Desde X · Transferencia de movimiento
Prompts de Motion Control y transferencia de movimiento
Prompts de video con Motion Control y transferencia de movimiento, reunidos de publicaciones públicas en X. Pruébalos en Oraclip con crédito a sus creadores.
Wrong Train Subway Comedy
A confident young woman accidentally ends up on the wrong subway train, while a playful stranger who tried to warn her gets pulled into an increasingly ridiculous situation. MAIN CHARACTER — WOMAN Use the uploaded image as the exact visual reference for the woman. Preserve her face, identity, skin tone, hair, body proportions and overall appearance throughout the entire video. OUTFIT: cropped cream-colored bomber jacket over a fitted black ribbed tank top, high-waisted wide-leg charcoal trousers, black leather ankle boots, small silver hoop earrings and a delicate silver necklace. Modern, stylish streetwear. Keep the outfit identical in every shot. MAIN CHARACTER — MAN Young man with short black hair, oversized forest-green sweatshirt, relaxed black cargo trousers and clean white sneakers. Playful and confident at first, gradually becoming confused and embarrassed. STORY A crowded subway platform during evening rush hour. The woman suddenly notices her train is about to leave and rushes toward it. She reaches the doors at the last second and jumps inside. Through the closing glass doors, the man notices something immediately. She is on the wrong train. He frantically points toward the platform sign, trying to warn her. She misunderstands him and gives him an irritated look. The doors close. The train begins moving. She looks around the unfamiliar carriage. Then she notices the station displayed on the electronic screen. Her expression slowly changes. She looks directly at the man. He gives her an awkward little wave. She points at the station display. He points toward the opposite direction. She crosses her arms. He shrugs. Suddenly, the train brakes hard. She loses her balance and grabs the man's sweatshirt to steady herself. The force pulls him forward, and he awkwardly drops onto a subway seat. Silence. Everyone looks at him. She remains standing perfectly calmly. He slowly looks up at her, completely embarrassed. A passenger nearby starts laughing. Another passenger joins in. The man tries to stand up with dignity—but his backpack gets caught on the seat handle and yanks him backward again. The entire carriage bursts into laughter. Even the woman can't hold back anymore. When the train reaches the next station, the doors open. She steps out, turns around and gives him a tiny mischievous smile. He points at her in disbelief. She simply waves goodbye and walks away. The doors close between them as he sits there, still trying to understand what just happened. VISUAL STYLE Ultra-realistic subway environment, cinematic live-action photography, authentic carriage details, realistic fluorescent lighting, reflections on glass, subtle handheld camera movement, natural motion blur, realistic crowd reactions, believable body movement and physics, expressive facial acting, perfectly timed physical comedy, gritty documentary-inspired texture combined with polished feature-film cinematography. AUDIO Authentic subway ambience, train movement, rail vibration, station announcements, footsteps, door chimes, passenger chatter and natural laughter. No background music. STRICT CONSISTENCY Use the uploaded image as the exact visual reference for the woman. Maintain identical identity, face, hairstyle, body proportions and outfit throughout the entire sequence. No identity drift, outfit changes, duplicated people, disappearing characters, teleportation, distorted hands, unrealistic physics, CGI appearance, gore, blood, subtitles, captions, text, logos or watermarks.
Joseon royal kitchen comedy microdrama
60秒垂直短劇，9:16，韓國古裝劇（Sageuk）風格（帶輕喜劇元素），說中文。 場景：朝鮮中宗時期（16世紀），宮中御膳房與中宗寢殿，木造結構、紙窗、傳統灶台與陶器。 角色設定： 徐長今（Seo Jang-geum）<<<Image4>>> ：25歲，醫女兼御廚天才。臉孔甜美卻帶妖豔魅力——杏眼含情、櫻桃小嘴、鼻樑秀挺，笑容時甜美純淨，側臉或低頭時又透著誘人風情，皮膚白皙如玉。黑長直髮以粉色布條鬆鬆束起，幾縷細碎髮絲自然垂落臉側與頸間。穿典型朝鮮時代淡粉色韓服（Chima-jeogori），上衣短小貼身，突出腰身曲線，裙擺寬大素雅；袖口微微捲起。個性聰慧堅強、善良細心、廚藝精湛但面對感情時會害羞。 中宗（King Jungjong） <<<Image2>>> ：45歲，朝鮮第11代國王。臉容清瘦憔悴（因重病），蓄著整齊短鬍，眉宇間帶帝王威嚴與疲憊，眼神銳利。黑髮束起戴翼善冠，穿黃色龍袍（病中稍顯寬鬆）。個性嚴苛但內心孤獨。 閔政浩（Min Jeong-ho） <<<Image3>>> ：28歲，宮中武官/長今的愛慕者。斯文小白臉憂鬱帥哥類型——五官精緻柔和，劍眉細長、丹鳳眼帶有淡淡憂鬱，鼻樑高挺，嘴唇薄而優雅，皮膚白皙，氣質溫潤如玉卻隱藏堅毅。黑髮以冠帽整齊束起，穿深藍色官服（官員常服），腰配長劍。個性忠義勇敢、溫柔深情，對長今有強烈保護欲。 拍攝風格：典型韓國古裝劇質感，使用Arri Alexa與Cooke S4鏡頭拍攝，暖黃懷舊色調（大量暖光與木質紋理），輕微膠片顆粒，強調紙窗透光與燭火氛圍，後半段加入輕喜劇效果。 分鏡腳本： 0-3s：中宗臥床，臉色疲憊，咳嗽一聲然後嚴厲地說中文：「長今，限你一小時做出年糕，否則關入大牢！」 3-6s：徐長今跪地領命，表情堅定卻帶緊張，快速起身奔向御膳房。 6-9s：徐長今在灶台前忙碌，快速料理蒙太奇：切年糕、炒辣醬、燉高湯，動作熟練快速，裙襬隨動作輕晃。 9-12s：徐長今試味道，微微出汗，甜美妖豔的臉龐帶著專注，碎髮貼在臉側。 12-15s：時間緊迫，徐長今加快翻炒，辣炒年糕色澤紅亮香氣四溢。 15-18s：閔政浩因擔心快步跑進御膳房，焦急尋找徐長今。 18-21s：他從拿著長木筷正在攪拌辣炒年糕的徐長今身後輕輕抱住她，低聲：「長今，別怕，我陪妳。」 21-24s：徐長今受驚，舉起沾了紅色辣醬的長木筷想反擊，轉身時被政浩壁咚壓在紙窗邊。 24-27s：紙窗透光映照兩人身影，政浩憂鬱深情的丹鳳眼注視徐長今。 27-30s：政浩低頭曖昧親吻徐長今，徐長今先驚訝，隨後慢慢閉眼。 30-33s：在紙窗邊，兩人深情擁吻，政浩一手扶她腰，背景鍋中辣炒年糕繼續冒熱氣。 33-36s：長今輕推政浩，喘息說中文道：「大人……現在不是時候……」 36-39s：政浩微笑幫她整理碎髮，長今迅速完成擺盤。 39-42s：長今端著辣炒年糕與政浩快步前往中宗寢殿。 42-45s：中宗用筷子夾起辣炒年糕試吃一口後，突然露出滿意表情，身體輪廓微微發亮，頭旁邊飄出各種可愛emojis，搭配「WOW～」搞笑音效。 45-48秒：長今與政浩低頭謙卑並肩站立聽訓，中宗說中文誇獎道：「果然好吃！朕決定赦免你今日之罪。」 48-51秒：中宗繼續說：「長今，妳果然是宮中第一奇女子。」 51-54秒：身後，政浩偷偷抓住長今一隻手緊握，長今突然害羞低頭微笑，甜美妖豔的臉頰微紅。 54-57秒：周邊皇宮老臣們看到這一幕，也竊竊私語、掩嘴偷笑。 57-60秒：中宗察覺兩人異樣，忍不住大笑出聲，畫面在溫馨笑聲中緩慢淡出。
