distinct dark tactical clothing. Black fitted tactical jackets, charcoal cargo trousers, protective gloves, combat boots, and lightweight protective vests. Their faces remain distinguishable. They are highly trained, aggressive, physically capable, and coordinated. Some attack with punches, kicks, and grappling techniques. Others carry short metal batons. Their movements must feel like authentic professional stunt choreography rather than random fighting. ENVIRONMENT An enormous abandoned industrial warehouse during late afternoon. High steel-truss ceilings, dusty concrete flooring, rusted overhead pipes, enormous metal storage shelves, stacked wooden shipping crates, tall towers of empty cardboard boxes, hanging chains, steel worktables, industrial tool racks, old forklifts, scattered metal equipment, and broken windows. Strong shafts of warm daylight enter through dirty skylights, illuminating airborne dust. Cool industrial shadows contrast with warm sunlight. The warehouse is vast, giving the camera room to capture spectacular wide-angle action. 00:00–00:04 — THE HUNT BEGINS Open with an aggressive handheld tracking shot following the heroine as she runs between towering warehouse shelves. Heavy boots echo against the concrete floor. Three assassins emerge from behind stacked crates, cutting off her escape. A fourth attacker suddenly lunges toward her from the side. She instantly ducks beneath his punch, pivots on one foot, and delivers a powerful spinning kick to his chest. He flies backward into a stack of empty cardboard boxes. The boxes explode outward. Without hesitation, she turns toward the remaining attackers. Camera rapidly pushes toward her determined expression. 00:04–00:08 — THE BRUTAL CLOSE-QUARTERS FIGHT Two assassins charge simultaneously. The heroine blocks the first attacker's punch, strikes his torso with a sharp elbow, and executes a fast spinning back kick. The second attacker swings a metal baton toward her head. She bends backward to avoid the strike. The baton passes inches above her face. Her eyes briefly flash electric pink. The baton suddenly stops moving in midair. With a tiny flick of her fingers, she sends it flying across the warehouse, embedding it into a wooden crate. The attacker freezes in disbelief. She immediately drives a powerful kick into his chest. Camera follows the impact with a fast lateral tracking movement. 00:08–00:12 — THE INVISIBLE FORCE Three more assassins rush toward her from different directions. One attacker leaps from a low shipping crate. The heroine raises her left hand. The airborne attacker abruptly freezes, suspended horizontally above the concrete floor. Her electric-pink irises glow subtly. She rotates her wrist. The suspended man spins sideways and crashes into a pile of empty cardboard boxes. A second attacker attempts to grab her from behind. Without turning around, she telekinetically throws him backward into a padded stack of packing materials. The third attacker stops, visibly terrified. The heroine slowly turns toward him. Her expression remains emotionless. 00:12–00:16 — THE WAREHOUSE STARTS TO TREMBLE The remaining assassins regroup near a massive steel worktable. They surround the heroine in a semicircle. One attacker shouts: "WHAT THE HELL ARE YOU?" She doesn't answer. Extreme close-up of her face. Her eyes develop a beautiful, subtle electric-pink glow. The camera slowly pushes closer. A tiny metal screw begins vibrating on the floor. Then another. Loose wrenches, bolts, screwdrivers, steel chains, and small metal tools begin rattling across nearby worktables. The assassins exchange frightened looks. The entire warehouse fills with the sound of vibrating metal. 00:16–00:21 — THE METAL STORM The heroine slowly raises both hands. HUNDREDS OF LOOSE METAL TOOLS SUDDENLY LEVITATE INTO THE AIR. Wrenches, screwdrivers, steel bolts, loose chains, nuts, metal brackets, and industrial tools rise from every corner of the warehouse. The objects form a gigantic, violently rotating vortex around the heroine. Camera executes a spectacular 360-degree orbit around her. The metallic storm spins faster and faster. Sparks burst from occasional collisions between the floating objects. Dust spirals upward from the concrete floor. Her hair and clothing move naturally in the turbulent air. She stands completely motionless at the center of the storm. Her eyes glow electric pink. The assassins stagger backward, shielding their faces. 