X'ten · Hareket aktarımı
Yapay Zeka Video Promptları
X'teki içerik üreticilerinden kopyalamaya hazır yapay zeka video promptları, her biri oluşturduğu klible: hareket aktarımı, dans, kamera hareketleri, fotoğraftan video ve daha fazlası. Kaynaklı ve denemeye hazır.
K-pop group dance across three city locations
Using the supplied first frame as the exact opening image, generate a 30-second horizontal 4:3 photorealistic summer K-pop music video. CONCEPT The five-member fictional K-pop girl group LUMINA performs with twelve international supporting dancers across three connected public locations in the same European neighborhood: 1. Sunny city plaza 2. Bright covered food market 3. Outdoor community basketball court The visual tone is joyful, energetic and communal. Camera transitions must make the three locations feel physically connected rather than unrelated scenes. CHARACTER COUNT LOCK Use exactly: - Five LUMINA members - Twelve supporting dancers No additional dancers may appear. Background pedestrians, market vendors and customers are civilians only. They remain clearly separated from the choreography and never copy the dance. Keep every LUMINA member consistent: - Same face - Same hairstyle - Same outfit - Same body proportions - Same accessories - Same role in the group Do not duplicate, merge, replace or transform any performer. CAMERA STYLE Horizontal 4:3. Polished live-action K-pop cinematography. Use a stabilized gimbal, short dolly movements and one gentle crane reveal. Camera movement should be energetic but readable: - Smooth forward pushes - Short lateral tracks - Motivated close-ups - Whip-pan transitions hidden by foreground objects - Continuous screen direction Do not use random camera teleportation, spinning camera, extreme shake or excessive cutting. 0.0–4.0 SECONDS — OPENING GROUP CHOREOGRAPHY Continue directly from the first frame. Nari drops her raised arm across her chest and initiates the first synchronized sequence. All seventeen dancers perform: - Two grounded side steps - Alternating shoulder hits - One upward diagonal arm sweep - A clean hip-level hand cross - One synchronized head turn toward camera-right The camera slowly pushes forward while preserving all five main members in frame. The yellow bus remains parked behind them. Background pedestrians continue normal movement. 4.0–7.0 SECONDS — NARI CENTER MOMENT The other members step outward by half a meter, opening a clear center lane. Nari advances two short steps toward the camera and performs: - Right-hand face frame - Quick wrist rotation - Chest accent - Half-turn - Immediate return to face the camera Her pleated skirt, hair and socks move naturally. Transition into a chest-up shot without cutting off her hands. She smiles directly into the lens for one beat. No slow motion. 7.0–10.0 SECONDS — FORMATION EXPANSION The camera pulls back smoothly. Mina and Jiyu move to Nari’s sides while Hana and Seoa close the rear line. The twelve supporting dancers expand outward into a wide semicircle. The full group performs: - Two bouncing steps - Right-arm wave - Left-arm wave - Fast double hand point - One small synchronized jump - Clean wide-stance landing Feet maintain accurate contact with the stone pavement. The city bus begins moving slowly out of the background in the correct traffic direction. 10.0–12.0 SECONDS — MARKET TRANSITION A supporting dancer in a cobalt overshirt crosses close to the camera from left to right. His shirt briefly fills the frame and creates a natural wipe transition. As the blue fabric clears, reveal the same forward camera movement continuing inside a bright covered municipal food market. The transition must preserve movement direction and rhythm. 12.0–16.0 SECONDS — MOVING THROUGH THE MARKET The five LUMINA members dance forward through a wide central market aisle. Formation: - Jiyu leads at center - Nari and Mina follow behind - Hana and Seoa occupy the outer positions - Supporting dancers trail in two organized lines Environment: - White and pale-blue market counters - Fresh fruit and vegetable stalls - Flower buckets - Closed glass seafood displays - Hanging international festival flags - Elderly vendors and ordinary shoppers standing safely outside the aisle - Bright skylight illumination - Clean, dry floor The group performs walking choreography: - Rhythmic forward steps - Alternating elbow pulls - Shoulder rolls - Overhead hand waves - One synchronized direction change around a market column The camera tracks backward at matching speed. 16.0–19.0 SECONDS — MINA CLOSE-UP Mina moves toward the front-left side of the formation. The camera transitions into a smooth waist-up close-up as she performs: - Hand sweep beside her cheek - Elbow raised above shoulder level - Playful head tilt - Quick body roll - Direct smile into the lens Nari and Jiyu remain visible behind her in softer focus, continuing simpler choreography. A row of colorful market flags passes above the frame. 19.0–21.0 SECONDS — SECOND MATCH TRANSITION Mina spins once to her left. Her pale blue-grey skirt creates a brief circular foreground blur. Match the end of the spin with Seoa completing the same turn at an outdoor basketball court. The rotation direction, body scale and camera height must remain consistent across the cut. 21.0–25.0 SECONDS — BASKETBALL COURT CHORUS Reveal a sunny outdoor community basketball court approximately one block from the market. Environment: - Blue and coral painted court - White boundary lines - Blue basketball backboard - Chain-link perimeter fence - Colorful city buildings in the distance - Green trees - Clear afternoon sky - No active basketball players inside the dance zone All five LUMINA members return to the front row. The twelve supporting dancers form two staggered rows behind them. They perform a high-energy chorus: - Wide side step - Double forearm hit - Alternating knee lifts - Cross-body point - Fast shoulder bounce - Quarter-turn - Return to front The camera tracks laterally from left to right while maintaining a stable horizon. 25.0–28.0 SECONDS — ROTATING CENTER POSITIONS Each member receives a brief movement highlight without stopping the group choreography: - Hana performs a grounded two-count footwork accent - Seoa performs a bright arm circle - Jiyu performs a strong chest-and-shoulder hit - Mina performs a face-framing gesture - Nari returns to center with one clean pivot The other performers stay in their assigned positions and use simplified supporting movements. No member passes directly through another dancer’s path. 28.0–30.0 SECONDS — FINAL GROUP POSE The camera rises gently by approximately one meter while moving slightly backward, revealing the full court formation. All seventeen dancers complete: - One synchronized upward arm throw - Small controlled jump - Stable landing - Final asymmetrical pose Final positions: - Nari center front - Mina and Jiyu one step behind her - Hana and Seoa on the outer front diagonals - Twelve supporting dancers in a broad semicircle Nari looks directly into the camera and gives a bright confident smile. Hold the final pose for the last half-second. CHOREOGRAPHY QUALITY - Professional K-pop synchronization - Energetic but anatomically realistic movement - Clear preparation before every turn and jump - Accurate foot placement - Natural knee compression on landings - Realistic hair and fabric movement - No repeated movement loops - No performer colliding with another - No bodies passing through one another - No floating feet - No excessive motion blur SCENE CONTINUITY All three locations exist in the same neighborhood and share the same afternoon weather. Maintain: - Consistent sunlight direction - Consistent performer identities - Consistent clothing - Consistent hair - Continuous movement direction during transitions - Realistic travel logic between scenes AUDIO Create an original upbeat summer K-pop track: - Bright percussion - Clean bass line - Rhythmic handclaps - Light synth melody - Energetic chorus - Original non-lyrical vocal ad-libs Mix in subtle location ambience: - Distant city traffic - Footsteps - Market room tone - Shoe contact on the basketball court - Light crowd reaction at the final pose No recognizable copyrighted melody. No spoken narration. No loud artificial sound effects. REALISM The video should feel like a high-budget K-pop video genuinely filmed in active public locations. Use: - Natural sunlight - Real human skin texture - Slight perspiration after dancing - Realistic clothing wrinkles - Physically correct shadows - Real architecture - Believable civilian reactions - Controlled professional camera operation NEGATIVE CONSTRAINTS No extra dancers, missing members, cloned faces, duplicated bodies, identity drift, changing hairstyles, changing outfits, disappearing accessories, skirt transformation, wardrobe malfunction, excessive exposure, merged limbs, extra fingers, broken joints, floating shoes, sliding feet, dancers passing through each other, unstable buildings, duplicated buses, distorted market counters, changing basketball court lines, artificial crowd multiplication, excessive saturation, blown highlights, plastic skin, slow motion, speed ramps, spinning camera, random aerial shot, anime, cartoon, CGI look, subtitles, captions, logos or watermark. FINAL OUTPUT 30 seconds. Horizontal 4:3. Photorealistic live-action K-pop music video. Five original adult female group members. Twelve adult supporting dancers. Bright summer European city. City plaza, covered market and outdoor basketball court. Smooth match transitions. Energetic synchronized choreography. Natural daylight and realistic public environments.