Man freezes time in plaza
Create a cinematic, photorealistic scene in a European plaza with a stone fountain and outdoor café. A man in a dark suit snaps his fingers, freezing time as a huge fountain spray hangs motionless in the air. He calmly walks through the water, takes a wine glass from a frozen waiter, catches droplets inside, adds lemon, and adjusts a patio umbrella. He tilts the umbrella, snaps his fingers again, and time resumes—the water sparkles in sunlight, creating a spectacular full rainbow over the café as everyone reacts in amazement. He sips the drink, looks into the camera, and says in Russian
Rainy bedroom MiniDV home video
Cold blue-gray light through the rainy window, with a very weak warm bedside lamp. Dark cloudy sky, muted colors, soft shadows, slightly underexposed interior. Peaceful, sleepy, intimate atmosphere. **Style:** Ultra-realistic early-2000s Sony MiniDV home video filmed by another person holding the camcorder. Completely candid and unstaged. Natural handheld movement, subtle human shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle low-light digital noise and microphone noise. **IMPORTANT MOTION RULE:** Smooth continuous real-time motion throughout. No stuttering, judder, frame skipping, duplicated frames, stop-motion appearance, excessive motion blur, speed changes, artificial slow motion or low-frame-rate look. Vintage appearance must come from authentic MiniDV image characteristics, not reduced frame rate. ### MULTI-SHOT SEQUENCE — 15 SECONDS **SHOT 1 — ENTERING THE ROOM | 00:00–00:03** The camera is already inside the dim bedroom, pointed toward the doorway. She slowly walks into the room after coming in from the rainy outside corridor, looking slightly sleepy. Her long hair is visibly damp, with a few strands stuck to her cheeks and neck. She quietly closes the door behind her and walks toward the bedroom. The camera operator gently follows her from several steps behind. Natural handheld framing, slight imperfect reframing. **SHOT 2 — NOTICING HER WET HAIR | 00:03–00:06** Cut to a closer side angle near the bedroom window. She stops beside the window and touches the ends of her damp hair with her fingers. She looks at the wet strands, then lightly squeezes a small section between her fingers. A few tiny droplets fall onto the sleeve of her maroon hoodie. She looks down at the droplets with a faint amused expression. **SHOT 3 — GRABBING THE TOWEL | 00:06–00:09** Cut to a wider bedroom angle. She notices a small towel hanging over the back of a chair. She walks over, picks it up and casually drapes it over her head. She doesn't rush. She simply stands there for a moment, then starts gently rubbing her hair through the towel. The camera makes a small natural adjustment as the operator follows her movement. **SHOT 4 — DRYING HER HAIR | 00:09–00:12** Cut to a closer handheld shot. She slowly rubs the towel through her long hair, then pulls the towel back and shakes her hair loose. Her hair is slightly messy now. She looks toward the rainy window and absentmindedly brushes one damp strand away from her face. **SHOT 5 — LITTLE ENDING MOMENT | 00:12–00:15** Cut to an over-the-shoulder angle facing the rainy window. She stands quietly beside the glass, towel resting around her shoulders. She watches the rain for a moment, then lightly touches one damp strand of hair and gives a tiny sleepy smile. The camera gently drifts toward the rain-covered window as the shot ends. **Audio:** Natural location sound only—steady rain against the window, faint distant traffic, subtle wind, soft footsteps, quiet door movement, towel and fabric sounds, faint room ambience. No music, narration or added sound effects. **Performance:** She should behave completely naturally and calmly, as if nobody is watching. No exaggerated acting, no deliberate posing, no dramatic expressions. Her tiny reactions should feel spontaneous and almost accidental. **Continuity:** Maintain the exact same woman, facial identity, hairstyle, clothing, body proportions and apartment layout across every shot. Do not transform the background between cuts. The rainy window remains a physical window throughout; walls must never turn into windows, doors or openings