00:21–00:26 — THE DEVASTATING TELEKINETIC SHOCKWAVE The assassins make one final desperate attempt to charge her. The heroine sharply closes both hands into fists. The rotating metal storm instantly freezes. Absolute silence for half a second. She whispers: "Wrong girl." Then she violently thrusts both arms outward. AN ENORMOUS INVISIBLE TELEKINETIC SHOCKWAVE EXPLODES THROUGH THE WAREHOUSE. All remaining assassins are launched backward simultaneously. They fly across the concrete floor and crash into enormous stacks of empty cardboard boxes. The boxes collapse in spectacular cascading waves. Loose papers, dust, packing foam, and cardboard fragments erupt into the air. Steel shelving units shake violently. The suspended metal tools shoot outward into empty storage racks and wooden crates, away from the attackers. Camera captures the destruction in a massive low-angle wide shot. The heroine remains completely untouched at the center. 00:26–00:30 — THE ICONIC FINAL WALK A thick cloud of dust slowly settles across the destroyed warehouse. The assassins lie defeated among scattered cardboard boxes and packing materials. The heroine lowers her hands. The remaining suspended tools gently fall to the concrete floor with metallic clattering sounds. Her eyes gradually return to their natural color. She calmly adjusts her sleeve and begins walking toward the warehouse exit. One defeated assassin looks up and whispers: "Impossible..." Without looking back, she makes a tiny gesture with two fingers. A heavy metal warehouse door swings open by itself. She walks through it into bright afternoon sunlight. FINAL FRAME: Wide cinematic rear shot of the heroine walking away while the destroyed warehouse remains behind her. Cut to black. SOUND DESIGN Intense cinematic percussion, deep sub-bass impacts, aggressive martial arts punches, heavy bootsteps, metal scraping, chains rattling, flying tools, collapsing cardboard boxes, powerful shockwave bass, realistic environmental echoes, and a restrained electric hum whenever her telekinesis activates. Music builds progressively toward the metal-storm climax. At 00:21, briefly remove the music before the final devastating shockwave. No narration, no subtitles, no text overlays, no watermark. STRICT GENERATION RULES Preserve the heroine's exact facial identity, hairstyle, outfit, and body proportions throughout. Maintain realistic human anatomy, accurate hands, and coherent combat movements. Every strike must have believable physical contact and momentum. Keep telekinetic abilities invisible except for environmental movement and subtle electric-pink irises. No giant pink laser beams, glowing hands, magical symbols, or exaggerated auras. Metal objects must rotate around the heroine without striking her. Keep all characters spatially consistent within the warehouse. Avoid duplicate attackers, disappearing objects, and inconsistent injuries. No graphic gore or visible blood. The heroine must remain calm, fearless, and overwhelmingly powerful. Prioritize intense close-quarters fighting, spectacular telekinetic destruction, and expensive Hollywood blockbuster realism.
Ice racer motorcycle in arctic wasteland
A dangerous motorcycle ice racer with frost-covered black racing gear, mirrored helmet visor, and glowing bike headlights cutting through snowstorms. Frozen arctic industrial wasteland during blue-hour twilight. Ice roads, abandoned oil rigs, frozen bridges, collapsing tunnels, snow-covered shipping containers, and blizzard visibility conditions. Dark cinematic techno with deep sub-bass pulses. Ice friction, engine roar, chain vibrations, snow impacts, and freezing wind dominate the soundscape. Ultra-realistic motorsport cinematography mixed with survival thriller aesthetics and premium winter advertising. SHOT 1: Ultra-low front tire tracking shot carving through thick ice dust at dangerous speed. SHOT 2: Whip pan into a near-crash drift around frozen industrial wreckage. SHOT 3: Wide aerial shot showing the motorcycle racing across gigantic frozen ocean surfaces between abandoned structures. SHOT 4: Long-lens jump shot over shattered ice sections while snow explodes behind the bike. SHOT 5: Circular side tracking shot during a prolonged sideways drift inches from a cliff edge. SHOT 6: Final impossible jump through a collapsing frozen tunnel during whiteout conditions. The rider lands violently, fishtails across black ice, then slowly stops beneath flickering industrial lights while snowstorm winds consume the frame. Music cuts instantly.