Streamer plays crime-action heist livestream
Use Image1 as the highest-priority visual reference for the Korean female streamer. Preserve her exact adult appearance, facial structure, skin tone, hairstyle, body proportions, clothing, accessories, room lighting and realistic streaming environment. She must remain the same real Korean woman throughout, never stylized, anime, plastic, CGI, duplicated or face-swapped. Create a strictly 30-second, 16 9 1080p photorealistic open-world crime-action gameplay livestream set in a fictional modern Korean-inspired coastal city. One continuous gameplay sequence with no cuts or transitions. FIXED STREAM LAYOUT: Full-screen gameplay with a square 1: 1 facecam permanently positioned bottom-right. The streamer remains visible only inside the facecam. English-only live chat scrolls along the lower-left. HUD remains visible throughout: minimap top-right, health/armor bottom-left, weapon/ammo near the lower-right, cash counter, stamina meter and wanted level top-center. PLAYER: Young Korean female character wearing a fitted black jacket, loose cargo pants, white sneakers and a small crossbody bag. She carries a compact handgun. Exactly three fictional private-security guards with pistols; no other armed NPCs. 0–6s The player quietly sneaks through the back entrance of a luxury electronics store after closing hours. She crouches behind display shelves while a security camera sweeps across the room. The streamer leans toward her monitor and whispers in Korean: “Okay… nobody saw that.” Chat: “orri: SHE'S IN”, “Wavers: don't trigger the alarm”. She reaches the locked display cabinet, uses a small electronic device to open it, grabs a valuable case and accidentally knocks over a metal stand. A loud crash triggers the alarm. Red warning lights activate and the three guards rush toward her. Wanted level changes from 0 to 1. : The player sprints through the store while guards chase and fire. She dives behind a checkout counter, returns fire and shatters a glass display for cover. The streamer reacts naturally, eyes widening and hands moving rapidly across keyboard and mouse. Korean dialogue: “Oh no, they're already here!” : She escapes through a side door into a narrow neon-lit alley. One guard follows outside while the other two remain behind. She quickly disables the pursuing guard with non-graphic gameplay combat and keeps running. Wanted level rises to 2 stars. Chat rapidly scrolls: “Joseph: RUN RUN RUN”, “STOK: TWO STARS”, “Andrea Brown: GET TO THE CAR”. : She reaches a parked compact sports car, throws the case into the passenger seat and speeds away. Camera smoothly changes into a third-person chase camera without a cut. Two police vehicles appear in the distance and begin pursuing her through busy city traffic. She narrowly avoids a bus, clips a street barrier and escapes into a brightly lit downtown avenue. STREAMER REACTION: Throughout the entire sequence, maintain synchronized realistic reactions inside the facecam — natural blinking, focused eyes, subtle facial expressions, quick glances at the gameplay, realistic keyboard and mouse movement, nervous smile during the escape. Korean dialogue only, spoken naturally and casually. FINAL FRAME: The player is still driving with police lights visible several cars behind her, wanted level remains at 2 stars, health is partially depleted and the stolen case remains visible inside the vehicle. End mid-chase with no mission-complete screen. VISUAL STYLE: Photorealistic AAA open-world gameplay, realistic Korean city architecture, neon storefronts, wet asphalt reflections, believable NPC behavior, detailed vehicles, natural physics, cinematic but authentic gameplay camera, realistic muzzle flashes, glass destruction and environmental reactions.
Wireless over-ear headphones product showcase
Create a 15-second luxury cinematic product showcase for premium wireless over-ear headphones. 0–4s: Begin with an extreme macro tracking shot moving across the soft memory-foam ear cushion, fine fabric texture, brushed-metal hinge and precision-machined controls. A narrow light band travels across the surface, revealing realistic materials against a deep black studio background. 4–8s: Pull back into a three-quarter hero view. The headphones rotate slowly above a glossy reflective pedestal. The ear cups pivot naturally while the adjustable headband extends slightly, demonstrating flexible construction and comfort. Maintain exact symmetry, stable geometry and consistent proportions. 8–12s: Transition into an elegant exploded-view reveal. The ear cushion, acoustic driver, internal sound chamber, control ring and outer shell separate smoothly in perfect alignment. Subtle luminous sound waves pulse outward from the driver while the camera performs a restrained side orbit. 12–15s: Every component reconnects seamlessly. The headphones settle into a centered front-facing hero composition as soft rim lighting defines the silhouette. Complete a gentle dolly-in toward the ear cups. Premium technology-commercial finish, controlled reflections, realistic shadows, shallow depth of field, crisp surface detail, stable product shape, no hands, no distortion, no onscreen text.
Gothic dark fantasy anime music video
Generate a 15-second dark fantasy gothic MV in the style of anime characters, stained glass ruins, vintage alchemy sketchbooks, film grain, faded parchment, gold and deep crimson color scheme, English ornate dynamic serif font, orchestral dark trap rhythm
DV camcorder footage of woman with kite
image = Main Subject. Preserve her exact face, identity, hairstyle, facial features, skin tone, and body proportions throughout. Keep the reference outfit consistent. Authentic Southeast Asian or Korean woman. Early-2000s residential neighborhood: narrow concrete alleyways, simple single-story homes, small terraces, potted plants, large trees, tangled overhead wires, and a small goat/lamb near the house. No shops, markets, vendors, or commercial activity. RAW EARLY-2000s DV CAMCORDER REALISM: handheld home-video footage, heavy organic camera shake, imperfect framing, frequent reframing, subject drifting near frame edges, autofocus hunting, lens breathing, exposure fluctuations, rolling shutter, natural motion blur, digital noise, compression artifacts, faded/desaturated colors, washed highlights, faded blacks, low contrast. Casual friend-recorded footage. No stabilization, posing, cinematic glamour, polished composition, or modern color grading. 00:00–00:04 Under a large tree, she reaches up on tiptoe and gently frees a kite string tangled in the branches. Camera sways and framing drifts. 00:04–00:07 Close handheld shot as she frees the string, laughs, and catches the falling kite. 00:07–00:10 She walks into the street, releases the string, and watches the kite rise in the wind, smiling. 00:10–00:13 She jogs a few steps to control the kite as the wind pulls the string. Loose, imperfect handheld framing. 00:13–00:16 She returns toward the house and crouches down, gently picking up a startled bird that flew inside. 00:16–00:19 Close handheld shot as she carries the bird outside in her cupped hands, speaking softly to calm it. 00:19–00:22 She opens her hands and the bird flies away. She watches it with a warm smile, shielding her eyes from the sun. 00:22–00:25 She kneels beside the goat/lamb and feeds it from a bottle. 00:25–00:28 Close shot of the goat drinking eagerly while she laughs and adjusts the bottle. 00:28–00:30 The goat playfully nudges her arm. She laughs, gently pushes it back, then briefly looks toward the camera with a natural smile before cutting.
Baby otter with vintage camera
A cute, fluffy baby otter character with soft brown-and-cream fur and a blue scarf stands beside a vintage instant camera in a beautiful sunny lakeside park. The otter gently operates the large camera, looks toward the lens with big expressive eyes, then happily poses and smiles with its tiny paws on its cheeks. The scene transitions to the otter holding a white photo frame showing its own adorable portrait, followed by the otter holding a freshly printed photograph. Bright blue sky, sparkling lake, modern city skyline in the background, warm golden sunlight, soft cinematic lighting, shallow depth of field, realistic fur detail, adorable 3D animated style, smooth natural character movements, subtle camera motion, cinematic composition, wholesome and heartwarming mood, ultra-detailed, high quality, 4K.
AI Lifestyle and Performance Montage
Montage of diverse scenes. 0-20s: Silver-haired singer on stage, white top, brown skirt, pink spotlights. 20-35s: Close-up of hands placing a needle on a vinyl record. 35-50s: Woman in blue dress at a cafe. 50-69s: Traditional tea ceremony with woman in ornate gown. Cinematic, high-detail, fluid motion.