Blackout Floor 5 Zombie Horror
Character = Image1 1 (0–1s): Power cuts in dim apartment hallway; A’s phone flashlight activates. 2 (1–1.8): Wide stairwell; weak emergency lights flicker, residents emerge confused. 3 (1.8–2.6): Resident below convulses near open door; veins darken rapidly. 4 (2.6–3.4): He turns with clouded eyes and violently attacks a neighbor. 5 (3.4–4.2): Screams echo upstairs; residents freeze, flashlights swing downward. 6 (4.2–5): A peers over railing, briefly seeing chaos below. 7 (5–6): Infected convulses at stair base; residents retreat inside. 8 (6–7): Infected rises and races upstairs unnaturally fast. 9 (7–8): A backs away, realizing infection is climbing toward her floor. 10 (8–9): Wide stairwell; flashlight beams crisscross in panic. 11 (9–10): Neighbor from 4B warns everyone to lock themselves inside. 12 (10–11): Infected reaches third floor and attacks a resident. 13 (11–12): A slams and deadbolts her apartment door. 14 (12–13): Close-up: door number “5C” illuminated by flashlight. 15 (13–14): Infected pound and claw outside; A retreats into darkness. 16 (14–15): Newly bitten resident turns rapidly, veins darkening, joins the climb. 17 (15–16): Horde surges upward through dark stairwell. 18 (16–17): A grabs heavy flashlight and cast-iron pan, bracing by door. 19 (17–18): Door splinters under pounding; A retreats toward window. 20 (18–19): Neighbor from 5D tells her to use the shared balcony. 21 (19–20): A climbs onto narrow balcony ledge, flashlight in teeth. 22 (20–21): Her door bursts open as she reaches neighbor’s balcony. 23 (21–22): Neighbor pulls her inside and locks balcony door. 24 (22–23): Wide stairwell; infected continue climbing floor by floor. 25 (23–24): Close-up: A grips cast-iron pan as pounding starts again. 26 (24–25): Door bursts open; A strikes first infected with pan. 27 (25–26): Both shove a bookshelf against the doorway as barricade. 28 (26–27): Pounding continues; flashlight battery begins fading. 29 (27–28): Exterior wide shot; flashlight beams flicker through windows across floors. 30 (28–30): A and neighbor huddle in darkness; flashlight dies, distant pounding echoes. End on tense cinematic vertical-horror shot.
Create with seedance 2.5 Prompt Create a high-quality, cinematic 3D anim
Create a high-quality, cinematic 3D animated comedy video featuring a stylish young woman and an adorable little toddler in a modern, luxurious living room. The young woman has a high brown ponytail, expressive large eyes, gold hoop earrings, delicate gold jewelry, and wears a fitted pink crop top, matching pink cycling shorts, and white sneakers. The toddler has messy blonde hair, big expressive blue eyes, and wears a cute light-gray T-shirt with denim shorts. Scene 1: The woman rushes toward the gray sofa and adjusts a cushion, moving quickly with exaggerated, funny expressions. Scene 2: She notices the mischievous toddler standing beside the sofa, surrounded by scattered toys. She places her hands on her hips and gives him a stern, disapproving look. Scene 3: The toddler suddenly surprises her by holding up a smartphone with a playful smile. The woman bends down, staring at the phone with wide eyes and a shocked, hilarious expression. Scene 4: Show a close-up of their faces, highlighting the toddler's innocent, cheeky grin and the woman's exaggerated surprise. Use expressive facial animation and perfectly timed comedic reactions. Environment: A beautiful modern living room with a large gray sofa, floor-to-ceiling windows, sheer white curtains, warm sunlight, wooden flooring, and a peaceful green garden outside. Visual Style: Ultra-detailed 3D animation, premium Pixar-inspired cartoon aesthetics, realistic fabric textures, smooth character movements, expressive eyes, soft cinematic lighting, natural shadows, vibrant colors, shallow depth of field, and professional camera movements. Technical Requirements: 4K quality, 16:9 aspect ratio, smooth animation, consistent character designs, realistic physics, cinematic composition, and perfectly synchronized facial expressions. Negative Prompt: Blurry visuals, distorted faces, extra fingers, deformed hands, inconsistent characters, unnatural movements, flickering, poor lighting, text, logos, and watermarks.
Hollywood, it's time to be worried. AI is coming for the throne.