Fanta commercial in European town with swirling papers
## Scene 1 (0:00 - 0:03) — "The Walk" **Shot:** Wide establishing drone shot of the picturesque European-style town. Sunlight reflects off pastel buildings, café terraces bustle with life, flower boxes sway gently in the breeze. **Cut to:** Medium tracking shot moving alongside the woman as she walks confidently down the cobblestone street holding the cold FANTA can. **Camera:** Smooth gimbal tracking, shallow depth of field. **Dialogue:** None. **Audio:** Birds, distant café chatter, footsteps on cobblestones, soft city ambience. --- ## Scene 2 (0:03 - 0:06) — "Refreshing Moment" **Shot:** Close-up of condensation droplets sliding down the FANTA can. **Cut to:** Medium close-up as she raises the can and takes a sip. **Shot:** Extreme close-up of her closing her eyes and smiling in satisfaction. **Dialogue (soft, natural):** **Woman:** *"That's exactly what I needed."* **Audio:** Can opening sound, carbonation fizz, subtle refreshing sound design. --- ## Scene 3 (0:06 - 0:08) — "The Wind Arrives" **Shot:** A few papers begin sliding across the street. **Cut:** Her hair moves slightly as she notices the wind. **Cut:** Hundreds of white papers suddenly burst into frame, swirling upward around her. **Camera:** Fast whip pan transitioning into slow motion. **Dialogue:** None. **Audio:** Rising wind gust, fluttering paper sounds. --- ## Scene 4 (0:08 - 0:12) — "Hero Moment" **Shot:** Dramatic low-angle shot. She raises the bright red FANTA can high above her head while looking toward the sky. Papers spin around her in beautiful chaotic motion. The camera slowly circles 360 degrees around her. Strong sunlight creates lens flares, god rays, and glowing highlights. Several sheets fly directly past the camera lens. **Dialogue (inspired, joyful):** **Woman:** *"This feels amazing."* --- ## Scene 5 (0:12 - 0:15) — "Commercial Finish" **Shot:** Extreme low-angle hero shot of the FANTA can against the blue sky. **Cut to:** Slow-motion smile as papers continue floating around her. **Final shot:** Freeze-frame style ending with the can remaining centered in frame while the town softly blurs behind. **Dialogue:** None. **Audio:** Wind slowly fades, uplifting musical swell, ambient city sounds return. --- ## Camera Cut Summary 1. Establishing aerial shot. 2. Side tracking medium shot. 3. Product close-up. 4. Drinking close-up. 5. Reaction close-up. 6. Paper gust whip-pan transition. 7. Low-angle hero shot. 8. 360° orbit shot. 9. Extreme product close-up finale. This structure gives the video a clear **commercial narrative arc**: **Discovery → Refreshment → Transformation → Celebration → Brand Hero Shot**
Autumn city day vlog
SCENE CONTEXT A 20-year-old East Asian woman spends an autumn day moving through a big city — leaving her apartment, riding the subway, grabbing coffee from a cart, cutting through a park in falling leaves, browsing a bookstore, catching golden hour on a rooftop, and riding home at night — filmed as a candid, mixed-format day-in-the-city vlog, 30 seconds total. ACTIVE REFERENCES @image1: 20-year-old East Asian woman, soft round face, warm ivory skin, dark brown hair in a loose high bun with face-framing strands, natural dewy makeup, gentle expressive eyes, wearing a wine-burgundy ribbed knit off-shoulder sweater and a small silver flower pendant necklace. 100% matches the reference throughout every shot. FORMAT MODE Timed multishot. HARD CUTs only at the stated seconds; camera does not cut on its own between them. Mixed scene styles — not every shot has dialogue; some are silent candid b-roll. 0.0s–4.0s — HARD CUT 4.0s–8.0s — HARD CUT 8.0s–12.0s — HARD CUT 12.0s–17.0s — HARD CUT 17.0s–21.0s — HARD CUT 21.0s–26.0s — HARD CUT 26.0s–30.0s — end OPTICS Shot 1: 63° wide, POV-adjacent handheld. Shot 2: 47° neutral, static-ish lean. Shot 3: 29° portrait-compression, quick transactional. Shot 4: 18° natural-portrait, slow-mo detail. Shot 5: 29° portrait-compression, candid unaware angle. Shot 6: 47° neutral, two-shot-adjacent solo toast. Shot 7: 18° natural-portrait, close reflective. No drift mid-segment. CAMERA Handheld throughout with natural 1–2cm tremor. Shot 1: phone-height POV-style, walking at 4 km/h. Shot 2: camera rests low against a pole, minimal movement, observational. Shot 3: quick whip from hand to face and back. Shot 4: slowed to half real-time, camera drifts sideways at 1 km/h following falling leaves. Shot 5: camera appears