Anime swordsman vs demon at torii
Create a cinematic anime battle sequence, 16:9, with premium hand-drawn cel animation and ultra-fluid sakuga-style movement. At a ruined ancient Japanese torii gate during a blazing crimson sunset, a white-haired swordsman in a torn white haori stands facing a towering shadow-black demonic warrior with glowing red eyes and smoky tendrils. 0–2s: Wide dramatic shot. Both warriors face each other beneath the giant torii gate, dust and debris floating through the air, huge orange sun directly behind them. 2–4s: Fast cinematic push-in to the white-haired swordsman’s face. His eyes glow intense red as he tightly grips his black katana. Wind moves his hair and clothing. 4–7s: He suddenly launches forward at extreme speed and clashes swords with the demon. Explosive white-blue lightning, sparks, shockwaves and a brilliant curved energy slash tear across the frame. Dynamic anime camera movement and strong motion lines. 7–8s: The swordsman completes one clean finishing slash. The demon breaks apart into swirling black smoke, glowing red embers and particles. 8–10s: Final wide rear shot: the swordsman stands completely still with his katana lowered, facing the enormous setting sun beneath the torii gate while the remaining dark particles disappear into the sky. Visual lock: dramatic red-orange sunset palette, deep black shadows, sharp anime linework, cinematic contrast, fluid 2D animation, consistent character design throughout, realistic cloth and hair motion, powerful impact frames, no extra characters, no character duplication, no text, no subtitles, no watermark.
Video generated by Seedance 2.0 Fast on Lart_AI
Here's a Seedance 2.0 Fast optimized prompt with a detailed timeline and fast commercial-style cuts. Seedance 2.0 Fast | Ultra-Realistic Food Commercial | 8 Seconds | 16:9 Create an 8-second premium food commercial for a spice brand called SpiceMix. Use ultra-realistic cinematic quality, luxury food advertisement style, photorealistic textures, premium CGI, realistic lighting, macro cinematography, smooth camera motion, shallow depth of field, warm golden highlights, and high-end commercial color grading. Every shot should feel energetic with fast commercial cuts, seamless transitions, and premium product advertising aesthetics. 0.0–0.8s — Hero Ingredient Introduction Extreme macro shot of fresh green cardamom pods dropping onto a dark matte surface in slow motion. Tiny spice dust particles float through warm golden sunlight. Fast push-in camera movement. 0.8–1.6s — Luxury Spice Sequence Quick cinematic cuts between cinnamon sticks, cloves, black peppercorns, cumin seeds, coriander seeds, star anise, dried red chilies, and bay leaves. Each ingredient rotates naturally in mid-air with beautiful macro focus, premium lighting, and floating aromatic particles. 1.6–2.8s — Ingredients Explosion All spices burst upward simultaneously in slow motion, swirling around the camera. Rich spice dust fills the frame while the camera passes through the floating ingredients with dynamic movement and premium commercial energy. 2.8–4.2s — Natural Blending The ingredients spiral into an elegant vortex, gradually transforming into colorful spice powder. Fine particles shimmer under warm golden lighting, creating a luxurious and appetizing visual. 4.2–5.8s — Flavor Reveal The spice powder flows beautifully across a premium dark background, revealing fresh whole spices surrounding the center. Dramatic lighting creates a rich, mouthwatering food commercial appearance. 5.8–8.0s — Product Hero Shot The swirling spices settle and reveal a premium SpiceMix spice box standing on a glossy black reflective surface. Whole spices elegantly surround the package while tiny spice particles continue floating. A slow cinematic push-in ends on the packaging displaying: SpiceMix Naturally Made No people. No kitchen. No utensils. Only premium ingredients, luxury food-commercial cinematography, macro product photography, energetic fast cuts, seamless transitions, realistic physics, photorealistic textures, premium CGI quality, rich warm color grading, and an elegant commercial finish.
Flower Field Memory Flashback
Use the uploaded reference image as the visual base. Maintain the same characters, same golden-hour flower field setting, same wardrobe, same color grading (warm gold, soft pink, dreamy sunset light) throughout. Do not change the characters' appearance, clothing, or the location. - **0:00–0:01** — A woman with long curly brown hair, wearing a white flowing dress and a flower crown, runs through a dreamy field of yellow, white, and pink flowers, trying to catch up to someone ahead of her. A distant fairytale castle is visible on the horizon. - **0:01–0:03** — She reaches out and gently places her hand on the shoulder of a man ahead of her, who is dressed in medieval knight armor with a dark red cloak. - **0:03–0:04** — Close-up on her face looking up, windswept hair, flowers in her crown catching the light — in this moment, the world around her begins to fade into a memory. - **0:04–0:06** — The scene transitions into a flashback: a little girl with the same curly brown hair and flower crown reaches out and gently touches the shoulder of a little boy in front of her, both standing in the same flower field. - **0:06–0:07** — Close-up of the little boy turning to look at her with a soft, curious expression. - **0:07–0:09** — The little boy quietly turns away and starts walking forward, away from her, through the flowers. - **0:09–0:10** — The little girl is left behind, her small hand still reaching out toward him. - **0:10–0:13** — Cut back to the present: the woman feels the same pain, holding her hand to her heart as the memory fades away. - **0:13–0:14** — The knight continues walking forward, emotionally distant, leaving her behind once again. - **0:14–0:15** — She kneels down in the flower field, overwhelmed with heartbreak, face in her hands — some moments stay with us forever.
Rainy Sunday neighborhood home video
Create a 30-second ultra-realistic personal home-video of a young Korean woman enjoying a quiet rainy Sunday in an older Seoul residential neighborhood. Use the attached image as the character reference and keep her face, long black messy side ponytail, pastel-blue fitted top, loose cream pants, black sneakers, silver necklace, and overall appearance perfectly consistent throughout. She steps outside her home holding a transparent umbrella, pauses at the doorway, looks at the rainy street with a small smile, then locks the door behind her. She walks slowly through the quiet neighborhood as light rain falls around her, occasionally adjusting her messy side ponytail while holding the umbrella above her head. She passes familiar neighbors under umbrellas and warmly greets them with a casual “Hello!” A few neighborhood cats hide beneath parked cars while rainwater flows along the roadside. She walks past small Korean houses, wet balconies, parked bicycles, potted plants and glowing windows, creating an authentic cozy rainy-day atmosphere. She reaches a small outdoor tap beneath a covered area and notices rainwater dripping from the roof. She playfully stretches one hand outside the umbrella, lets the raindrops fall onto her palm, laughs softly, then shakes the water from her hand. She stops at a tiny neighborhood convenience store, folds her umbrella near the entrance, buys a small colorful snack and a warm canned drink, then steps back outside. She opens the drink while walking through the rain, taking a small sip and smiling as steam rises faintly from the warm can. As she walks through a narrow residential lane, a few neighborhood children run past wearing colorful raincoats. She smiles, waves at them and says “Hello!” while they laugh and splash through small puddles. She carefully steps around the puddles, then intentionally jumps into one, splashing water slightly toward the camera and laughing. Near the end, she stops beneath a streetlight, looks directly into the camera through the transparent umbrella, rain softly visible behind her, gives a warm natural smile and says, “Happy Sunday!” She then turns around and walks away down the rainy lane. Use raw early-2000s consumer DV-camera footage: handheld shake, imperfect framing, autofocus hunting, exposure shifts from bright sky to darker streets, soft digital detail, mild digital noise, natural motion blur, occasional awkward zooms, raindrops occasionally appearing on the camera lens, slight overexposure from streetlights and authentic home-video imperfections. Natural rainy Seoul neighborhood ambience only — rainfall, umbrella fabric, footsteps on wet pavement, puddle splashes, distant traffic, bicycle bells, neighbors talking, children laughing, dripping rooftops, birds and wind moving through trees. No music, no narration, no subtitles, no dramatic events, no polished commercial cinematography, no beauty-filter skin, no CGI look.