Create a 30-second ultra-realistic cinematic science-fiction military sequence in 16:9 widescreen at 24 FPS. The visual quality should resemble a high-budget Hollywood alien-invasion film, with photorealistic CGI, physically believable motion, highly detailed environments, realistic materials, sophisticated camera movement, cinematic lighting, and professional sound design. SCENE 1 — GIANT ALIEN CREATURE: Open with a low-angle cinematic shot of a gigantic, terrifying alien creature standing in a destroyed modern city. The creature has rough, pale gray-beige skin, deep wrinkles, organic armor-like folds, a massive skull, two enormous curved horns extending outward and downward, faintly glowing cyan-blue eyes, and a wide mouth filled with irregular yellowish sharp teeth. The creature advances toward the camera and suddenly opens its mouth to release a powerful roar. Show detailed facial movement, stretching skin, visible teeth, a dark throat, and realistic movement of the head and shoulders. Behind the creature are damaged skyscrapers, shattered windows, partially collapsed buildings, thick gray smoke, drifting dust, and small fires. Use overcast daylight, desaturated colors, realistic atmospheric haze, and subtle camera shake. SCENE 2 — FUTURISTIC COMBAT MECH: Cut to a wider battlefield shot showing the giant horned alien and a massive humanoid military combat mech. The mech has heavy white armor, orange identification stripes, dark mechanical joints, hydraulic components, large articulated limbs, battle-worn surfaces, scratches, grime, and small illuminated indicators. The machine advances through the destroyed street with heavy mechanical steps. Its legs articulate realistically, its armored body shifts with each movement, and dust rises around its feet. The alien remains aggressive nearby. Frame both enormous figures against the devastated city to emphasize their scale. Use low-angle tracking, natural motion blur, detailed mechanical animation, realistic debris, and physically convincing weight. SCENE 3 — MILITARY AIRCRAFT: Cut to a wide establishing shot of a devastated modern city filled with damaged high-rise buildings, smoke columns, fires, broken rooftops, rubble, and airborne dust. Multiple military helicopters and fighter jets fly through the smoky sky at different distances and altitudes. Track a helicopter moving across the battlefield. Other aircraft remain visible in the background, partially obscured by smoke and atmospheric haze. Maintain realistic aircraft proportions, believable flight movement, rotating helicopter blades, and cinematic depth. SCENE 4 — HELICOPTER APPROACH: Show a military helicopter passing close to the camera, with its dark fuselage and rapidly spinning rotor filling the foreground. The ruined skyline, distant aircraft, smoke, and fires remain visible behind it. Follow the helicopter with a dynamic tracking shot, then transition naturally into the aircraft interior. SCENE 5 — FEMALE FIELD REPORTER: Inside a dark military transport helicopter, reveal a young East Asian woman seated near the open side doorway. She has realistic facial features, dark hair tied back loosely, a few strands framing her face, and a serious, focused expression. She wears a dark navy or charcoal tactical-style jacket and a military communication headset. She holds a handheld microphone close to her mouth and appears to deliver a live field report. Her facial appearance, hairstyle, clothing, headset, microphone, and seating position must remain consistent throughout the sequence. Beside the open doorway, a heavily equipped soldier wears dark tactical armor, a helmet, gloves, protective equipment, and a backpack. He holds a rifle in a ready position and watches the battlefield outside.
What happens when 3 adorable kittens enter Halloween mode?
A 12-second, vertical 9:16 smartphone video in a photorealistic style. Character References: Image 1 Image 2 Image 3 Background Music Reference: Video 1 Actions and Camera Transitions: 0–2 seconds: Medium close-up. Three kittens stand side by side, facing the camera. The witch cat Image 1 stands in the center, looking cute and slightly curious. The other two kittens gently tilt and turn their heads. 2–4 seconds: All three kittens move forward together with playful, rhythmic steps. The witch cat leads, lifting its tiny front paws as if dancing. The camera gradually pulls back to reveal their full bodies and the surrounding nighttime street. 4–8 seconds: Full-body shot. The kittens perform a cute, synchronized Halloween dance. Their costumes sway naturally with every step. The witch cat briefly turns sideways, completes a full spin to reveal the back of its costume, then faces the camera again and continues dancing forward. 8–12 seconds: The camera gradually moves closer. The witch cat walks directly toward the camera, bouncing gently and lifting its front paws. The other two kittens follow behind, remaining visible. End with a close-up of the witch cat’s round face and adorable expression. Pro tip: Use consistent character references and a music reference to guide the look, movement, and rhythm of your video.