to catch her off-guard, slight delay before she notices it. Shot 6: static-ish, propped, she moves into frame. Shot 7: static through car window glass, reflections passing over her face. ACTION 0.0s–4.0s: She steps out of an apartment building onto a leaf-scattered sidewalk, adjusting her bag strap, glancing at her phone, morning light low and warm through bare branches. She looks up at the camera briefly, half-smiles: "Okay — let's do this." 4.0s–8.0s: Inside a subway car, she leans against a pole, earbuds in, watching the platform lights blur past the window, city sounds muffled and rhythmic. No dialogue — just her quiet, unbothered expression, occasional sway with the train's motion. 8.0s–12.0s: At a small street coffee cart, steam rising from the machine, she hands over cash, receives a paper cup, wraps both hands around it immediately for warmth. Brief exchange, she says only: "Thanks, you're the best." 12.0s–17.0s: Slow-motion through a park path thick with falling amber leaves, she tips her head back mid-step and turns once, leaves catching in her hair and sweater, genuine unguarded laugh, no spoken line — just breath and laughter audible. 17.0s–21.0s: Inside a small bookstore, she runs a finger along a shelf, pulls a book halfway out, flips a few pages, unaware of the camera, soft window light across her face, ambient store quiet. No dialogue. 21.0s–26.0s: On a rooftop at golden hour, city skyline hazy behind her, she raises a takeaway coffee cup slightly toward the lens like a small toast, warm low sun rim-lighting her hair, says only: "To days like this." 26.0s–30.0s: Inside a taxi at night, warm amber streetlights sliding across the window glass and over her face in soft passing bands, she rests her head against the seat, tired contented smile, looks toward the lens and says: "Best day, hands down." PERFORMANCE Restrained, natural reactions — no performed excitement. Shots 2 and 5 specifically read as candid/unaware of the camera. Living eyes with catch-light in every close shot, visible breath in shot 1, natural skin and fabric texture throughout. PHYSICS Leaves fall and scatter with real weight and drift, catching briefly in hair and sweater fibers before falling away. Coffee steam rises and dissipates naturally. Streetlight bands move across her face and the window glass with correct parallax as the car moves. Train sway shifts her weight subtly and believably. LIGHTING Shot 1: low warm morning sun through bare branches, soft shadow lines. Shot 2: cool fluorescent subway light with warm practicals flickering past outside. Shot 3: overcast daylight, soft even key. Shot 4: dappled warm sun through park canopy, backlit leaf edges. Shot 5: soft window-diffused daylight, low contrast. Shot 6: warm low-angle golden hour key, strong rim light, soft haze. Shot 7: warm amber sodium streetlight passing bands only, otherwise dark interior. COLOR GRADE Warm autumn palette — amber, rust, and soft gold tones with muted city grays. Warm amber streetlight at night, never neon or saturated colored signage anywhere in frame. No cool-cyan or magenta tint. WARDROBE Wine-burgundy ribbed knit off-shoulder sweater and silver flower pendant necklace, unchanged and clearly visible in every shot. A loosely draped scarf or open coat may sit over it in the subway and taxi shots without covering it. AUDIO Shot 1: quiet street ambience, rustling leaves. Shot 2: muffled train rumble, distant announcement, no dialogue. Shot 3: espresso machine hiss, brief exchange. Shot 4: crunch of leaves, natural laughter, no line. Shot 5: quiet store ambience, page-turning, no dialogue. Shot 6: distant city hum, wind. Shot 7: engine hum, soft radio murmur under her line. STYLE Authentic day-in-the-life vlog cinematography, dreamy 35mm film aesthetic, fine natural grain, realistic autofocus hunting, mix of talking and silent candid shots for a lived-in, unscripted feel. OUTPUT SETTINGS 4K, 24fps, 35mm grain, real-time except shot 4 (half real-time slow motion), realistic handheld motion, no neon or saturated signage in the color palette anywhere. POSITIVE LOCKS Same woman's face and build in every shot, matching @image1 exactly. Wine-burgundy sweater and silver necklace stay visible in every shot. Hair stays in the same loose high bun throughout. Cuts only at stated seconds, camera does not cut on its own. Shots 2 and 5 stay dialogue-free and candid. Warm amber tones hold throughout — no neon, no cool-cyan tint anywhere.