Two strangers meet in desert storm
THE ROAD BETWEEN US 30–40 SECONDS | 16:9 | 4K | 24FPS | PHOTOREALISTIC LIVE-ACTION | CINEMATIC ADVENTURE MUSIC VIDEO CORE CONCEPT Two strangers take the same forgotten desert road for completely different reasons. A young woman travels alone in an old vintage 4x4, chasing the final light of the day. Miles away, a handsome young man is crossing the same desert on a rugged motorcycle. They never planned to meet. But as a powerful sandstorm suddenly moves across the desert, their separate journeys collide. Forced to take shelter together in an abandoned desert outpost, they discover a forgotten route leading toward an ancient canyon. One night. One unexpected connection. Two completely different roads waiting at sunrise. The story should feel emotional, mysterious, adventurous and cinematic without becoming an exaggerated romance. CHARACTER CONSISTENCY WOMAN — MAIN CHARACTER Use the uploaded reference image as the exact identity reference. Preserve her exact face, facial structure, eyes, nose, lips, skin tone, hairstyle, hair texture, body proportions and overall identity throughout the entire video. Her appearance must remain completely consistent across every shot, angle, lighting condition and environment. She wears: Black oversized jacket Simple white T-shirt Dark jeans Worn leather boots Her clothing becomes naturally dusty throughout the journey. Keep her appearance realistic and understated. MAN — SECOND CHARACTER A handsome young man in his mid-20s with naturally attractive features, a defined jawline, expressive eyes, slightly messy dark hair and subtle light stubble. Athletic but realistic build. He wears: Weathered dark olive jacket Charcoal T-shirt Dark cargo pants Rugged desert boots His face, hairstyle, body proportions and clothing must remain completely consistent throughout every scene. Do not make him look like a model or overly stylized character. He should feel like a real traveler caught in an extraordinary situation. SHOT 1 — THE LAST LIGHT Open on an enormous empty desert highway during golden hour. The young woman drives alone through an endless landscape in an old dusty vintage 4x4. The camera begins outside the vehicle with a wide cinematic tracking shot as the 4x4 moves across the empty highway. Cut inside. Close-up of her hands gripping the worn steering wheel. Her fingers shift the gear. Warm sunlight passes through the windshield and moves naturally across her face. Close-up of her eyes. The rearview mirror reflects the empty road disappearing behind her. The engine vibrates naturally. Dust begins to rise behind the vehicle. Cut to a huge wide shot. The 4x4 becomes tiny against enormous orange dunes and distant mountains. The sun hangs low on the horizon. The music begins quietly with deep atmospheric tones. SHOT 2 — SOMETHING ON THE ROAD The desert road slowly disappears beneath blowing sand. The woman slows the 4x4. She looks through the windshield. Something moves in the distance. A dark silhouette emerges through the dust. Cut closer. It is the handsome young man riding a rugged dark motorcycle. His jacket moves violently in the wind. He slows down and stops. The woman steps out of the 4x4. The man removes his sunglasses and looks toward her. They stand several meters apart. No dialogue. Only the sound of the wind. For a brief moment, neither moves. Then a massive wall of dust appears behind the man. He turns toward it. She follows his gaze. The sandstorm is coming directly toward them. SHOT 3 — THE RACE TO SHELTER Hard cut. The woman jumps back into the 4x4. The man starts his motorcycle. They race toward an abandoned desert outpost visible far across the landscape. Rapid cinematic cuts: The 4x4 tires sliding through loose sand. The motorcycle suspension compressing over rough terrain. Dust exploding behind both vehicles. The woman's eyes checking the rearview mirror. The man disappearing inside the dust cloud. His headlight cutting through the storm. The 4x4 powers over a small dune. The motorcycle follows. The storm grows darker. The sky becomes almost completely filled with dust. They reach the abandoned stone structure just as the storm swallows the road. The woman stops the vehicle. The man pulls the motorcycle inside the shelter. The wind becomes deafening. Hard cut to darkness. SHOT 4 — THE NIGHT Silence. The storm has passed. Night has completely taken over. The abandoned outpost sits beneath an enormous star-filled sky. The woman and man sit outside beside a small campfire. Their vehicles are parked nearby, covered in dust. Warm firelight moves naturally across their faces. The woman looks upward. The man follows her gaze. The camera slowly tilts toward the sky. An enormous Milky Way stretches across the desert. The music becomes softer and more atmospheric. Close-up of sparks floating upward. Close-up of the woman's hand warming beside the fire. Close-up of the man's dusty boots beside hers. The wind gently moves their clothing. They exchange a subtle smile. No dialogue. No forced romance. Just two strangers sharing the strange beauty of the moment. SHOT 5 — THE SECRET IN THE SAND The first hint of dawn begins to appear. The man walks around the abandoned structure. Something metallic catches the faint blue light. He kneels and brushes away the sand. A weathered metal marker is revealed beneath the surface. It points toward a remote canyon hidden beyond the dunes. The woman approaches. She looks at the marker. Then looks toward the distant mountains. The man looks at her. A small smile. She grabs her backpack. They decide to continue together. The 4x4 and motorcycle start. They disappear toward the distant canyon. SHOT 6 — THE RED CANYON First light. The landscape changes completely. Huge red-rock formations rise from the desert. The two characters hike through a narrow canyon. The camera follows behind them as they walk between towering rock walls. Early sunlight slowly reaches the canyon floor. Dust particles float through the beams of light. They climb over uneven rocks. The man reaches a difficult section first. He turns around and reaches his hand toward her. She takes his hand. He helps her climb. She laughs naturally after nearly slipping. He smiles. They continue upward. The moment feels spontaneous and human. Not romantic. Two strangers gradually becoming companions through the journey. SHOT 7 — ABOVE THE WORLD They emerge from the canyon. They stand on a massive high viewpoint. The desert stretches endlessly beneath them. Mountains fade into the distance. Dunes form enormous patterns across the landscape. The tiny abandoned road is visible far below. Their vehicles appear almost microscopic. The camera begins close behind the two characters. Slowly pull backward. Then rise higher. Higher. Higher. The landscape completely fills the frame. The sun finally breaks over the horizon. The music expands dramatically. SHOT 8 — RUNNING WITH THE WIND Hard cut. The woman runs down a huge sand dune. She laughs naturally. Her black jacket moves violently in the wind. Her hair blows across her face. The man runs after her. He loses his balance slightly in the soft sand. She looks back and laughs. He catches up. They run side by side toward the bottom of the dune. They stop. Breathing heavily. They look toward the horizon. Their vehicles are visible in the distance. The wind continues moving across the dunes. The moment feels free, spontaneous and unforgettable. SHOT 9 — TWO ROADS Sunrise. They return to the vehicles. The woman gets into the vintage 4x4. The man starts his motorcycle. The engines roar to life. They travel side by side across a long empty desert road. The camera tracks alongside them. For a brief moment, both vehicles move together. Then the road divides. One path turns left. The other continues toward the mountains. They stop. Both characters look at each other. A quiet smile. No dialogue. No dramatic goodbye. The woman turns her 4x4 toward the left road. The man turns his motorcycle toward the right. They slowly move away from each other. The music drops almost completely. Only engines and wind remain. FINAL SHOT — KEEP GOING Cut between the two journeys. The woman drives toward the rising sun. Cut to the man riding alone across another distant ridge. Cut back to the woman. Cut back to the man. Two separate silhouettes moving through the enormous desert. The camera begins rising higher and higher. The vehicles become smaller. Then smaller. Eventually they become tiny moving points within the vast landscape. The sunrise fills the horizon. The desert appears endless. Hold on the enormous landscape for several seconds. The music reaches its final emotional peak. Then slowly fades. Cut to black. VISUAL STYLE Premium cinematic adventure music video. Ultra-photorealistic live-action. Feature-film cinematography. 35mm and 50mm cinematic lens character. Natural skin texture. Realistic facial expressions. Physically accurate desert environments. Realistic human movement. Realistic vehicle physics. Natural wind interaction with hair and clothing. Realistic sand displacement. Detailed tire tracks. Atmospheric dust particles. Golden-hour amber lighting. Deep blue night tones. Natural firelight. Soft sunrise haze. Realistic depth of field. Subtle cinematic film grain. Natural lens imperfections. Controlled handheld camera mixed with smooth tracking shots. Large-scale aerial-style landscape movements. Intimate close-ups mixed with enormous environmental wides. Natural motion blur. 24fps cinematic motion. Premium Hollywood adventure-film visual quality. Hard cuts only. No artificial transitions. AUDIO Energetic cinematic electronic soundtrack that gradually builds throughout the journey. Deep atmospheric bass. Organic percussion. Subtle acoustic textures. Atmospheric synth layers. The music should evolve with the story: Quiet and mysterious at the beginning. More intense during the sandstorm. Warm and emotional around the campfire. Expansive during the canyon and sunrise sequences. Powerful during the final aerial landscape. Natural diegetic sounds should remain audible underneath the music: 4x4 engine. Motorcycle engine. Tires moving through sand. Desert wind. Footsteps. Clothing moving in the wind. Fire crackling. Small rocks shifting beneath boots. Distant birds at sunrise. No dialogue. No voice-over. The music and natural environmental sound should tell the story. CAMERA LANGUAGE Use a mixture of: Extreme wide desert landscapes. Low vehicle tracking shots. Handheld intimate close-ups. Interior vehicle shots. Over-the-shoulder shots. Slow cinematic push-ins. Side tracking shots. Low-angle motorcycle shots. Wide canyon compositions. Natural close-ups of eyes, hands and expressions. Smooth crane-like rises. Large-scale aerial-style pullbacks. Keep camera movement motivated and physically believable. Avoid excessive slow motion. Avoid overly dramatic camera movements that feel artificial. COLOR & LIGHTING Golden desert amber during the opening. Warm orange and dusty brown tones during the storm. Deep navy and subtle moonlight during the night. Warm firelight on skin. Cool blue dawn. Rich red and orange canyon tones. Soft golden sunrise. Natural cinematic contrast. Preserve realistic skin tones throughout. TEXT & GRAPHICS Absolutely no text anywhere in the video. No title cards. No typography. No captions. No subtitles. No end titles. No logos. No symbols. No graphic overlays. No written signs. No visible words. The final sunrise must remain completely clean with only the natural landscape. NEGATIVE PROMPT No CGI look. No video-game aesthetic. No plastic skin. No beauty-filter skin. No artificial faces. No identity drift. No face changes. No character morphing. No inconsistent characters. No inconsistent clothing. No hairstyle changes. No age changes. No distorted anatomy. No watermark. No title. No end card. No graphic overlays. No artificial transitions. No fade transitions between shots. Maintain exact character identity and visual continuity from beginning to end.