Pharmacy body-horror chase sequence
Create a 30-second ultra-realistic Korean horror sequence, set inside a cramped neighborhood pharmacy late at night. Cinematic live-action quality, unsettling atmosphere, practical horror effects, realistic human movement, and a continuous sequence that feels like a scene from a Korean supernatural horror film. A young Korean woman enters the dimly lit pharmacy, clutching a folded prescription. She looks exhausted, occasionally glancing toward the darkened aisles. Only the pharmacist is present. She places the prescription on the counter and quietly asks for her medication. The pharmacist turns toward the shelves to locate the medicine. A barcode scanner beeps repeatedly. The sound becomes strangely prolonged as the overhead fluorescent tubes flicker. The woman suddenly stops breathing normally. Her hand tightens around the prescription, and her fingertips begin jerking in tiny, involuntary movements. The pharmacist turns back. Her shoulders are trembling. Her fingers slowly curl inward, joints locking into unnatural positions. Without warning, her body snaps into violent spasms, slamming against the counter. Bottles tumble from nearby shelves. The pharmacist stumbles backward, visibly terrified. She drops behind the counter. For a moment, everything goes quiet. Then her body rises in slow, mechanical movements. Her eyes remain wide and unfocused, her face expressionless. One shoulder hangs at an unnatural angle, while her arms appear stiff and distorted. She tilts her head sharply to one side and fixes her gaze on the pharmacist. He retreats toward the store entrance. Her elbows suddenly fold backward with a disturbing, unnatural motion. Her jaw stretches open far beyond normal anatomy as a harsh, inhuman shriek fills the narrow pharmacy. She launches herself over the counter with sudden, explosive speed. The pharmacist runs through the tight aisles. She follows with jerky, impossible movements, knocking medicine cartons and glass bottles onto the floor. A late-night customer pushes open the entrance door and freezes at the sight of her standing motionless between the shelves. She slowly turns her head toward the newcomer. A sudden burst of movement. The customer flees, slips on a fallen basket, and scrambles toward the exit. The pharmacist grabs a fire extinguisher from the wall, pulls the safety pin with trembling hands, and sprays a thick cloud of white powder directly at her. She staggers backward into a glass cabinet. The glass rattles violently. Through the powder, her silhouette gradually straightens. Her face is coated white, her eyes locked on the pharmacist. She opens her mouth into another impossible scream and charges. The pharmacist keeps spraying while retreating toward the entrance. She crashes through the glass storefront door, sending shards across the deserted street. Her twisted limbs jerk violently as she disappears into the darkness. The pharmacist and customer remain frozen in silence. Final shot: Interior CCTV footage. Empty aisles, flickering fluorescent lights, scattered medicine boxes, and a faint haze of extinguisher powder. The camera remains fixed. After several seconds, a single medicine carton slides slowly off a shelf and hits the floor. Hard cut to black. Visual direction: Authentic Korean supernatural horror, grounded performances, physically believable environments, unsettling body-horror transformations, realistic practical effects, natural handheld camera movement, cold desaturated color palette, detailed pharmacy textures, dramatic sound design, no artificial-looking CGI, no montage, and no text overlays. Maintain continuity of character appearance, store layout, and lighting throughout the sequence
Recreated this funny video on kling Prompt: Create a hilarious, ultra-re
Create a hilarious, ultra-realistic 12-second viral-style video using the uploaded image. Keep the stylish Black woman, her face, curly hairstyle, sunglasses, clothing, and sparkling green classic 1967 Corvette consistent.The woman cruises confidently down a sunny street while the camera tracks beside the car. Her curls bounce gently, the wheels spin realistically, and the pink paint sparkles dramatically. Suddenly, a tiny white and greenold car pulls alongside and revs its engine. She slowly lowers her sunglasses, gives the driver a hilarious side-eye, and speaks in a warm, confident, expressive Black American woman's voice with natural comedic timing:"Baby... don't pull up beside me making lawn-mower noises! This is a Corvette, not a carpool!"She laughs, flips her curls, and smoothly speeds away as the other car coughs, sputters, and releases one tiny puff of smoke. End with her shouting:"Pink power, baby! Catch me if your engine can!"Add energetic old-school funk music, realistic engine sounds, perfect lip-sync, exaggerated facial expressions, cinematic motion blur, quick reaction cuts, and bold closing textiạiWHEN GRANDMA'S CORVETTE HAS MORE ATTITUDE THAN YOU! "Vertical 9:16 format, hyper-detailed 4K, bright cinematic lighting, funny but classy, fast-paced, loopable ending, made for TikTok, Instagram Reels, and YouTube Shorts.
Good morning, everyone, and happy Tuesday Now that Monday is gone, we
Ultra-realistic cinematic close-up of an elegant female android awakening inside a sterile futuristic laboratory, intricate chrome machinery unfolding around her skull like mechanical petals, dozens of articulated robotic arms reconnecting
Night market horror outbreak chase
Create a 30-second ultra-realistic Japanese horror-action sequence set inside a crowded traditional Japanese night market during a busy evening 0–5 seconds: A vibrant night market is packed with people, glowing lanterns, food stalls and narrow crowded streets. A young female vendor suddenly notices every customer around her becoming completely still at the exact same moment. A steaming bowl falls from her hand and crashes onto the ground. She looks around in confusion as the entire market goes silent 5–10 seconds: Without warning, every lantern in the market goes out simultaneously. A terrifying scream erupts from somewhere deep inside the market. People suddenly start running in panic as a mysterious blood-covered man crashes through a food stall. The vendor grabs a frightened little girl and pulls her away from the crowd 10–17 seconds: The vendor drags the girl through a narrow alley between market stalls while terrified people rush past them. Behind them, several infected figures begin chasing through the market. She spots a small metal service door and forces it open, pushing the girl inside 17–23 seconds: They enter a dark storage corridor beneath the market. The vendor locks the door behind them. Heavy impacts suddenly begin hitting the other side. She grabs a metal pole and slowly backs away with the girl 23–27 seconds: The impacts suddenly stop Complete silence The vendor looks at the locked door Then a quiet voice whispers from behind them “Don’t open that door” The vendor freezes 27–30 seconds: She slowly turns around The little girl is standing completely still Her eyes are now unnaturally dark The girl smiles Cut to black Photorealistic live-action Japanese horror-thriller, authentic Japanese night market environment, realistic food stalls and lanterns, natural crowd behavior, practical-effects horror, realistic physics, believable infected movement, natural facial expressions, handheld cinematic camera, dynamic tracking shots, intense close-ups, atmospheric night lighting, realistic panic and reactions, escalating suspense, strong visual storytelling, diegetic sound only, no music, no narration, no excessive gore, no graphic injuries, no animation, no anime, no cartoon, no artificial CGI look, no distorted anatomy, no subtitles, no random text
Miniature chocolate factory production time-lapse
Create a 30-second vertical 9:16 ultra-photorealistic miniature chocolate factory time-lapse. Hundreds of tiny realistic workers operate a massive industrial factory producing thousands of chocolate bars in bulk. Production flow: 0–3s — Workers unload cocoa beans → conveyor → roasting. 3–6s — Roasted beans → crushing → grinding into chocolate paste. 6–9s — Paste → mixing tanks → smooth liquid chocolate. 9–12s — Fillings added → tempering machines. 12–15s — Liquid chocolate fills hundreds of molds. 15–18s — Leveling → inspection → cooling tunnel. 18–21s — Solid bars emerge → demolding → quality control. 21–24s — Bars enter high-speed wrapping machines. 24–27s — Wrapped bars → cardboard cartons → pallets. 27–30s — Forklifts load pallets into trucks → camera rapidly pulls back to reveal the entire busy factory. Style: Photorealistic live-action miniature, hundreds of workers, realistic stainless-steel machinery, conveyors, glossy chocolate, macro cinematography, natural industrial lighting, 4K HDR, 24fps, shallow DOF. Rules: Every ingredient must physically move through each stage. Fast but clearly readable production. No magical appearance, teleportation, floating objects, disappearing chocolate, worker glitches, duplicated workers, cartoon/CGI/toy appearance, text, logos or watermark. Final shot: Huge factory running at full capacity with thousands of finished chocolate bars.