Surgeon mission GTA-style hospital gameplay
Create a 30-second ultra-realistic AAA third-person medical action game mission set inside a modern Japanese hospital, with the feel of premium GTA-style gameplay. NAGI: Use the exact same NAGI identity and face from @ Image1 throughout. Young Japanese female surgeon with long straight black hair, blunt bangs, blue surgical scrubs, cap, mask, gloves, and hospital shoes. Perfect character consistency. GAMEPLAY: One continuous playable third-person over-the-shoulder take from 0–27 seconds. Natural running, turning, grabbing equipment, opening doors, interacting with machines, and performing procedures. No montage or random cuts. One hard cut only at 27 seconds. HUD throughout: TOP LEFT: NAGI / DOCTOR LV. 12 TOP CENTER: MISSION: SAVE THE PATIENT BOTTOM RIGHT: HEALTH: 100% / TIME: 03:42 0–4s — CHECK VITALS NAGI rushes into the emergency room, checks the unconscious patient's unstable monitor, and connects the monitoring equipment. HUD: OBJECTIVE 1/5 — CHECK PATIENT VITALS → OBJECTIVE COMPLETE 4–8s — STABILIZE She connects an IV and adjusts the patient's oxygen support. The monitor becomes slightly more stable. HUD: OBJECTIVE 2/5 — STABILIZE PATIENT → OBJECTIVE COMPLETE 8–12s — COLLECT TOOLS NAGI runs to the preparation area, opens a medical cabinet, grabs a sterile surgical tray, receives another instrument from a nurse, and rushes back. HUD: OBJECTIVE 3/5 — COLLECT SURGICAL TOOLS → OBJECTIVE COMPLETE 12–17s — SURGERY She enters the operating room, positions herself beside the patient, surgical lights activate, and she performs the critical procedure with controlled, non-graphic movements. HUD: OBJECTIVE 4/5 — COMPLETE CRITICAL PROCEDURE 17–22s — COMPLICATION The monitor suddenly alarms and vital signs drop. NAGI immediately checks the monitor, adjusts support equipment, signals the team, and continues the procedure. HUD: WARNING — PATIENT UNSTABLE → STABILIZE PATIENT 22–27s — SAVE PATIENT NAGI completes the final step. The monitor becomes steady, the alarm stops, and the team relaxes. HUD: OBJECTIVE 5/5 COMPLETE → PATIENT STABLE → SURGERY SUCCESSFUL → MISSION COMPLETE 27–30s — FINAL SHOT One hard cut to a locked frontal gameplay-style shot outside the operating room. NAGI walks out exhausted but relieved and removes her mask while a nurse follows. Through the glass, the team monitors the patient. Final HUD: MISSION COMPLETE / PATIENT SAVED / RANK: S VISUAL STYLE: Photorealistic AAA game-engine graphics, realistic Japanese hospital, detailed medical equipment, natural character physics, realistic lighting, reflections, shadows, cloth and glove movement, subtle camera shake. No anime, cartoon, fantasy, superhero effects, or gore. AUDIO: Hospital ambience, footsteps, monitor beeps, equipment sounds, emergency alarm, Japanese nurse/NAGI dialogue, and tense AAA game music building toward the mission completion.
Aesthetic daily routine scenes
CHARACTER REFERENCE: @image1 = main character identity. Preserve exact face, eyes, nose, lips, skin tone, hairstyle, and body proportions across all scenes. Cinematic 4K, 35mm lens, soft natural lighting, realistic skin texture, subtle film grain. SCENES SEQUENCE: 1. MORNING: @image1 opens eyes under soft white bed linens in warm sunlight. 2. COFFEE: @image1 walks outside sipping coffee, blurred street background. 3. GETTING READY: @image1 splashes water on face and applies mascara in bathroom mirror. 4. LEAVING HOME: @image1 steps out of classic building in oversized brown blazer, walks down tree-lined street. 5. CITY WALK: @image1 walks busy street in a leather jacket while checking smartphone. 6. CAFE: @image1 reads a book beside a latte, then eats a fresh salad in a brick-walled cafe. 7. EVENING: @image1 returns home, takes off jacket, washes face, dries with towel, gets into bed, and falls asleep. STYLE: photorealistic, shallow depth of field, gentle tracking camera, lifestyle vlog aesthetic. NEGATIVE: character identity drift, different woman, generic face, 3D, CGI, anime, beauty filter. --ar 9:16
Rooftop superhero fight with purple energy
Cinematic live-action rooftop superhero fight featuring the EXACT male hero from Reference Image 1. Faithfully recreate the reference video's action, pacing, camera language, environment, and movement. SETTING Bright daytime urban rooftop with concrete walls, stairs, wires, palm trees, buildings, dust, and hard sunlight. Preserve realistic physics. CAMERA Dynamic cinematic action: wide angles, rapid reframing, low angles, close tracking, handheld movement. CAMERAMAN MOTION Start with fast lateral tracking and purple energy. Track and rotate during wall-running. End wider for the aerial impact. SUBJECT — REFERENCE IMAGE 1 IDENTITY LOCK The hero MUST be the EXACT male character from Reference Image 1. Preserve face, eyes, nose, lips, jawline, skin, hairstyle, hairline, body proportions, physique, age appearance. Do not replace or morph him. He wears a fitted blue-and-white martial-arts outfit. Opponents are adult males in dark tactical clothing. Purple energy surrounds attacks. ACTION TIMELINE 0–3s HOOK: Fast rooftop tracking with purple energy. Reveal the exact Reference Image 1 hero rushing toward attackers, then wall-running. 3–7s BUILD UP: Hero runs horizontally along the wall, transitions into combat, and strikes attackers with purple energy. 7–10s PAYOFF: Hero performs a powerful aerial move and descends with force. The rooftop cracks on impact, sending dust and debris outward. End as dust settles. AUDIO Action: wind, whooshes, impacts, energy, footsteps, concrete breaks, debris crashes. Build intensity to the final impact. Maintain consistent character scale, anatomy lighting, impact timing, and camera direction throughout the sequence. NEGATIVE PROMPT No identity drift, different face, female hero, morphing, face swap, hairstyle/body changes, costume redesign, duplicates, extra limbs, teleportation, impossible physics, random cuts, new locations/events, cartoon/anime style, plastic skin, uncontrolled purple glow. Preserve live-action realism and Reference Image 1 fidelity.