Blood and gold warriors final clash
20 SECONDS | 16:9 | 24 FPS | DARK BLUE HOUR PREMIUM PHOTOREALISTIC LIVE-ACTION CINEMATIC ACTION EXTREMELY FAST, FLUID, AGGRESSIVE, CONTINUOUS REFERENCES: IMAGE 1 = ARMAN IMAGE 2 = TAVARA IMAGE 3 = BURNED BATTLEFIELD Preserve exact character identities, costumes, anatomy and environment throughout. Realistic live-action physics, grounded CGI, practical destruction. NO anime, cartoon or rendered look. TAVARA: viscous crimson blood, realistic fluid inertia, strands, droplets, splashes and subtle internal glow. ARMAN: dense molten-gold energy, gold-white core, sparks, particles and spatial distortion. NO purple/violet. SCENE 1 — BLOODFORGE VS GOLDEN ARMAMENT Arman and Tavara charge from opposite directions, forging TWO GOLDEN BLADES and TWO SERRATED BLOOD BLADES mid-motion. 「オラァッ！」 「ハッ！」 Weapons collide. Shockwave. Cracked ground. Tavara cross-slashes while Arman ducks, pivots and lands THREE rapid golden slashes. Tavara's blades dissolve into liquid. Hundreds of blood projectiles surround Arman. 「喰らえッ！」 Arman super-dashes through the storm, his golden blades merging into ONE MASSIVE GOLDEN KATANA. 「行くぞォッ！」 Tavara forms a MASSIVE BLOOD TRIDENT. Both accelerate toward each other. TRIDENT × GOLDEN KATANA. KRAAA-BOOOOM! ━━━━━━━━━━━━ SCENE 2 — FINAL DEATH CLASH ━━━━━━━━━━━━ START EXACTLY FROM THE WEAPON LOCK. SAME CRATER. SAME DAMAGE. NO RESET. Tavara transforms the trident into a MASSIVE BLOOD SCYTHE. Arman evades as it tears through the battlefield. Hundreds of blood spears erupt from the ground. Arman super-dashes through them toward Tavara. Golden energy compresses into ONE MASSIVE KATANA. 「ここで終わらせるッ！」 Tavara forms a massive crimson wave. Arman launches forward and cuts directly through it. FINAL DISTANCE CLOSED. ONE STEP. ONE ROTATION. ONE FINAL SLASH. 「終わりだッ！」 POINT-BLANK GOLDEN DETONATION. Crater expands. Rocks, ash and smoke explode outward. Burned trees collapse. Smoke clears. Tavara lies defeated. Arman lowers the Golden Katana. CUT TO BLACK. SFX: CLANG → THOOM → WHOOSH → SLASH → BOOOOOM ABSOLUTE: NO TELEPORTATION. NO RESET. NO DEAD TIME. NO RANDOM CAMERA. NO STATIC POSES. SHARED FRAME ONLY DURING PHYSICAL COLLISION. PRESERVE SCREEN DIRECTION, TRAJECTORY AND DEPTH. EVERY ACTION CAUSES THE NEXT. EVERY IMPACT CHANGES THE ENVIRONMENT. REALISTIC VISCOUS BLOOD. DENSE SPATIALLY DISTORTIVE GOLDEN ENERGY. GROUNDED CGI. PHOTOREALISTIC LIVE-ACTION ONLY.
THE FOREST THAT HUNTS YOU
Style: Photorealistic live-action supernatural action thriller. Cinematic camera movement, realistic combat physics, practical creature textures, wet bark, cold blue-gray moonlight, deep shadows and subtle film grain. No CGI-looking visuals, neon, cartoon aesthetics or excessive slow motion. REFERENCE LOCK - @[ref1] Heroine - @[ref2] Hollow Stalker - @[ref3] Forest and clearing - @[ref4] Supernatural shadows - @[ref5] Katana Preserve exact character appearances, costumes, proportions, weapon continuity and forest geography. The Stalker has six branch horns, a faceless wooden skull, two white eyes, elongated limbs and black bark-and-root anatomy. Its cut left wrist remains damaged throughout. SHOT 1 | 0:00–0:07.5 | THE SHADOW RUNS AHEAD Low tracking shot follows the heroine sprinting through wet leaves as a second human-shaped shadow races ahead without a visible owner. The Stalker charges between the trees. Her own shadow suddenly stops and turns its head toward her. SHOT 2 | 0:07.5–0:15 | SOMETHING UNDER THE TREES The Stalker's detached shadow races through connected darkness, catches her ankle and forces her to slash at the ground with her katana. The shadow retreats, leaving a black stain. The creature's white eyes appear behind her between the trees. SHOT 3 | 0:15–0:22.5 | THE WRONG SHADOW The shadow stops at a moonlit boundary. The heroine discovers that light blocks its movement. She circles a tree as the shadow crawls vertically up its trunk. Two silhouettes reach toward her feet. Her sword passes harmlessly through the false shadow as the real creature raises its arm behind her. SHOT 4 | 0:22.5–0:30 | THE FOREST CLOSES The Stalker merges tree shadows into a dark corridor. The heroine slides beneath reaching shadow extensions and parries its left-arm strike, cutting through its wrist. Black root fibers snap apart. The creature strikes a tree, spreading its shadow over the last safe strip of moonlight. SHOT 5 | 0:30–0:37.5 | THE TRAP The Stalker lunges. She dives beneath its arm and rolls across damp earth. Its shadow surrounds her in a complete circle. From overhead, she realizes its darkness connects every shadowy patch, but its feet remain beneath a bright gap in the moonlight. She stops running. SHOT 6 | 0:37.5–0:45 | SHE STOPS RUNNING She tests the rule: the shadow recoils from moonlight and surges through darkness. As the Stalker charges, she attacks instead of retreating, sliding beneath its right arm and driving her katana toward the moonlit boundary beneath its front foot. SHOT 7 | 0:45–0:52.5 | PINNING THE NIGHT She plunges the katana through the shadow and into the soil at the boundary between darkness and moonlight. The shadow convulses and remains pinned. Black strands wrap around the creature's limbs, torso and six horns. Its damaged wrist unravels as she twists the blade deeper, enduring the pain in her injured shoulder. SHOT 8 | 0:52.5–1:00 | THE LAST SHADOW The Stalker disintegrates into black bark, roots and ash. Its white eyes extinguish. Silence. The heroine remains kneeling beside her planted sword. In the distance, dozens of shadows turn toward her despite the trees remaining still. She sees them reflected in the katana's silver blade. Hard cut to black. No dialogue, title card, subtitles, logos or musical sting. FINAL RULES: Strict continuity across all shots. Maintain consistent moonlight, geography, costumes, weapon hand and creature damage. Grounded movement, believable weight and contact physics. Shadows remain flat, opaque and connected to darkness, except when climbing trees or forming reaching extensions. No extra characters, extra limbs, random teleportation or premature disintegration. Final hook: The monster is dead. The forest is still watching.