Paraglider crash meets military officer
Create a hyper-realistic cinematic Korean drama sequence, 30 seconds, 2.39:1 widescreen. A young East Asian woman in elegant outdoor clothing is violently carried off course while paragliding through a massive mountain storm. Heavy wind, rain and clouds surround her as the landscape disappears beneath her. Her parachute collapses partially and she makes a desperate emergency landing in a remote forested mountain valley. CUT TO: dawn. She wakes alone in wet grass, frightened and disoriented, surrounded by towering pine trees, mist and distant mountains. Her breathing is visible in the cold air. A mysterious young military officer in a dark field uniform silently appears between the trees. He watches her cautiously from a distance. She freezes. Their eyes meet. He notices that she is injured and quietly approaches, removes his military coat and places it over her shoulders without saying a word. Close-up: her surprised expression. Close-up: his restrained, protective expression. They begin walking through the foggy forest together as soft sunlight breaks through the clouds. Their footsteps crunch through wet leaves. Final shot: wide cinematic composition of the two walking side by side through an enormous mist-covered mountain landscape, tiny against the environment. Ultra-realistic human faces, natural Korean drama performances, subtle micro-expressions, realistic wet fabric and skin, physically accurate rain and wind, atmospheric volumetric fog, cinematic natural lighting, shallow depth of field, realistic handheld camera movement, anamorphic lens characteristics, subtle film grain, premium color grading, emotionally restrained romance, dramatic pacing, photorealistic 4K detail. No subtitles, no text, no logos, no exaggerated acting, no fantasy elements, no cartoon appearance
Sniper scene revealed as film set
Create a 30-second ultra-photorealistic cinematic sequence designed to look like genuine live-action footage from a major action film, with a hidden reveal in the final seconds. 0–5s: Open inside a dark abandoned concrete building at dusk. A professional marksman lies behind cover, watching a distant industrial city through a narrow opening. Extreme close-ups of his eyes, subtle breathing, realistic skin texture, dust floating through the light, natural wind and distant city ambience. 5–10s: Slowly reveal the marksman and his precision rifle from a cinematic side angle. He appears completely serious and focused. The distant city looks enormous and completely real. Use realistic atmospheric perspective, natural lens compression and subtle handheld camera movement. 10–16s: Cut between the marksman's eyes, the rifle silhouette and the distant skyline. The camera slowly moves toward the opening. Far in the distance, something small appears to be the intended target, but never clearly reveal what it is. Build intense suspense while keeping everything grounded and realistic. 16–21s: Return to an extreme close-up of the marksman's eyes. He steadies himself, pauses, and takes the shot. Show a brief physically believable muzzle flash and subtle recoil. No blood, injury or human impact. 21–25s: Follow the cinematic action toward the distant city. At first it appears that the shot has traveled toward a real distant target. Keep the camera movement dramatic but realistic. 25–27s: Suddenly reveal something unexpected: the camera pulls wider and exposes the edge of the “city.” The enormous urban environment is actually a massive film set built inside a gigantic studio. Buildings, streets and the skyline are revealed as an incredibly detailed practical movie set. 27–30s: Continue pulling backward. Reveal film lights, large cinema cameras, crew silhouettes and production equipment surrounding the set. The “sniper” is actually an actor performing a scene. He lowers the rifle and casually looks toward the director. Cut to black immediately. STYLE: Extreme photorealism, authentic live-action cinematography, realistic human anatomy, natural facial expressions, physically believable lighting, realistic dust and atmosphere, cinematic 35mm lens characteristics, subtle film grain, realistic depth of field and premium blockbuster production design. The first 25 seconds must look completely indistinguishable from a serious real action-film scene. The reveal should happen naturally and progressively rather than feeling like a sudden CGI transition. The audience should initially believe they are watching a real sniper sequence, then realize they were watching a movie being filmed. IMPORTANT: Keep the weapon action cinematic and non-instructional. No graphic violence, blood, injuries or identifiable real-world targets. AVOID: Obvious CGI, fantasy effects, exaggerated muzzle flashes, impossible recoil, distorted hands, warped weapons, duplicated people, inconsistent environments, unrealistic camera movement, text, subtitles or logos.