GTA-style Brazilian delivery chase gameplay
Create a 30-second ultra-realistic AAA third-person open-world gameplay sequence set in a densely populated Brazilian neighborhood inspired by Rio de Janeiro. The video must look like genuine next-generation GTA-style gameplay captured directly from a playable open-world game — not a cinematic film. Use a consistent third-person gameplay camera positioned naturally behind the protagonist, realistic player-controlled movement, seamless environmental interaction, physically accurate collisions, natural NPC behavior, detailed Brazilian surroundings, and believable game-world physics. MAIN CHARACTER: Use the uploaded character image as the exact identity reference for the protagonist. Preserve her face, facial proportions, hairstyle, hair color, skin texture, body proportions and overall identity consistently throughout the entire sequence. She is a young Korean woman in her early 20s with long black hair, wearing a casual summer outfit with a pastel-lavender top, loose white cargo pants and sneakers. Her clothing, face and hairstyle must remain completely consistent from beginning to end. OPENING — 0–3 SECONDS: Begin immediately in playable third-person view. She is casually walking along a busy Brazilian residential street. The environment instantly establishes Brazil: dense hillside homes, colorful painted walls, Portuguese storefront signs, overhead electrical cables, parked compact cars, motorcycles, pedestrians, small neighborhood businesses, tropical plants and realistic street clutter. Without warning, a motorcycle delivery rider pulls up nearby and places a sealed cardboard package on a low wall while checking his phone. The protagonist looks at it. A contextual gameplay prompt appears: “TAKE PACKAGE [E]” She looks around. She takes the package. Immediately: MISSION STARTED “DON'T GET CAUGHT WITH THE PACKAGE” 3–8 SECONDS: The delivery rider looks up. He realizes the package is gone. A red alert appears: “PACKAGE STOLEN” He points toward her and starts chasing. She freezes for half a second, realizes what is happening, then runs. The camera smoothly follows her like authentic third-person gameplay. She runs downhill through a crowded Brazilian street, narrowly passing pedestrians and motorcycles. NPCs react naturally — some step aside, one briefly looks back, another continues walking while barely acknowledging the chaos. 8–15 SECONDS: She cuts through a narrow alley between houses. The rider follows on foot. She jumps over a low concrete barrier and continues running. A motorcycle passes extremely close in front of her. She instinctively stops for a fraction of a second. A notification appears: “BAD DECISION” She immediately turns down another street. Her stamina bar visibly drops. “STAMINA LOW” She reaches a small local football court where several people are playing. A ball suddenly rolls directly into her path. She kicks it aside without stopping. The players briefly react as she runs through. 15–22 SECONDS: She reaches a steep hillside street. She looks back. The delivery rider is still chasing her. She notices an open doorway beside a tiny neighborhood shop and quickly ducks inside. The rider runs past. The screen briefly displays: “THEY LOST YOU” She quietly steps back outside. The rider suddenly appears at the other end of the street. “THEY FOUND YOU” She panics and runs again. 22–27 SECONDS: She finally reaches a small Brazilian house matching the address printed on the package. She looks at the label. Then at the house number. A subtle objective updates: “DELIVER PACKAGE” She rings the doorbell. A Brazilian woman opens the door. The protagonist hands her the package. The woman checks the address and happily accepts it. Objective instantly changes: “DELIVERY COMPLETE” 27–30 SECONDS: The exhausted delivery rider finally arrives. He stops. Looks at the protagonist. Looks at the woman. Looks at the package. He slowly realizes that the protagonist accidentally delivered it to the correct address. He is completely confused. The protagonist gives him an innocent smile and casually walks away. Final HUD notification: “MISSION COMPLETE” “CHAOS +250” The rider remains standing there, speechless. GAMEPLAY & VISUAL STYLE: Ultra-photorealistic AAA open-world game graphics with realistic human characters, detailed facial animation, physically based materials, realistic skin, individual hair strands, natural cloth movement, accurate shadows, global illumination, realistic reflections, detailed road surfaces