Six-girl K-pop dance across four scenes
Use the provided storyboard image as the strict visual reference. Create cinematic K-pop dance video in 16:9 horizontal format. Keep the same 6 girls, the same faces, same hairstyles, same body proportions, same pastel outfits, same accessories, and same overall appearance throughout the entire video. Do not change identity, outfit style, or group composition. Also keep the same exact locations and background style from the storyboard: Open park setting Colorful European plaza Covered market corridor Open street / square The video should look like a professional K-pop music video with smooth choreography transitions, soft daylight, vibrant pastel color grading, clean camera movement, and high-energy original K-pop style instrumental music. No character changes, no outfit changes, no random background changes, no extra people, no distorted hands, no face inconsistency. Scene breakdown 0s–5s — Open park setting Start with the girls in the same formation as shown in the first frame of the storyboard. They perform playful synchronized choreography in the park. Their movements are cute, energetic, and perfectly coordinated. Camera uses a smooth tracking shot with slight circular motion. Keep the same flowers, greenery, and distant city background. 5s–10s — Colorful European plaza Transition smoothly to the same European plaza location from the storyboard. The girls shift into a new dance formation and continue synchronized K-pop choreography. Keep the same cobblestone ground, fountain, pastel buildings, and soft daylight. Camera uses a wide cinematic shot with a gentle push-in. 10s–15s — Covered market corridor Cut to the same covered market corridor. The girls perform walking choreography, confidently moving forward together while dancing in sync. Keep the same flower shops, warm lighting, corridor depth, and elegant market details. Camera uses a front tracking shot. 15s–20s — Open street / square Final transition to the same open street / square. The girls move into their final powerful formation and perform the last part of the choreography, ending in the same strong final pose as the storyboard. Keep the same grand European architecture and cinematic sunlight. Camera uses a wide shot with a subtle final push-in. Music / style Use original upbeat K-pop style instrumental music, energetic and polished, with bright synths, clap beats, and a professional pop rhythm. No copyrighted music. Overall mood: cute, fresh, stylish, energetic, polished, premium K-pop MV. Strict consistency lock Same 6 girls only Same faces throughout Same outfits throughout Same hairstyles throughout Same backgrounds as storyboard Same scene order as storyboard No costume changes No background replacement No extra characters No anatomy errors No face distortion No low-quality AI look
Bullied student gains energy powers
Create a 30-second, 1080p ultra-realistic live-action supernatural action scene using the uploaded character image as the strict reference for the adult Korean college woman. Preserve her exact face, pale-lavender bob, flower and blue hair clips, gray blazer, white shirt, striped tie, plaid skirt, socks and loafers throughout. She walks alone through a bright college corridor lined with beige lockers when three adult female students approach and block her path. The leader mocks her and suddenly slaps her, sending her stumbling to the polished floor as the others laugh. Close-up: she lies on the floor breathing heavily, then her fingers begin trembling as a faint blue-white energy appears around her hands. The energy rapidly travels up both arms, surrounding her forearms with glowing particles while the corridor lights flicker. She slowly rises, looks at the bullies with a completely changed expression, and the girls suddenly realize something is wrong. The leader charges at her, but she dodges with supernatural speed and counters with a powerful slow-motion punch that sends her backward. Another attacker rushes in; she blocks the strike with her glowing forearm, spins and delivers a dramatic controlled kick. The final bully attacks from behind, but she turns instantly, catches the punch and releases a burst of energy that throws her backward. Show rapid cinematic slow-motion punches, kicks, blocks, flying papers, shaking lockers, splashing water and glowing energy trails around her arms. End with the three bullies defeated but conscious across the hallway as she stands calmly in the center, her glowing hands slowly returning to normal. Photorealistic live-action, handheld cinematic camera, realistic physics, natural fluorescent lighting, dramatic slow motion, no gore, no blood, no CGI look, no duplicated characters, no outfit changes, no distorted hands, no subtitles or watermark.
Wrong Train Subway Comedy
A confident young woman accidentally ends up on the wrong subway train, while a playful stranger who tried to warn her gets pulled into an increasingly ridiculous situation. MAIN CHARACTER — WOMAN Use the uploaded image as the exact visual reference for the woman. Preserve her face, identity, skin tone, hair, body proportions and overall appearance throughout the entire video. OUTFIT: cropped cream-colored bomber jacket over a fitted black ribbed tank top, high-waisted wide-leg charcoal trousers, black leather ankle boots, small silver hoop earrings and a delicate silver necklace. Modern, stylish streetwear. Keep the outfit identical in every shot. MAIN CHARACTER — MAN Young man with short black hair, oversized forest-green sweatshirt, relaxed black cargo trousers and clean white sneakers. Playful and confident at first, gradually becoming confused and embarrassed. STORY A crowded subway platform during evening rush hour. The woman suddenly notices her train is about to leave and rushes toward it. She reaches the doors at the last second and jumps inside. Through the closing glass doors, the man notices something immediately. She is on the wrong train. He frantically points toward the platform sign, trying to warn her. She misunderstands him and gives him an irritated look. The doors close. The train begins moving. She looks around the unfamiliar carriage. Then she notices the station displayed on the electronic screen. Her expression slowly changes. She looks directly at the man. He gives her an awkward little wave. She points at the station display. He points toward the opposite direction. She crosses her arms. He shrugs. Suddenly, the train brakes hard. She loses her balance and grabs the man's sweatshirt to steady herself. The force pulls him forward, and he awkwardly drops onto a subway seat. Silence. Everyone looks at him. She remains standing perfectly calmly. He slowly looks up at her, completely embarrassed. A passenger nearby starts laughing. Another passenger joins in. The man tries to stand up with dignity—but his backpack gets caught on the seat handle and yanks him backward again. The entire carriage bursts into laughter. Even the woman can't hold back anymore. When the train reaches the next station, the doors open. She steps out, turns around and gives him a tiny mischievous smile. He points at her in disbelief. She simply waves goodbye and walks away. The doors close between them as he sits there, still trying to understand what just happened. VISUAL STYLE Ultra-realistic subway environment, cinematic live-action photography, authentic carriage details, realistic fluorescent lighting, reflections on glass, subtle handheld camera movement, natural motion blur, realistic crowd reactions, believable body movement and physics, expressive facial acting, perfectly timed physical comedy, gritty documentary-inspired texture combined with polished feature-film cinematography. AUDIO Authentic subway ambience, train movement, rail vibration, station announcements, footsteps, door chimes, passenger chatter and natural laughter. No background music. STRICT CONSISTENCY Use the uploaded image as the exact visual reference for the woman. Maintain identical identity, face, hairstyle, body proportions and outfit throughout the entire sequence. No identity drift, outfit changes, duplicated people, disappearing characters, teleportation, distorted hands, unrealistic physics, CGI appearance, gore, blood, subtitles, captions, text, logos or watermarks.