Futuristic rooftop rocket strike cinematic
0–3 SEC — THE THREAT A futuristic warzone at dusk. An adult female game character in tactical armor stands on a ruined rooftop as a heavily armored **fictional combat helicopter** sweeps between skyscrapers. Dust and debris blow across the scene. The camera rapidly pushes toward her as she turns toward the incoming aircraft. 3–6 SEC — THE AIM She shoulders a stylized fictional rocket launcher and steadies herself against the rooftop. Close-up of her focused expression, then a cinematic over-the-shoulder view as the helicopter moves across the sky. HUD-style targeting graphics briefly lock onto the aircraft. **6–9 SEC — THE LAUNCH** She fires. A bright rocket streaks across the sky with a dramatic smoke trail. The camera follows it in a fast tracking shot while the helicopter attempts a sharp evasive turn. 9–12 SEC — IMPACT The projectile strikes the helicopter. A spectacular **game-style explosion** erupts in midair—fire, sparks, smoke, and fragments scattering across the sky. The helicopter spins away and begins descending behind the buildings. 12–15 SEC — HERO SHOT The character lowers the launcher and walks forward through drifting smoke. The camera circles behind her, revealing the burning skyline in the distance. Dramatic music hits as the screen cuts to black with a fictional game-title reveal. STYLE: AAA cinematic video-game trailer, photorealistic game graphics, Unreal Engine-style rendering, realistic character animation, believable weight and movement, dynamic handheld camera, dramatic volumetric lighting, detailed futuristic environment, cinematic depth of field, realistic smoke and fire simulation, high-quality particle effects, anamorphic lens flares, rich color grading, 4K/8K detail. **IMPORTANT VISUAL DIRECTION:** Entirely fictional video-game world, stylized fictional weapons and aircraft, cinematic spectacle rather than real-world instructional detail, no real military branding, no gore, no civilian casualties, no text or watermark.
E.C.H.O. Sci-Fi Trailer
Cinematic sci-fi montage. 0-5s: Close-up of a scientist in a lab coat using a microscope, sepia-toned film grain. 5-12s: Extreme macro of a finger pressing a vintage orange button and a needle probe touching a microchip with glowing orange light. 12-20s: Close-up of a female android face with exposed internal circuitry and blue eyes. 20-28s: Top-down view of a complex circular clockwork machine and abstract head diagrams. 28-33s: Dark kitchen scene with a woman near a coffee machine. Moody lighting, high contrast, 35mm film aesthetic.
AI Woman Performing Rhythmic Dance
Medium shot of a young woman with Asian features and a ponytail. She wears a light blue ruffled off-the-shoulder top and tight grey shorts. 0-15s: She performs a rhythmic dance, pointing fingers, crossing arms, and swaying hips with a cheerful smile. Setting is a minimalist room with a dark wood door and bright indoor lighting. High-quality social media aesthetic.
12-Hour Flight Makeover Disaster Seedance 2.5 on Higgsfield Prompt: C
Create an ultra-realistic comedic video set at an American international airport passport-control counter. A young adult American woman with long light-brown hair arrives after a 12-hour flight, looking exhausted, with messy hair, smudged makeup, and wrinkled travel clothes. She approaches the passport officer and hands over her passport. The officer compares her passport photo with her tired appearance, looking increasingly confused. She checks the photo herself and gasps, saying, “Girl, who is that?!” Determined to look presentable, she opens her carry-on bag right beside the counter and performs an exaggerated travel makeover. Show quick, funny close-ups as she changes into a fresh cream-colored sweater, brushes her hair into soft waves, applies foundation, mascara, blush, and glossy lipstick, and checks her appearance in a compact mirror. The officer watches patiently as she adjusts her hair one final time, sprays a little perfume, and confidently presents her passport again. The officer compares the photo with her refreshed appearance, pauses, and finally stamps her passport with a subtle nod. She smiles triumphantly and says, “See? Same person. Better lighting!” She walks away confidently while the officer stares after her in disbelief. Photorealistic live-action comedy, realistic airport lighting, natural handheld camera movement, detailed makeup application, believable expressions, accurate lip synchronization, authentic airport ambience, and consistent character identity. Keep the makeover playful and non-suggestive. No magical transformations, no face swapping, no subtitles, no logos, and no watermarks.
Made with seedance 2.5 Prompt A busy Indonesian street market in daytime
A busy Indonesian street market in daytime. Small food and vegetable stalls, wooden carts, pedestrians, bicycles, tropical plants, realistic village-market atmosphere. CAMERA: Third-person movie-style footage filmed by another person. She does NOT hold the camera. Natural handheld movement, subtle camera shake, realistic reframing and focus changes. The scene should feel like a raw, realistic action movie sequence rather than a polished music video. No selfie perspective, no vlog style, no slow motion, no exaggerated visual effects. 00:00–00:03 — Market Confrontation The woman walks through a busy street market. Ahead, a local man is aggressively bothering another adult woman near a market stall. The woman notices what is happening and stops, watching for a moment. 00:03–00:06 — She Intervenes She steps forward and calmly tells the man to stop. The man turns toward her, surprised and irritated. He steps closer and challenges her. She remains composed and firmly gestures for him to back away. 00:06–00:10 — Fight Begins The man suddenly tries to shove her. She quickly steps aside and pushes him away to create distance. He comes toward her again, and a short, intense but non-graphic fight breaks out. She uses quick defensive movements to protect herself and force him backward. 00:10–00:13 — She Overpowers Him The woman confidently gains the upper hand, pushing the man off balance and forcing him down onto the ground. She immediately steps back rather than continuing the attack. The other woman moves away safely. 00:13–00:15 — Crowd Intervenes Several nearby market-goers rush over and separate them. The man gets back up, visibly frustrated but not seriously injured. The woman stands calmly, catching her breath, then checks that the other woman is okay. The scene ends naturally as the crowd gathers around them. FIGHT STYLE: Realistic defensive choreography, quick movements, believable reactions and physical momentum. No weapons, no blood, no graphic injuries, no killing, and no excessive violence. AUDIO: Natural Indonesian market ambience — vendors calling out, footsteps, bicycles, distant conversations, crowd reactions, natural shouting, and market sounds. No background music or artificial cinematic sound effects. IMPORTANT: Keep the action grounded and realistic. The woman is defending another person, not looking for a fight. Maintain her exact identity, hairstyle, body proportions, and outfit throughout the entire video.