and authentic environmental imperfections. Brazil must be visually recognizable through authentic environmental details rather than exaggerated stereotypes. Use realistic Rio-inspired hillside neighborhoods, dense residential streets, Portuguese signage, Brazilian motorcycles and compact cars, local stores, football culture, tropical vegetation, concrete walls, balconies, utility poles and tangled overhead wiring. NPCs should have varied appearances, clothing, animations and reactions. No duplicated-looking crowds. All physics must be grounded: the cardboard package has believable weight, pedestrians react naturally to collisions, motorcycles have realistic acceleration and suspension, clothing responds naturally to movement, and characters maintain consistent proportions. CAMERA: Strictly authentic third-person open-world gameplay perspective. No cinematic establishing shots. No drone shots. No slow-motion hero shots. No dramatic camera transitions. No movie-style depth of field. No impossible camera movements. The camera should behave as if a player is controlling the character in a real AAA open-world game. HUD: Use a restrained GTA-inspired gameplay HUD integrated naturally into the screen: - circular minimap - health bar - stamina bar - mission objective tracker - contextual interaction prompts - alert indicators - small gameplay notifications The interface should feel like part of an actual AAA game rather than an overlay added afterward. NEGATIVE REQUIREMENTS: No anime. No cartoon. No cel shading. No mobile-game graphics. No fantasy. No exaggerated physics. No gore. No distorted faces. No changing character identity. No changing clothing. No inconsistent package size. No duplicated NPCs. No teleporting objects. No floating objects. No rubbery character movement. No cinematic movie shots. No unrealistic facial expressions. No artificial-looking crowds. The final result should feel like a completely authentic 30-second gameplay clip from a huge, photorealistic AAA open-world game set in Brazil, funny because of the situation and gameplay mechanics, not because the visuals are exaggerated.
Astronaut falls through clouds to spacecraft
REFERENCE IMAGE 1 = EXACT MALE CHARACTER REFERENCE IMAGE 2 = EXACT 30-PANEL STORYBOARD Create a 30-second ultra-realistic Hollywood sci-fi cinematic video following REFERENCE IMAGE 2 exactly in sequence, composition, camera movement, action and visual progression. CHARACTER: Use the male character from REFERENCE IMAGE 1 as the ONLY main character. Preserve his exact identity, facial structure, eyes, eyebrows, nose, lips, jawline, beard, moustache, hairstyle, hairline, skin tone, apparent age and body proportions. Never change his face or make him look like another actor. Keep his identity perfectly consistent whenever his face is visible. Transform his clothing into a realistic futuristic white EVA astronaut suit while keeping his exact face, hair characteristics and body proportions. Suit: white armored panels, dark gray/black technical sections, black gloves, transparent helmet visor, chest controls, life-support backpack, hoses and realistic mechanical joints. Keep the same suit throughout. SPACECRAFT: Use ONE identical futuristic spacecraft throughout. Dark gunmetal/graphite body, large angular armored fuselage, broad swept wings, central cockpit, detailed mechanical structures and large twin rear engines with amber/orange lights. Never redesign, reshape or duplicate the spacecraft. STYLE: Photorealistic high-budget Hollywood science-fiction film. ARRI Alexa cinematic look, realistic skin and metal textures, physically accurate reflections, volumetric clouds, atmospheric haze, HDR, cinematic depth of field, subtle film grain, realistic motion blur and natural lighting. 16:9 widescreen. No cartoon/anime/illustration/cheap CGI appearance. 30-SECOND SHOT SEQUENCE: 01 | 00:00–00:01 Extreme wide aerial view above a gigantic ocean of clouds. Deep blue sky, massive white/gray clouds, warm sunrise in upper-right. Camera slowly moves forward. 02 | 00:01–00:02 Camera travels through thick volumetric clouds. Golden sunlight breaks through. Tiny distant figure begins appearing in center. 03 | 00:02–00:03 Reveal the male astronaut falling through the clouds, very small in frame, arms and legs extended. 04 | 00:03–00:04 Astronaut rapidly approaches camera. White EVA suit becomes clearly visible. Dramatic perspective and atmospheric depth. 05 | 00:04–00:05 Astronaut rotates naturally during free fall. Camera follows him. Face becomes visible through visor. 