Joseon royal kitchen comedy microdrama
60秒垂直短劇，9:16，韓國古裝劇（Sageuk）風格（帶輕喜劇元素），說中文。 場景：朝鮮中宗時期（16世紀），宮中御膳房與中宗寢殿，木造結構、紙窗、傳統灶台與陶器。 角色設定： 徐長今（Seo Jang-geum）<<<Image4>>> ：25歲，醫女兼御廚天才。臉孔甜美卻帶妖豔魅力——杏眼含情、櫻桃小嘴、鼻樑秀挺，笑容時甜美純淨，側臉或低頭時又透著誘人風情，皮膚白皙如玉。黑長直髮以粉色布條鬆鬆束起，幾縷細碎髮絲自然垂落臉側與頸間。穿典型朝鮮時代淡粉色韓服（Chima-jeogori），上衣短小貼身，突出腰身曲線，裙擺寬大素雅；袖口微微捲起。個性聰慧堅強、善良細心、廚藝精湛但面對感情時會害羞。 中宗（King Jungjong） <<<Image2>>> ：45歲，朝鮮第11代國王。臉容清瘦憔悴（因重病），蓄著整齊短鬍，眉宇間帶帝王威嚴與疲憊，眼神銳利。黑髮束起戴翼善冠，穿黃色龍袍（病中稍顯寬鬆）。個性嚴苛但內心孤獨。 閔政浩（Min Jeong-ho） <<<Image3>>> ：28歲，宮中武官/長今的愛慕者。斯文小白臉憂鬱帥哥類型——五官精緻柔和，劍眉細長、丹鳳眼帶有淡淡憂鬱，鼻樑高挺，嘴唇薄而優雅，皮膚白皙，氣質溫潤如玉卻隱藏堅毅。黑髮以冠帽整齊束起，穿深藍色官服（官員常服），腰配長劍。個性忠義勇敢、溫柔深情，對長今有強烈保護欲。 拍攝風格：典型韓國古裝劇質感，使用Arri Alexa與Cooke S4鏡頭拍攝，暖黃懷舊色調（大量暖光與木質紋理），輕微膠片顆粒，強調紙窗透光與燭火氛圍，後半段加入輕喜劇效果。 分鏡腳本： 0-3s：中宗臥床，臉色疲憊，咳嗽一聲然後嚴厲地說中文：「長今，限你一小時做出年糕，否則關入大牢！」 3-6s：徐長今跪地領命，表情堅定卻帶緊張，快速起身奔向御膳房。 6-9s：徐長今在灶台前忙碌，快速料理蒙太奇：切年糕、炒辣醬、燉高湯，動作熟練快速，裙襬隨動作輕晃。 9-12s：徐長今試味道，微微出汗，甜美妖豔的臉龐帶著專注，碎髮貼在臉側。 12-15s：時間緊迫，徐長今加快翻炒，辣炒年糕色澤紅亮香氣四溢。 15-18s：閔政浩因擔心快步跑進御膳房，焦急尋找徐長今。 18-21s：他從拿著長木筷正在攪拌辣炒年糕的徐長今身後輕輕抱住她，低聲：「長今，別怕，我陪妳。」 21-24s：徐長今受驚，舉起沾了紅色辣醬的長木筷想反擊，轉身時被政浩壁咚壓在紙窗邊。 24-27s：紙窗透光映照兩人身影，政浩憂鬱深情的丹鳳眼注視徐長今。 27-30s：政浩低頭曖昧親吻徐長今，徐長今先驚訝，隨後慢慢閉眼。 30-33s：在紙窗邊，兩人深情擁吻，政浩一手扶她腰，背景鍋中辣炒年糕繼續冒熱氣。 33-36s：長今輕推政浩，喘息說中文道：「大人……現在不是時候……」 36-39s：政浩微笑幫她整理碎髮，長今迅速完成擺盤。 39-42s：長今端著辣炒年糕與政浩快步前往中宗寢殿。 42-45s：中宗用筷子夾起辣炒年糕試吃一口後，突然露出滿意表情，身體輪廓微微發亮，頭旁邊飄出各種可愛emojis，搭配「WOW～」搞笑音效。 45-48秒：長今與政浩低頭謙卑並肩站立聽訓，中宗說中文誇獎道：「果然好吃！朕決定赦免你今日之罪。」 48-51秒：中宗繼續說：「長今，妳果然是宮中第一奇女子。」 51-54秒：身後，政浩偷偷抓住長今一隻手緊握，長今突然害羞低頭微笑，甜美妖豔的臉頰微紅。 54-57秒：周邊皇宮老臣們看到這一幕，也竊竊私語、掩嘴偷笑。 57-60秒：中宗察覺兩人異樣，忍不住大笑出聲，畫面在溫馨笑聲中緩慢淡出。
Man freezes time in plaza
Create a cinematic, photorealistic scene in a European plaza with a stone fountain and outdoor café. A man in a dark suit snaps his fingers, freezing time as a huge fountain spray hangs motionless in the air. He calmly walks through the water, takes a wine glass from a frozen waiter, catches droplets inside, adds lemon, and adjusts a patio umbrella. He tilts the umbrella, snaps his fingers again, and time resumes—the water sparkles in sunlight, creating a spectacular full rainbow over the café as everyone reacts in amazement. He sips the drink, looks into the camera, and says in Russian
A classroom prank turns into an epic martial arts battle!
A 30-second cinematic, photorealistic martial arts action scene set in a traditional classroom with large windows, wooden desks, and a green chalkboard. Warm natural sunlight streams through the windows, creating dramatic shadows and a cinematic atmosphere. Scene 1: A wide establishing shot of students sitting quietly at their desks while a confident young woman stands at the front of the classroom. She wears a dark teal traditional Chinese-inspired outfit with intricate golden embroidery, a burgundy skirt, her hair tied back neatly, and round black sunglasses. Scene 2: The woman stands in front of the chalkboard, which displays hand-drawn stick figures illustrating martial arts movements. She casually gestures toward the drawings with a confident, composed expression. Scene 3: Cut to a young male student with messy blond hair wearing a black school uniform. A small white ball rests on the bridge of his nose as he leans forward on his desk, concentrating intensely. The camera slowly pushes in toward his face. Scene 4: The male student suddenly launches himself forward, charging toward the woman. Students watch in shock as he moves across the classroom with incredible speed. Scene 5: The woman calmly turns toward him as he throws a powerful punch. She effortlessly dodges his attack with precise martial arts movements. The punch strikes the chalkboard, creating a dramatic burst of dust and cracks across its surface. Scene 6: The woman executes a spectacular spinning kick, sending the male student flying backward through the classroom. His body rotates through the air as desks shift, papers scatter, and dust rises from the floor. Use dynamic camera movement, realistic body mechanics, and cinematic slow motion during the impact. Scene 7: The impact creates a large hole in the classroom wall, with fractured plaster and debris surrounding the opening. Dust slowly settles as sunlight filters through the damaged wall. Final Shot: A close-up of the woman standing calmly in her traditional embroidered outfit and sunglasses. She looks directly ahead with a cool, confident expression while the destroyed classroom remains visible behind her. Visual Style: Ultra-realistic live-action cinematography, high-detail facial features, realistic fabric movement, physically convincing martial arts choreography, dynamic camera angles, natural sunlight, volumetric dust, cinematic motion blur, dramatic impact effects, shallow depth of field, 4K quality, seamless scene transitions, consistent character appearances throughout. Audio: Classroom ambience, subtle student murmurs, fast whooshing sounds during martial arts movements, heavy impact sounds, breaking plaster, falling debris, and a dramatic cinematic action soundtrack. Important: Maintain consistent character faces, clothing, hairstyles, and body proportions throughout the video. Make every movement fluid and believable, with realistic physics and clear action continuity.