Nostalgic schoolyard golden hour
Create a cinematic, nostalgic and melancholic video set in a rural schoolyard at golden hour: a child holds dew-covered wildflowers as sunlight creates warm lens flares, while schoolgirls in dark dresses and white collars run and twirl across wet pavement. Cut to an emotional close-up of a young girl with white bows crying, dew-covered cabbage glowing against the sunset, and a single yellow sunflower on a wooden desk in an empty classroom. End with the girl standing alone in the courtyard, sadly holding a large bouquet of sunflowers and wildflowers, looking toward the camera, with high-contrast film-like color grading and soft golden-hour lighting.
Purple-Haired Woman in Subway with Glowing Eyes
Cinematic montage of a Black woman with long purple hair in a high ponytail, wearing a black top and orange puffer jacket in a subway car at night. 0-8s: Low-angle and side tracking shots as she reads a book. 8-15s: Bird's-eye view and wide shots of the car. 15-24s: Close-ups reveal her eyes glowing bright orange with a Dutch angle finish. Realistic textures, warm interior lighting, motion blur.
Coastal downhill longboarding race
A cinematic high-speed downhill longboarding scene on a winding coastal mountain road overlooking a breathtaking turquoise ocean and a vibrant seaside city. Three young longboarders race downhill together, leaning aggressively into sweeping turns with realistic body weight shifts and fluid skating movements. The camera follows extremely close to the riders at ground level, alternating between dynamic tracking shots, wide aerial perspectives, and dramatic side-angle shots. Strong sense of speed, realistic road motion blur, wheels spinning rapidly, wind blowing through their hair and clothing, bright blue sky with detailed white clouds, lush green hills, sparkling ocean and coastal landscape in the background. Ultra-realistic cinematic photography, natural daylight, wide-angle lens, immersive action-camera perspective, smooth stabilized camera movement, high detail, realistic physics, energetic but elegant atmosphere, 4K, 24fps, seamless motion, no text, no logos, no watermark.
Now you can create realistic dance scenes using AI!
Ultra-cinematic Korean music video dance sequence featuring a beautiful young Korean girl performing stylish K-pop choreography alone on an atmospheric neon-lit Seoul night street. The video should feel like a real high-budget K-pop MV mixed with fashion-commercial cinematography, with continuous dynamic camera movement throughout the entire sequence instead of a fixed angle. The girl wears fashionable modern Korean streetwear: fitted blue jeans, stylish cropped top, layered silver accessories, trendy sneakers, soft natural makeup, and long flowing dark hair reacting naturally to movement, wind, and motion. She has elegant idol-like visuals, charismatic stage presence, confident expressions, and smooth professional dance performance energy. Environment: aesthetic empty Seoul alleyway at night with glowing Korean neon signs, convenience store lights, wet reflective pavement, cinematic haze, soft fog, blue-magenta neon glow, warm street lamps, distant headlights, urban reflections, atmospheric bokeh, and premium K-drama nightlife visuals. The street should feel cinematic, immersive, and stylish without distracting from the performer. The choreography flows naturally like a professional K-pop performance: intro pose, hand wave, hip sway, side-step movement, hair flip, arm extension, spin transition, mid-dance jump, sharp synchronized choreography pose, body roll, detailed footwork, dynamic lean, turning movement, confident stance, ending flourish, final cinematic pose facing camera. IMPORTANT: The camera itself constantly moves dynamically like a real music video production. Use cinematic camera movements throughout: slow dolly-in during intro, smooth side panning shots, tracking shots following footwork, low-angle moving shots, subtle handheld realism, dramatic push-in zooms, cinematic zoom-outs, orbit camera movement around spins, tilt-up shots during jumps, parallax motion between foreground and subject, dynamic reframing, Dutch-angle transitions, close-up to wide-shot transitions, sweeping gimbal movement, lens breathing effects, rack focus transitions, motion-blur camera sways, cinematic follow-cam energy, smooth Steadicam movement, high-fashion editorial framing, music-video-style camera choreography. The camera angles should constantly evolve: wide establishing shots, medium tracking shots, low-angle hero shots, dynamic side profiles, close-up emotional moments, full-body dance framing, cinematic over-the-shoulder movement, dramatic front-facing hero compositions. Visual style: ultra realistic, photorealistic Korean idol aesthetic, premium cinematic lighting, glossy reflections, dramatic rim lighting, volumetric fog, realistic fabric physics, natural skin texture, cinematic motion blur, realistic hair movement, shallow depth of field, highly detailed urban night atmosphere, luxury K-pop commercial look. The entire video should feel like a professionally directed Korean music video with fluid choreography and synchronized cinematic camera choreography. Strong emphasis on motion, camera dynamism, visual rhythm, and premium commercial energy rather than static dance framing. High detail, ultra cinematic, realistic motion capture feeling, premium Seoul nightlife atmosphere, fashion-editorial K-pop MV aesthetic, smooth continuous motion, visually immersive and modern. Prioritize cinematic camera motion and evolving shot composition over static centered framing. The video should feel like it was filmed by a professional K-pop music video crew using gimbals, handheld movement, tracking rigs, and cinematic lens transitions.