06 | 00:05–00:06 Medium close-up. Astronaut stabilizes himself and looks ahead. Clouds softly blurred behind him. Preserve exact face from Reference Image 1. 07 | 00:06–00:07 He brings both hands toward his chest and looks down at a small futuristic mechanical device. 08 | 00:07–00:08 Closer shot. He carefully inspects the metallic gold/bronze device with both black-gloved hands. 09 | 00:08–00:09 Extreme close-up of hands and device. He activates a mechanism. Small amber light begins glowing. 10 | 00:09–00:10 Macro device shot. Intricate mechanical components move while the central core glows brighter golden-orange. 11 | 00:10–00:11 Close-up of astronaut's face. Golden device light reflects naturally across his face and helmet. Focused expression. 12 | 00:11–00:12 A gigantic spacecraft begins deploying behind him. Large mechanical structures unfold and amber lights appear. 13 | 00:12–00:13 Frontal reveal. Wide spacecraft wings extend left and right behind the astronaut. Massive scale. 14 | 00:13–00:14 Spacecraft becomes fully deployed: dark gunmetal body, angular wings, central cockpit and mechanical sections. Camera pulls back. 15 | 00:14–00:15 Low-angle underside shot. Massive spacecraft passes directly above camera through the clouds. 16 | 00:15–00:16 Cut inside cockpit. Same male character is seated as pilot in the same astronaut suit. Futuristic controls and canopy visible.
Luxury Skincare Commercial Sequence
Cinematic luxury skincare ad. 0-3s: Woman in white silk robe holds a gold serum bottle in soft light. 3-6s: Macro of a golden oil drop falling from a glass pipette. 6-10s: Close-up of woman applying serum to her cheek with a gold tool. 10-13s: Macro of liquid ripples. 13-15s: Hero shot of the bottle on a pedestal with dappled shadows. Warm, elegant, high-end aesthetic.
Woman still amid frozen synchronized crowd
Create an ultra-realistic cinematic live-action video using the uploaded reference image as the exact visual reference for the woman, her face, hairstyle, outfit, proportions, crowd, environment, lighting, and composition. A young woman with a sleek short dark bob, fitted black turtleneck, black trousers, black shoes, and minimal jewelry walks calmly through a dense crowd. She reaches the center and stops completely still while the surrounding people suddenly begin moving in rapid, perfectly synchronized motion—turning their heads, shifting positions, raising their arms, and stepping in unison. The woman remains completely motionless and expressionless as the chaotic movement suddenly stops, leaving the entire crowd frozen mid-action. The woman remains standing perfectly still at the center of the frozen crowd, calmly looking around while every person remains locked in their exact position. The camera slowly pushes closer toward her as the silent crowd stays completely motionless in the background. She then looks directly into the lens and gives a subtle mysterious smile. Photorealistic skin, realistic anatomy, natural lighting, believable physics, shallow depth of field, authentic handheld camera movement, and natural ambient sound. No anime, cartoon, illustration, CGI look, morphing, duplicated people, distorted faces, teleportation, floating objects, exaggerated effects, subtitles, logos, or watermark.
Detective investigates case board at night
30-second cinematic procedural mystery sequence. Character A, matching the reference face/outfit throughout, investigates a dim precinct office at night. 0–3s: She pins a photo onto a cluttered case board covered in evidence and tangled red string. 3–6s: She studies an old grainy photograph through a magnifying glass; a blurred background figure looks strangely familiar. 6–9s: Her phone buzzes. She ignores it, comparing handwriting samples and noticing a suspicious match. 9–12s: She cross-checks two old documents and discovers a timestamp discrepancy. 12–15s: Her phone rings; she answers, listening intensely as new information changes everything. 15–18s: She turns sharply toward the board, spotting two previously unrelated photographs. 18–21s: She connects them with red string, revealing a hidden pattern and a familiar face among the evidence. 21–24s: Her eyes widen as she realizes the culprit has been in plain sight all along. 24–27s: She urgently grabs her phone and jacket and rushes out, leaving the illuminated board behind. 27–30s: Slow push-in on the newly connected evidence and overlooked photograph, ending on a quiet, ominous procedural-mystery reveal.