Rainy bedroom MiniDV home video
Cold blue-gray light through the rainy window, with a very weak warm bedside lamp. Dark cloudy sky, muted colors, soft shadows, slightly underexposed interior. Peaceful, sleepy, intimate atmosphere. **Style:** Ultra-realistic early-2000s Sony MiniDV home video filmed by another person holding the camcorder. Completely candid and unstaged. Natural handheld movement, subtle human shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and microphone noise. **IMPORTANT MOTION RULE:** Smooth continuous real-time motion throughout. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, excessive motion blur, speed changes, artificial slow motion or low-frame-rate look. Vintage appearance must come from authentic MiniDV image characteristics, not reduced frame rate. ### MULTI-SHOT SEQUENCE — 15 SECONDS **SHOT 1 — ENTERING THE ROOM | 00:00–00:03** The camera is already inside the dim bedroom, pointed toward the doorway. She slowly walks into the room after coming in from the rainy outside corridor, looking slightly sleepy. Her long hair is visibly damp, with a few strands stuck to her cheeks and neck. She quietly closes the door behind her and walks toward the bedroom. The camera operator gently follows her from several steps behind. Natural handheld framing, slight imperfect reframing. **SHOT 2 — NOTICING HER WET HAIR | 00:03–00:06** Cut to a closer side angle near the bedroom window. She stops beside the window and touches the ends of her damp hair with her fingers. She looks at the wet strands, then lightly squeezes a small section between her fingers. A few tiny droplets fall onto the sleeve of her maroon hoodie. She looks down at the droplets with a faint amused expression. **SHOT 3 — GRABBING THE TOWEL | 00:06–00:09** Cut to a wider bedroom angle. She notices a small towel hanging over the back of a chair. She walks over, picks it up and casually drapes it over her head. She doesn't rush. She simply stands there for a moment, then starts gently rubbing her hair through the towel. The camera makes a small natural adjustment as the operator follows her movement. **SHOT 4 — DRYING HER HAIR | 00:09–00:12** Cut to a closer handheld shot. She slowly rubs the towel through her long hair, then pulls the towel back and shakes her hair loose. Her hair is slightly messy now. She looks toward the rainy window and absentmindedly brushes one damp strand away from her face. **SHOT 5 — LITTLE ENDING MOMENT | 00:12–00:15** Cut to an over-the-shoulder angle facing the rainy window. She stands quietly beside the glass, towel resting around her shoulders. She watches the rain for a moment, then lightly touches one damp strand of hair and gives a tiny sleepy smile. The camera gently drifts toward the rain-covered window as the shot ends. **Audio:** Natural location sound only—steady rain against the window, faint distant traffic, subtle wind, soft footsteps, quiet door movement, towel and fabric sounds, faint room ambience. No music, narration or added sound effects. **Performance:** She should behave completely naturally and calmly, as if nobody is watching. No exaggerated acting, no deliberate posing, no dramatic expressions. Her tiny reactions should feel spontaneous and almost accidental. **Continuity:** Maintain the exact same woman, facial identity, hairstyle, clothing, body proportions and apartment layout across every shot. Do not transform the background between cuts. The rainy window remains a physical window throughout; walls must never turn into windows, doors or openings
Blackout Floor 5 Zombie Horror
Character = Image1 1 (0–1s): Power cuts in dim apartment hallway; A’s phone flashlight activates. 2 (1–1.8): Wide stairwell; weak emergency lights flicker, residents emerge confused. 3 (1.8–2.6): Resident below convulses near open door; veins darken rapidly. 4 (2.6–3.4): He turns with clouded eyes and violently attacks a neighbor. 5 (3.4–4.2): Screams echo upstairs; residents freeze, flashlights swing downward. 6 (4.2–5): A peers over railing, briefly seeing chaos below. 7 (5–6): Infected convulses at stair base; residents retreat inside. 8 (6–7): Infected rises and races upstairs unnaturally fast. 9 (7–8): A backs away, realizing infection is climbing toward her floor. 10 (8–9): Wide stairwell; flashlight beams crisscross in panic. 11 (9–10): Neighbor from 4B warns everyone to lock themselves inside. 12 (10–11): Infected reaches third floor and attacks a resident. 13 (11–12): A slams and deadbolts her apartment door. 14 (12–13): Close-up: door number “5C” illuminated by flashlight. 15 (13–14): Infected pound and claw outside; A retreats into darkness. 16 (14–15): Newly bitten resident turns rapidly, veins darkening, joins the climb. 17 (15–16): Horde surges upward through dark stairwell. 18 (16–17): A grabs heavy flashlight and cast-iron pan, bracing by door. 19 (17–18): Door splinters under pounding; A retreats toward window. 20 (18–19): Neighbor from 5D tells her to use the shared balcony. 21 (19–20): A climbs onto narrow balcony ledge, flashlight in teeth. 22 (20–21): Her door bursts open as she reaches neighbor’s balcony. 23 (21–22): Neighbor pulls her inside and locks balcony door. 24 (22–23): Wide stairwell; infected continue climbing floor by floor. 25 (23–24): Close-up: A grips cast-iron pan as pounding starts again. 26 (24–25): Door bursts open; A strikes first infected with pan. 27 (25–26): Both shove a bookshelf against the doorway as barricade. 28 (26–27): Pounding continues; flashlight battery begins fading. 29 (27–28): Exterior wide shot; flashlight beams flicker through windows across floors. 30 (28–30): A and neighbor huddle in darkness; flashlight dies, distant pounding echoes. End on tense cinematic vertical-horror shot.
Create with seedance 2.5 Prompt Create a high-quality, cinematic 3D anim
Create a high-quality, cinematic 3D animated comedy video featuring a stylish young woman and an adorable little toddler in a modern, luxurious living room. The young woman has a high brown ponytail, expressive large eyes, gold hoop earrings, delicate gold jewelry, and wears a fitted pink crop top, matching pink cycling shorts, and white sneakers. The toddler has messy blonde hair, big expressive blue eyes, and wears a cute light-gray T-shirt with denim shorts. Scene 1: The woman rushes toward the gray sofa and adjusts a cushion, moving quickly with exaggerated, funny expressions. Scene 2: She notices the mischievous toddler standing beside the sofa, surrounded by scattered toys. She places her hands on her hips and gives him a stern, disapproving look. Scene 3: The toddler suddenly surprises her by holding up a smartphone with a playful smile. The woman bends down, staring at the phone with wide eyes and a shocked, hilarious expression. Scene 4: Show a close-up of their faces, highlighting the toddler's innocent, cheeky grin and the woman's exaggerated surprise. Use expressive facial animation and perfectly timed comedic reactions. Environment: A beautiful modern living room with a large gray sofa, floor-to-ceiling windows, sheer white curtains, warm sunlight, wooden flooring, and a peaceful green garden outside. Visual Style: Ultra-detailed 3D animation, premium Pixar-inspired cartoon aesthetics, realistic fabric textures, smooth character movements, expressive eyes, soft cinematic lighting, natural shadows, vibrant colors, shallow depth of field, and professional camera movements. Technical Requirements: 4K quality, 16:9 aspect ratio, smooth animation, consistent character designs, realistic physics, cinematic composition, and perfectly synchronized facial expressions. Negative Prompt: Blurry visuals, distorted faces, extra fingers, deformed hands, inconsistent characters, unnatural movements, flickering, poor lighting, text, logos, and watermarks.
Hollywood, it's time to be worried. AI is coming for the throne.
Create a 30-second ultra-realistic cinematic science-fiction military sequence in 16:9 widescreen at 24 FPS. The visual quality should resemble a high-budget Hollywood alien-invasion film, with photorealistic CGI, physically believable motion, highly detailed environments, realistic materials, sophisticated camera movement, cinematic lighting, and professional sound design. SCENE 1 — GIANT ALIEN CREATURE: Open with a low-angle cinematic shot of a gigantic, terrifying alien creature standing in a destroyed modern city. The creature has rough, pale gray-beige skin, deep wrinkles, organic armor-like folds, a massive skull, two enormous curved horns extending outward and downward, faintly glowing cyan-blue eyes, and a wide mouth filled with irregular yellowish sharp teeth. The creature advances toward the camera and suddenly opens its mouth to release a powerful roar. Show detailed facial movement, stretching skin, visible teeth, a dark throat, and realistic movement of the head and shoulders. Behind the creature are damaged skyscrapers, shattered windows, partially collapsed buildings, thick gray smoke, drifting dust, and small fires. Use overcast daylight, desaturated colors, realistic atmospheric haze, and subtle camera shake. SCENE 2 — FUTURISTIC COMBAT MECH: Cut to a wider battlefield shot showing the giant horned alien and a massive humanoid military combat mech. The mech has heavy white armor, orange identification stripes, dark mechanical joints, hydraulic components, large articulated limbs, battle-worn surfaces, scratches, grime, and small illuminated indicators. The machine advances through the destroyed street with heavy mechanical steps. Its legs articulate realistically, its armored body shifts with each movement, and dust rises around its feet. The alien remains aggressive nearby. Frame both enormous figures against the devastated city to emphasize their scale. Use low-angle tracking, natural motion blur, detailed mechanical animation, realistic debris, and physically convincing weight. SCENE 3 — MILITARY AIRCRAFT: Cut to a wide establishing shot of a devastated modern city filled with damaged high-rise buildings, smoke columns, fires, broken rooftops, rubble, and airborne dust. Multiple military helicopters and fighter jets fly through the smoky sky at different distances and altitudes. Track a helicopter moving across the battlefield. Other aircraft remain visible in the background, partially obscured by smoke and atmospheric haze. Maintain realistic aircraft proportions, believable flight movement, rotating helicopter blades, and cinematic depth. SCENE 4 — HELICOPTER APPROACH: Show a military helicopter passing close to the camera, with its dark fuselage and rapidly spinning rotor filling the foreground. The ruined skyline, distant aircraft, smoke, and fires remain visible behind it. Follow the helicopter with a dynamic tracking shot, then transition naturally into the aircraft interior. SCENE 5 — FEMALE FIELD REPORTER: Inside a dark military transport helicopter, reveal a young East Asian woman seated near the open side doorway. She has realistic facial features, dark hair tied back loosely, a few strands framing her face, and a serious, focused expression. She wears a dark navy or charcoal tactical-style jacket and a military communication headset. She holds a handheld microphone close to her mouth and appears to deliver a live field report. Her facial appearance, hairstyle, clothing, headset, microphone, and seating position must remain consistent throughout the sequence. Beside the open doorway, a heavily equipped soldier wears dark tactical armor, a helmet, gloves, protective equipment, and a backpack. He holds a rifle in a ready position and watches the battlefield outside.